{"title":"Bass Pedals","description":"","products":[{"product_id":"metaldrive","title":"EBS Metaldrive","description":"\u003cp\u003e \u003cem\u003eThe EBS MetalDrive deliver pure, mean, metal distortion for bass - and beyond\u003c\/em\u003e\u003c\/p\u003e\n\u003ch2\u003eDistortion for bass!\u003c\/h2\u003e\n\u003cp\u003eEBS MetalDrive deliver high-gain distortion for use in modern metal music, and other music styles that call for a mean distorted sound.\u003c\/p\u003e\n\u003cp\u003eThe Black Label Pedals provide great tone for guitar, keyboard and other instruments as well. Smooth working effects with very little or no noise and a fat tone that keep the bottom solid.\u003c\/p\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":323743955,"sku":"EBS0005","price":249.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/metaldrive.jpg?v=1625126905"},{"product_id":"dynaverb","title":"EBS DynaVerb Studio Edition","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"ingress\"\u003e\u003cstrong\u003e\u003cem\u003eTHE EBS DYNAVERB STUDIO EDITION\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eOFFER EIGHT DIFFERENT TRUE STEREO DIGITAL REVERB EFFECTS, FROM ROOMS, TO PLATES, TO HALLS. ALL IN A COMPACT PEDAL.\u003c\/p\u003e\n\u003cdiv class=\"hr\"\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutstanding performance.\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eThe EBS DynaVerb Studio Edition use a 24-bit digital processing circuitry for outstanding and noiseless performance on stage and in the recording studio. It has stereo input as well as stereo out.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe foundation.\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eThe DynaVerb feature three different Modes or types of reverb -\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eRoom\u003c\/em\u003e,\u003cem\u003ePlate\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHall\u003c\/em\u003e. Room and Plate can run in three variations,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eA\u003c\/em\u003e,\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eB\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eC\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e(explained in detail in the manual), while the Hall reverb offers two variations A, B (C same as B). It makes a total of 8 different reverbs. The controls simply set the volume for the tone (\u003cem\u003eTone\u003c\/em\u003e), and how much of the reverb you'd like to blend in (\u003cem\u003eReverb\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSerial, or parallel.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eInside the box, you can change the pedal to run in parallel mode, if preferred in the studio.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEvolution.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe DynaVerb was first introduced in 2002. From the 2008 edition improvements added 3 dB higher headroom and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique. 2015 introduce a complete new design of the pedals looks, and adding a new signal relay type switch for secure and silent action, protection against overvoltage use up to 18V, possibilities to power the pedal with anything from 9-12V DC and an optimized signal path for studio quality sound.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNot just for the bass player.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe EBS DynaVerb Studio Edition is highly recommended to use with bass and keyboard. The Stereo in and out adds to the usability and the excellent sound quality is comparable to any studio rack unit. EBS now also offer a DynaVerb Guitar Edition, with a different tail suited especially for use with guitar.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":323744879,"sku":"EBS0004","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/dynaverb_front.png?v=1625126905"},{"product_id":"tremolo-3","title":"EBS Tremolo","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"ingress\"\u003e\u003cstrong\u003e\u003cem\u003eTHE EBS TREMOLO\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003eIS A STEREO VINTAGE TYPE TREMOLO OR SWEEPING FILTER EFFECT FOR GUITAR, BASS AND KEYBOARD.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"hr\"\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUnbeatable.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eNothing compares to a true analog effect when it comes to Tremolo pedals. The EBS TremoLo offer full bodied fat sound, in a tiny but sturdy little box that fits nicely on any pedal board, delivering all that great tremolo effects you've always aimed for. Perhaps most known as a guitar effect, the tremolo can add nice character to bass as well (just listen to the samples by Porcupine Tree bass innovator Colin Edwin below!)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSeveral choices\u003c\/strong\u003e. Use the controls to set the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDepth\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eSpeed\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003eof the effect. The sweep character can be set to choice of three different waveforms;\u003cem\u003e\u003cspan\u003e \u003c\/span\u003esine\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003esquare\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003esawtooth waveforms and offers\u003cem\u003e\u003cspan\u003e \u003c\/span\u003evolume \u003c\/em\u003eor\u003cspan\u003e \u003c\/span\u003e\u003cem\u003efilter\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003etype of effect.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMono or Stereo.\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eThe EBS TremoLo pedal operates in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003emono\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eor true\u003cspan\u003e \u003c\/span\u003e\u003cem\u003estereo\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ewith auto panning of the tremolo effect. The EBS TremoLo use true bypass techniques.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":323746423,"sku":"EBS0012","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/ebstremolo.jpg?v=1625126914"},{"product_id":"dphaser","title":"EBS dPhaser","description":"\u003cp\u003e \u003cem\u003eThe EBS DPhaser offers three very distinct and different phaser effects. Select everything from classical 70’s sounds up to hyper modern swarling phasing effects.\u003c\/em\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eFrom the 70's to the 21st Century!\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp\u003eThe DPhaser offers three different modes of cool phaser effects. 'Short' is the classic phaser effects recognized from the 70's, 'Long' emphasize the effects a bit more, while 'Wide' gives you extrem swarling flanger-like effects.\u003c\/p\u003e\n\u003cp\u003eHi, Lo and Off decides the resonance of the effect while the two controls change the width and rate. In addition you can set a lot of parameters inside the box for fine tuning \u003cbr\u003e your sound.\u003c\/p\u003e\n\u003ch2\u003eDigital Technique - Analog Sound\u003c\/h2\u003e\n\u003cp\u003eThe pedal is built with highest quality components and uses 24-bit digital processing circuitry for outstanding performance on stage and in the recording studio. While the pedal offer juicy analog sound, the use of digital technique makes it possible to fit in the same compact format that the Black Label Pedals are knowned and praised for.\u003c\/p\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":323748421,"sku":"EBS0003","price":249.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/dphaser.jpg?v=1625126902"},{"product_id":"octabass","title":"EBS Octabass Studio Edition","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"ingress\"\u003e\u003cstrong\u003e\u003cem\u003eTHE EBS OCTABASS STUDIO EDITION \u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003eANALOG OCTAVE DIVIDER CREATES A SINGLE NOTE ONE OCTAVE BELOW THE PITCH OF THE PLAYED NOTE, ADDING A NEW DIMENSION TO YOUR SOUND.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"hr\"\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTrack your note. \u003c\/strong\u003eThe pedal recognizes two or three-note chords and trigger the lowest note. Control the level of the original tone and mix in the octave effect. Choose between High, Mid or Low Range - which relates to the character of the sound of the sub-note.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHints.\u003c\/strong\u003e Sub-notes are perhaps most effective when playing on the higher frets, and could add a nice touch just slightly blended into the original tone, especially on a solo on bass or guitar. The OctaBass works really good together with distortion as well, but remember to keep the OctaBass before the drive in the signal chain, so it get’s as clean as possible tone to trigger. If you are after a synth-bass type of sound, a great way to achieve that is to run an OctaBass, combined with an \u003cem\u003eEBS BassIQ\u003c\/em\u003e envelope filter, and use the\u003cem\u003e ‘Down’\u003c\/em\u003emode on the IQ. That makes the impression of hitting a key on a keyboard, and adds that sub-bass as well as synth sound to the tone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe original EBS effect!\u003c\/strong\u003e The OctaBass was the very first stompbox effect from EBS. This classic effect was introduced in 1992, and based on an onboard effect featured in the legacy EBS Taurus combo. It has become 'classic' after being a trusted companion to legendary bassists like\u003cem\u003e Tony Levin\u003c\/em\u003e, \u003cem\u003eRoger Glover\u003c\/em\u003e, \u003cem\u003eMarcus Miller\u003c\/em\u003e, \u003cem\u003eTal Wilkenfeld\u003c\/em\u003e \u0026amp; many many more...\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Studio Edition\u003c\/strong\u003e comes with optimized signal path, new design, new signal relay switching technique, protection against overvoltage use up to 18V and the possibility to power the pedal with anything from 9-12V DC\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":323749509,"sku":"EBS0010","price":239.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/octabass_front.png?v=1625126912"},{"product_id":"stanley-clarke-signature-wah","title":"EBS Stanley Clarke Signature Wah- B Stock","description":"\u003ch2\u003eB-STOCK minor blemish's as pictured. \u003c\/h2\u003e\n\u003cp\u003eNew Item with box, Full warranty, just some paint chips.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the first time in our 20 year history, EBS has released a signature product. Who could be more suitable to honour than bass legend, Stanley Clarke?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDelicious Wah-wah Effects!\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eStanley Clarke, is one of the worlds most iconic and innovative bass players. Now he is putting his name on an EBS product. Being one of the most demanding players, with a distinctive tone and a clear idea of how it should sound, we all knew what to expect. A unique pedal design that satisfies his exacting standards with the most delicious wah wah effects imaginable.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis unique pedal design evolved through collaborative effort with luthier Thomas Lieber of the Spellbinder Corp. USA and musician Stanley Clarke, and is the first product ever that Stanley puts his name on. Also the first ever EBS product we let an artist put his name on. 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The mode switch selects\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTubeism\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStandard\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eor\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eFlat\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoverdrive type sounds. All with a preserved bottom since the pedal let through the low frequencies untouched and solid. With guitar, it provides a slightly overdriven bluesy tone with lots of sustain and body. This is the pedal to spice up your sustain!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEvolution.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe MultiDrive was first introduced in 2001. The 2008 edition improvements added 3 dB higher headroom, higher sensitivity and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique. The latest Studio Edition, introduced in 2015, comes with a completely new design, optimized signal path, new signal relay switching technique, overvoltage protection up to 18V and the possibility to power the pedal with anything from 9-12V DC. \u003c\/p\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":779987169,"sku":"EBS0009","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/multidrive_front.png?v=1625126911"},{"product_id":"ebs-bass-guitar-titanium-nickel-strings","title":"EBS Bass Guitar Titanium Nickel Strings","description":"\u003cp\u003e\u003cspan\u003eThe EBS Bass Guitar Titanium Nickel Strings has a soft surface due to the tight wiring and special coating that provide extra playing comfort and durability. 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Each bass string is manufactured with the finest and freshest raw materials in the beautiful Coachella Valley of Southern California. The list of endorsers for Ernie Ball Slinky bass strings reads like a who's who of top selling artists. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGauges .050 .070 .085 .105\u003c\/span\u003e\u003c\/p\u003e","brand":"Ernie Ball","offers":[{"title":"Default Title","offer_id":1160010741,"sku":"EBBASS2832","price":59.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/1316172885P02832.png?v=1625126936"},{"product_id":"bass-hybrid-slinky-45-105","title":"Ernie Ball Bass Hybrid Slinky 45-105 (2833)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eErnie Ball Hybrid Slinky Bass Strings are round-wound for maximum clarity and serious punch. Featuring a combination of Super Slinky and Regular Slinky gauges, the Hybrid Slinky set has proven to be a popular staple in music stores worldwide.  Each bass string is manufactured with the finest and freshest raw materials in the beautiful Coachella Valley of Southern California. The list of endorsers for Ernie Ball Slinky bass strings reads like a who's who of top selling artists. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGauges .045 .065 .085 .105\u003c\/span\u003e\u003c\/p\u003e","brand":"Ernie Ball","offers":[{"title":"Default Title","offer_id":1160011885,"sku":"EBBASS2833","price":59.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/1323201552P02833.png?v=1625126936"},{"product_id":"bass-5-string-regular-slinky-45-130","title":"Ernie Ball Bass 5 Regular Slinky 45-130 (2836)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eErnie Ball Regular Slinky 5 String Bass sets are wound for a bright, balanced tone. Each bass string is manufactured with the finest and freshest raw materials in the beautiful Coachella Valley of Southern California. The list of endorsers for Ernie Ball Slinky bass strings reads like a who's who of top selling artists. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGauges .045, .065, .080, .100 .130\u003c\/span\u003e\u003c\/p\u003e","brand":"Ernie Ball","offers":[{"title":"Default Title","offer_id":1160018677,"sku":"EBBASS2836","price":64.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/1316172885P02836.png?v=1625126934"},{"product_id":"sansamp-programmable-bass-driver-di","title":"Tech21 SansAmp Programmable Bass Driver DI","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAlways thinking of our fat-stringed brethren, we had to make a 3-channel, programmable, rig-in-a-box for bassists who can’t get enough of a great thing. Like the TRI-A.C. for guitar, you get three hot tones right at your toetips. The all-analog circuitry features the same controls as its single channel predecessor: Drive, Bass, Treble, Presence, Blend and Level. Digital only in its programmability, you just tweak the knobs until you find a tone, double-tap on a footswitch, and it’s saved in that channel. It’s that simple. Three of your faves -- to go!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"675\" align=\"center\" border=\"0\" cellpadding=\"3\" cellspacing=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"669\" bgcolor=\"#990000\"\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan color=\"#FFFFFF\" size=\"-2\" face=\"Verdana, Arial, Helvetica, sans-serif\" style=\"color: #ffffff; font-family: Verdana, Arial, Helvetica, sans-serif;\"\u003e\u003cstrong\u003eADDITIONAL FEATURES\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd bgcolor=\"#CCCCCC\"\u003e\u003cspan size=\"-2\" face=\"Verdana, Arial, Helvetica, sans-serif\" style=\"font-family: Verdana, Arial, Helvetica, sans-serif;\"\u003eBuild your Bass Driver DI into a live rig with a Bass Power Engine 60, and run through the PA for extra power.\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan size=\"-2\" face=\"Verdana, Arial, Helvetica, sans-serif\" style=\"font-family: Verdana, Arial, Helvetica, sans-serif;\"\u003eBoldly go live with just your Bass Driver DI straight into the PA.\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd bgcolor=\"#CCCCCC\"\u003e\u003cspan size=\"-2\" face=\"Verdana, Arial, Helvetica, sans-serif\" style=\"font-family: Verdana, Arial, Helvetica, sans-serif;\"\u003eBounce into any studio with a Programmable Bass Driver DI and plug directly into the board.\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan size=\"-2\" face=\"Verdana, Arial, Helvetica, sans-serif\" style=\"font-family: Verdana, Arial, Helvetica, sans-serif;\"\u003eWhile larger than our other SansAmp pedals, the Programmable Bass Driver DI still fits into a gig bag. Actual size: 7.25”L x 5.25”W x 2.25”H.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd bgcolor=\"#CCCCCC\"\u003e\u003cspan size=\"-2\" face=\"Verdana, Arial, Helvetica, sans-serif\" style=\"font-family: Verdana, Arial, Helvetica, sans-serif;\"\u003eEven with its roadworthy all-metal construction, each unit weighs in at a mere 25oz.\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eOperable with a 9V alkaline battery or optional Tech 21 DC2 power supply, and it is also phantom powerable.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Tech 21","offers":[{"title":"Default Title","offer_id":6458427265,"sku":"BASSDRV-P","price":529.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/151780000000000-00-500x500.jpg?v=1441769644"},{"product_id":"sansamp-bass-driver-di-tech-21","title":"Tech21 SansAmp Bass Driver DI Tech 21 (Version 2)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eTECH 21 - Bass Driver DI (VERSION 2)\u003c\/h2\u003e\n\u003cp\u003eMuch more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry, and active EQ specifically tuned for bass with 12dB of cut or boost.\u003c\/p\u003e\n\u003cp\u003eVERSION 2\u003cbr\u003eWith the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. The core of the SansAmp Bass Driver and all of its tones remain true to its original design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePRESENCE controls the amount of definition and upper harmonic content.\u003c\/li\u003e\n\u003cli\u003eDRIVE adjusts the overall gain structure and overdrive.\u003c\/li\u003e\n\u003cli\u003eLEVEL regulates the XLR and effected 1\/4\" output levels.\u003c\/li\u003e\n\u003cli\u003eBLEND allows you to mix the direct bass signal with SansAmp Tube Amplifier Emulation circuitry (which is particularly useful for basses equipped with piezo pickups).\u003c\/li\u003e\n\u003cli\u003eMID, BASS \u0026amp; TREBLE are active EQ controls, specifically tuned for bass guitar, that cut or boost +\/- 12dB. MID SHIFT switch changes the frequency from 500 HZ to 1000 Hz. BASS SHIFT switch changes the frequency from 40 Hz to 80 Hz.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Tech 21","offers":[{"title":"Default Title","offer_id":6458556225,"sku":"BSDRV2","price":529.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/16_bassdriver_di_v2.jpg?v=1510036206"},{"product_id":"unichorus-1","title":"EBS Unichorus","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"ingress\"\u003e\u003cstrong\u003e\u003cem\u003eTHE EBS UNICHORUS STUDIO EDITION\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e LET YOU CHOOSE BETWEEN LOW NOISE STUDIO QUALITY CHORUS, FLANGE AND PITCH MODULATION EFFECTS.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Processing.\u003c\/strong\u003e The pedal is built with the best analog processing circuitry available. This gives a smoother, warmer and fatter sounding chorus\/flange effect, useful both for live and studio performances. The pedal output can run in mono or stereo.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEffect mix level.\u003c\/strong\u003e Under the hood of the UniChorus, there's a mix level control that let you decide how much or little of the effect you'd like to be blended with the original tone. See the manual for details.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEvolution.\u003c\/strong\u003e The UniChorus was first introduced in 1997. From the 2008 edition improvements added 3 dB higher headroom, higher sensitivity (makes it easier to dial-in) and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e2015 marks the introduction of the new Studio Edition featuring optimized signal path, new design, new signal relay switching technique, protection against over voltage up to 18V and the possibility to power the pedal with anything between 9-12V DC.\u003c\/p\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":10428960327,"sku":"EBS0013","price":349.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/unichorus.png?v=1625126914"},{"product_id":"billy-sheehan-signature-drive","title":"EBS Billy Sheehan Signature Drive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"ingress\"\u003e\u003cstrong\u003e\u003cem\u003eTHE BILLY SHEEHAN SIGNATURE DRIVE \u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003ePEDAL IS DEVELOPED BY EBS IN CLOSE CO-OPERATION WITH BILLY HIMSELF. IT IS BASED ON THE CONCEPT OF MIXING TOGETHER A CLEAN SIGNAL WITH A DISTORTED TO BE ABLE TO PRESERVE LOW FREQUENCIES AND FIND BALANCE BETWEEN DISTORTION AND DEFINITION.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Compressor. \u003c\/strong\u003eThe option to add compression make possible to keep the note differentiation clearly audible even at heavily distorted sounds. There are three modes for the built-in compressor, High, Mid and Off. For the Mid setting, there's an additional trim pot inside to set the ratio. There's also a trim pot to set the Threshold for the compressor (affect both settings).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClean Loop, Drive Loop - Endless possibilities!\u003c\/strong\u003e The Billy Sheehan Signature Drive offers unlimited pre-post mix tone shaping, made possible by including a \u003cem\u003eclean loop\u003c\/em\u003e and a \u003cem\u003edrive loop\u003c\/em\u003e. It lets the user insert any other effect they wish within each loop to ’pimp’ the effect into your own signature effect! For example, connect an external EQ to the Drive Loop and shape the character of the distortion any way you want. Or, turn off the built-in compressor if you prefer to use a different type of compressor and put in the Clean Loop. To use the loop function, you need an additional insert cable (a stereo 1\/4\" plug that split in a tip and ring female or male 1\/4\" mono plug).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls.\u003c\/strong\u003e With the new extended size box from EBS, there are controls for \u003cem\u003eDrive \u003c\/em\u003e(gain for the overdrive engine),\u003cem\u003e Tone\u003c\/em\u003e (sets the frequency scoop for the drive),\u003cem\u003e Level \u003c\/em\u003e(sets level for drive channel post Drive Loop and pre final compressor) and \u003cem\u003eClean\u003c\/em\u003e (sets level for the clean channel, post Clean Loop and pre final compressor). The concept works similar to when you blend the two channels on the preamp of a Fafner II amp.\u003c\/p\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":10428968903,"sku":"EBS0002","price":239.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/bss_front.png?v=1625126902"},{"product_id":"woolly-mammoth","title":"ZVEX Woolly Mammoth Vexter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDesigned for bass, a favorite for guitar, this incredibly sub-frequency-preserving unit will hold on to the lowest lows like no fuzz ever heard before. It features a gentle gate for silencing your instrument between notes or phrases, and has an EQ control that smoothly selects between more bass and more treble.\u003c\/p\u003e","brand":"ZVEX","offers":[{"title":"Default Title","offer_id":10472249159,"sku":"AUD-ZV-VR-WOOL","price":399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/download_412eed85-50b6-44be-a543-40b53409ad8a.jpg?v=1583585212"},{"product_id":"ebs-reidmar-750-bass-amplifier-head","title":"EBS Reidmar 752 Bass Amplifier Head","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003e THE EBS REIDMAR 752 \u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003ePROVIDES 'BOUTIQUE-QUALITY' BASS SOUND POWERED BY A BRAND NEW 750 W LIGHTWEIGHT POWER AMP DEVELOPED BY EBS THAT HANDLES A 2-OHM LOAD. IT GIVES YOU THE PEACE OF MIND THAT YOUR AMP WILL HANDLE ANY GIG. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"hr\"\u003e\u003chr\u003e\u003c\/div\u003e\n\u003ch4\u003eEBS sound quality in a lightweight amplifier\u003c\/h4\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eThe latest generation of Reidmar amps combines EBS's world-famous analog preamp technology with EBS's lightweight power amp design.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eThe new power amp module in the Reidmar 752, developed by EBS, is tailored for bass and handles a \u003cem\u003e2-ohm load\u003c\/em\u003e. It provides the optimal output for any EBS speaker cabinet without risking blowing any speakers and delivers a solid, great tone with lots of punch and clarity. EBS-developed\u003c\/span\u003e\u003cem\u003e\u003cspan data-preserver-spaces=\"true\"\u003e Soft Clip\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-preserver-spaces=\"true\"\u003e technology protects the amp from overload while preserving bottom and solid bass tone at higher volumes. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eThe \u003cem\u003epowerful EQ\u003c\/em\u003e of the analog preamp helps dial in any sound you like with ease, and the\u003cem\u003e Drive\u003c\/em\u003e adds harmonics and dirt when needed. The built-in adjustable \u003cem\u003eCompressor\u003c\/em\u003e handles any unwanted peaks for a more controlled sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eYour amplifier on and off the stage\u003c\/h4\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eConnect your amp to the front-of-house or any recording device via the\u003cem\u003e balanced XLR-output\u003c\/em\u003e. The amp is safe to use without connecting a speaker if wanted. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eConnect \u003cem\u003eheadphones\u003c\/em\u003e for late-night practice sessions at home, and use the \u003cem\u003eAux input\u003c\/em\u003e to add music to play along. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch4\u003eThe Reidmar 752 got your back\u003c\/h4\u003e\n\u003cp\u003e\u003cspan data-preserver-spaces=\"true\"\u003eThe amp fits nicely in a laptop bag, and the lightweight saves your back when traveling with your Reidmar 752. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch6\u003e\u003cspan\u003eOther features include:\u003c\/span\u003e\u003c\/h6\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003e4-band EQ\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003eEffects loop\u003c\/em\u003e (send and return)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e\u003cem\u003eLine out\u003c\/em\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003e\u003cem\u003eRemote Control Connections\u003c\/em\u003e to add the EBS RM-4 footswitch to control Character (on\/off), EQ-section (on\/off), Drive (on\/off), and Mute.\u003c\/span\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Reidmar 752 is equipped with a \u003cem\u003eD-class power amp developed by EBS \u003c\/em\u003eproviding 750 W RMS @ 2 ohms load. Weight is 3.8 kg (8.3 lbs). The amp's footprint is reduced by 13% compared to the 750-model.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eType: Analog Preamp,\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eD-Class Power Amp developed by EBS\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eBuilt-in adjustable Compressor\/Limiter\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eExtremely Powerful 4-band EQ\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eDrive Control\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eEffects loop\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eCharacter filter.\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eBalanced XLR-Out with Pre\/Post EQ switch and Ground Lift.\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eLine and Headphones Out\u003c\/p\u003e\n\u003cp\u003eAux Input\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eRemote Output for connecting EBS RM-4 footswitch to control Character Filter, Drive, EQ bypass, and Mute function\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eOutput Power: 750 W RMS @ 2 Ohms\u003c\/p\u003e\n\u003cp class=\"lista\"\u003e120\/230 V Switchable\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":32263458186,"sku":"EBSREID752","price":1255.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/RD752_angle-1.webp?v=1662017382"},{"product_id":"keeley-bassist-bass-compressor","title":"Keeley Bassist Bass Compressor","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Keeley Bassist Compressor provides true high-fidelity compression and limiting. Be heard and felt using performance compression by Keeley Engineering.\u003c\/p\u003e\n\u003cp\u003eThe Bassist Compressor is built around the exotic and extremely high fidelity THAT Corp. 4320.  Think of it as very affordable studio-grade compressor in stomp box format!  It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps to bring you the very best quality. VCA compressors give you precise control.  Therefore they are directly suited to bass guitars. The Keeley Bassist Compressor is both musical and very transparent.  Where our older compressors were based on the CA3080 or the LM13700 and are perfect for single coil guitars, the new Keeley Bassist Compressor has no problems with active pre-amps and line level input signals!  Not only can the Keeley Bassist handle astonishingly large signals, it has an incredible bandwidth of over 20 KHz and incredibly low noise.  No detail in your bass guitar’s tone will be lost.  The Keeley Bassist will be a sound investment in your tone, you now have rack-mount quality at your feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompression and Threshold\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen bass players use the Keeley Bassist Compressor they will be greeted with a sound that is more easily amplified and heard.  Using the effect as a\u003cspan\u003e \u003c\/span\u003e\u003cem\u003elimiting amplifier\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esaves your speakers from clipping and distortion.  Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers.  Simply watch the Threshold Indicator light to see what type of playing you want to limit, it’s that easy!  Next set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold.  Set Compression all of the way down for no  (1:1) compression and use the Gain control as a boost!  Set Compression all of the way up for an above-Threshold hard-knee limiter.\u003c\/p\u003e\n\u003cp\u003eA typical soft compressor setting would be 2:1 above threshold.  A good starting ratio for the Compression control may be 4:1 as it generally sounds good with bass guitar.  A ratio of 5:1 or 6:1 will sound great for slap or funk-style playing.  For synth-bass try 10:1 Compression.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttack and Release\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere is a certain figure that just sounds good as far as compression goes; and that’s 125 dB\/second.  With feed forward compressors that use this type of true-RMS detector you use a single time constant parameter.  The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor.  Bottom line: Attack and Release times vary on program content.  Attack times are generally speaking, \u003cem\u003eabout\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003e100 times faster than release times.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECS \u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAttack Time: typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dB\u003c\/p\u003e\n\u003cp\u003eRelease Time: typically 8ms for 1dB, 40ms for 5dB, 80ms for 10dB, 160ms for 20dB, 240ms for 30dB\u003c\/p\u003e\n\u003cp\u003eSpecs:\u003c\/p\u003e\n\u003cp\u003eVoltage Input: 9V\u003c\/p\u003e\n\u003cp\u003eCurrent Draw: 50mA\u003c\/p\u003e\n\u003cp\u003eInput Impedance 1 Meg ohm\u003c\/p\u003e\n\u003cp\u003eOutput Impedance: 100 ohm\u003c\/p\u003e\n\u003cp\u003eOutput Voltage Gain: +30dB Boost\u003c\/p\u003e\n\u003cp\u003eBandwidth \u0026gt; 20kHz\u003c\/p\u003e\n\u003cp\u003eTotal Harmonic Distortion: 0.1%\u003c\/p\u003e\n\u003cp\u003eNoise: -95dBV\u003c\/p\u003e\n\u003cp\u003eThreshold Indicator: Dual LED\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":40700817172,"sku":"KBASS","price":329.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/BassistCompressorFaceNewLogo-e1524687184538.jpg?v=1540172446"},{"product_id":"ebs-valvedrive-di","title":"EBS ValveDrive DI","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"ingress\"\u003e\u003cstrong\u003e\u003cem\u003eTHE EBS VALVEDRIVE DI \u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003eOFFERS THE POSSIBILITY FOR CLASSIC AND TRADITIONAL WARM TUBE SOUNDS UP TO HARD AND PURE TUBE DISTORTION.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSing or Scream!\u003c\/strong\u003e \u003cem\u003eThe EBS ValveDrive DI\u003c\/em\u003e tube preamp\/overdrive pedal can make your bass either glow or growl, whether you want your instrument to sing or scream. The EBS Valve Drive DI delivers everything, from classic tube warmth to hard and pure tube distortion. It is a classic concept with an easy dial-in design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse as preamp.\u003c\/strong\u003e With the pedals \u003cem\u003eGain\u003c\/em\u003e at modest setting, and the \u003cem\u003eVolume\u003c\/em\u003e cranked up, the ValveDrive will turn your solid-state amp into a nice warm tube amp. It will turn any dry solid state tone into full-bodied, warm and beefy tone with a nice presence of tube compression.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUse as a distortion\/overdrive.\u003c\/strong\u003e Simply turn up the \u003cem\u003eGain\u003c\/em\u003e more and the Valve Drive DI create a nice overdrive\/distortion. Switch between \u003cem\u003eVintage\u003c\/em\u003e or \u003cem\u003eNormal\u003c\/em\u003e character, and use the knobs to dial in your sound. Remember that the 'flat' setting on the Valve Drive is when Bass and Treble is turned all the way down, and Mid at centre position.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew outputs for extended use\u003c\/strong\u003e. The main new benefit with the \u003cem\u003eEBS ValveDrive DI\u003c\/em\u003e is the XLR-output, offering a balanced floating signal that allows you to plug the pedal straight into the mixing console in the studio or at the gig. Add to that, the former standard passive output has turned into a low-impedance output so you can use the ValveDrive DI as a stand-alone preamp with an external power amp to give you the pure ValveDrive tone right out of your speakers.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNew powering technique\u003c\/strong\u003e. There are plenty of pedals with a tube in it, but few deliver the warm fat tone of a tube amp. The original EBS ValveDrive was powered by a 12V AC power supply converted to high voltage inside to give the tube the push it needs to deliver real tube distortion. EBS has developed the ValveDrive DI to do the same using a\u003cstrong\u003e9V DC\u003c\/strong\u003e power supply. The benefit is a pedal much more compatible with standard power supplies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe tube\u003c\/strong\u003e. The EBS ValveDrive DI is equipped with a superior quality tube.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded accessories\u003c\/strong\u003e. The EBS ValveDrive DI comes with a 9V DC power included.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":40890866388,"sku":"","price":599.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/valvedriveDI_front.png?v=1625126914"},{"product_id":"microtubes-b7k-ultra","title":"Darkglass Electronics Microtubes B7K Ultra V2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e The upgraded Microtubes B7K Ultra features all the versatility and sonic possibilities of the first version plus: (1) Single user loadable cabinet simulation impulse response. (2) Micro-USB B port to connect to PC\/Mac to load a different Virtual Cabinet through the Darkglass Suite. (3) 3.5mm headphone output with cabinet simulation. (4) Balanced XLR output with switchable cabinet simulation.\u003c\/p\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003ch2 class=\"tit-bb\"\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eMaster\u003c\/h3\u003e\n\u003cp\u003eWhereas the Level Knob controls the output of the overdrive section the Master volume adjusts the overall volume of the unit. Ideal for fine tuning the output on clean mode. It also serves as a DI level control.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eBlend\u003c\/h3\u003e\n\u003cp\u003eMixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLevel\u003c\/h3\u003e\n\u003cp\u003eSets the volume of the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eDrive\u003c\/h3\u003e\n\u003cp\u003eSets the amount of saturation in the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eAttack Switch\u003c\/h3\u003e\n\u003cp\u003eSets the amount of treble content to saturate: The \"Boost\" setting emphasizes the treble content extra clarity and presence. The \"Flat\" position leaves this register untouched while the \"Cut\" position will reduce the amount of high frequencies being saturated.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eGrunt Switch\u003c\/h3\u003e\n\u003cp\u003eSets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eBass\u003c\/h3\u003e\n\u003cp\u003e+-12dB @ 100Hz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLo Mids\u003c\/h3\u003e\n\u003cp\u003e+-12dB switchable 250Hz, 500Hz and 1kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eHi Mids\u003c\/h3\u003e\n\u003cp\u003e+-12dB switchable 750Hz, 1.5KHz and 3kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eTreble\u003c\/h3\u003e\n\u003cp\u003e+-12dB @ 5kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eDirect Ouput\u003c\/h3\u003e\n\u003cp\u003eBalanced XLR output for connecting the pedal to a microphone preamp, PA system etc.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eGround lift\u003c\/h3\u003e\n\u003cp\u003eDisconnects the signal ground on the Direct Output to break any ground loops. Set this switch to either position that has less noise. The switch does not affect the ¼” output.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eCab Sim\u003c\/h3\u003e\n\u003cp\u003eToggle the cabinet simulation on\/off on the Direct Output. This switch completely bypasses all digital circuits and allows you to get a zero latency signal when needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eHeadphones\u003c\/h3\u003e\n\u003cp\u003eB7K Ultra has an internal stereo headphone amplifier capable of driving a minimum load of 16 ohms from the 3.5mm stereo jack. Use the Master volume control to adjust the level.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eUSB\u003c\/h3\u003e\n\u003cp\u003eA Micro USB B connector allows you to connect the pedal to PC\/Mac to load cabinet simulation impulse responses to the pedal and control various other settings.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-dimensions\"\u003e\n\u003ch3\u003eDIMENSIONS\u003c\/h3\u003e\n\u003cp\u003e125x96x57 mm (4,92x3,77x2,24 in)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-warning\"\u003e\n\u003ch3\u003eWARNING\u003c\/h3\u003e\n\u003cp\u003eWARNING: When the pedal is on bypass the master volume does not affect the headphone volume. In this case the total volume is adjustable in Darkglass Suite. With sensitive headphones the bypass volume can be very loud if not adjusted.\u003c\/p\u003e\n\u003cp\u003eThe Microtubes B7K Ultra v2 has a current draw of 110mA. Only use a regulated 9V DC adapter with a center-negative plug. Due to ecological reasons, it does not accept batteries. Unregulated power supplies and\/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":45201122196,"sku":"DRKGL0050","price":799.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Microtubes-B7K-v2-Front.jpg?v=1625126784"},{"product_id":"darkglass-electronics-vintage-ultra","title":"Darkglass Electronics Vintage Ultra V2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe upgraded Vintage Ultra v2 features all the versatility and sonic possibilities of the first version plus: (1) Single user loadable cabinet simulation impulse response. (2) Micro-USB B port to connect to PC\/Mac to load a different Virtual Cabinet through the Darkglass Suite. (3) 3.5mm headphone output with cabinet simulation. (4) Balanced XLR output with switchable cabinet simulation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003ch2 class=\"tit-bb\"\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eMaster\u003c\/h3\u003e\n\u003cp\u003eWhereas the Level Knob controls the output of the overdrive section the Master volume adjusts the overall volume of the unit. Ideal for fine tuning the output on clean mode. It also serves as a DI level control.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eBlend\u003c\/h3\u003e\n\u003cp\u003eMixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLevel\u003c\/h3\u003e\n\u003cp\u003eSets the volume of the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eDrive\u003c\/h3\u003e\n\u003cp\u003eSets the amount of saturation in the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eAttack Switch\u003c\/h3\u003e\n\u003cp\u003eSets the amount of treble content to saturate: The \"Boost\" setting emphasizes the treble content extra clarity and presence. The \"Flat\" position leaves this register untouched while the \"Cut\" position will reduce the amount of high frequencies being saturated.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eGrunt Switch\u003c\/h3\u003e\n\u003cp\u003eSets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eBass\u003c\/h3\u003e\n\u003cp\u003e+-12dB @ 100Hz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLo Mids\u003c\/h3\u003e\n\u003cp\u003e+-12dB switchable 250Hz, 500Hz and 1kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eHi Mids\u003c\/h3\u003e\n\u003cp\u003e+-12dB switchable 750Hz, 1.5KHz and 3kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eTreble\u003c\/h3\u003e\n\u003cp\u003e+-12dB @ 5kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eDirect Output\u003c\/h3\u003e\n\u003cp\u003eA balanced version of the ¼” output, useful for running into PA’s or studio mixing consoles.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eGround lift\u003c\/h3\u003e\n\u003cp\u003eDisconnects the signal ground on the Direct Output to break any ground loops. Set this switch to either position that has less noise. The switch does not affect the ¼” output.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eCab Sim\u003c\/h3\u003e\n\u003cp\u003eToggle the cabinet simulation on\/off on the Direct Output. This switch completely bypasses all digital circuits and allows you to get a zero latency signal when needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eHeadphones\u003c\/h3\u003e\n\u003cp\u003eVintage Ultra has an internal stereo headphone amplifier capable of driving a minimum load of 16 ohms from the 3.5mm stereo jack. Use the Master volume control to adjust the level.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eUSB\u003c\/h3\u003e\n\u003cp\u003eA Micro USB B connector allows you to connect the pedal to PC\/Mac to load cabinet simulation impulse responses to the pedal and control various other settings.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-dimensions\"\u003e\n\u003ch3\u003eDIMENSIONS\u003c\/h3\u003e\n\u003cp\u003e10.7x12 cm (4.21x4.72 in)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-warning\"\u003e\n\u003ch3\u003eWARNING\u003c\/h3\u003e\n\u003cp\u003eWARNING: When the pedal is on bypass the master volume does not affect the headphone volume. In this case, the total volume is adjustable in Darkglass Suite. With sensitive headphones, the bypass volume can be very loud if not adjusted.\u003c\/p\u003e\n\u003cp\u003eThe Vintage Ultra v2 has a current draw of 110mA. Only use a regulated 9V DC adapter with a center-negative plug. Due to ecological reasons, it does not accept batteries. Unregulated power supplies and\/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":45203312852,"sku":"DRKGL0100","price":549.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Vintage-Ultra-v2-Front.png?v=1625126788"},{"product_id":"darkglass-electronics-vintage-deluxe","title":"Darkglass Electronics Vintage Deluxe","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Vintage Deluxe features the warm, tube-like tones of the Microtubes Vintage and adds a 4-band active EQ, parallel output and balanced line driver. It delivers the natural dynamic response and organic compression of classic tube amps and tape machines, fitting four decades of legendary tones into a package that will fit in your gig bag.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLevel\u003c\/h3\u003e\n\u003cp\u003eSets the volume of the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eDrive\u003c\/h3\u003e\n\u003cp\u003eSets the amount of saturation in the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eBlend\u003c\/h3\u003e\n\u003cp\u003eMixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eGrunt Switch\u003c\/h3\u003e\n\u003cp\u003eSets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eAttack Switch\u003c\/h3\u003e\n\u003cp\u003eSets the amount of treble content to saturate: The \"Boost\" setting emphasizes the treble content extra clarity and presence. The \"Flat\" position leaves this register untouched while the \"Cut\" position will reduce the amount of high frequencies being saturated.This new addition helps to keep the treble portion of the signal under control, specially useful when playing with new strings and\/or cabinets with tweeters!\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":45204045140,"sku":"DRKGL0080","price":589.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Vintage-Deluxe-2.0.png?v=1625126787"},{"product_id":"darkglass-electronics-vintage-microtubes","title":"Darkglass Electronics Vintage Microtubes","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Microtubes Vintage is our tribute to some of the most legendary sounds in rock history. It provides warm tube-like tones with a natural dynamic response that echoes the organic compression of old tube amps and reel-to-reel tape machines.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLevel\u003c\/h3\u003e\n\u003cp\u003eSets the volume of the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eDrive\u003c\/h3\u003e\n\u003cp\u003eSets the amount of saturation in the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eBlend\u003c\/h3\u003e\n\u003cp\u003eMixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eEra\u003c\/h3\u003e\n\u003cp\u003eInteracts with the Drive knob to shape the character of the pedal. Dial it down to get the warm midrange tones of the 70s or crank it up to get the punchy metallic tones of 80s and 90s rock.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":45207472020,"sku":"DRKGL0090","price":339.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/vm.png?v=1625126788"},{"product_id":"darkglass-electronics-microtubes-b7k","title":"Darkglass Electronics Microtubes B7K V2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003cmeta charset=\"utf-8\"\u003eWith the Microtubes B7K v2 you get all the features of the original, with the ability to better sculpture your tone: on the low mids you have the option to change the center frequency from 1KHz to 500Hz, and on the high mids you have the option to change the center frequency from 3kHz to 1.5kHz. This will enable you to tailor your absolute dream distortion tone. \u003cbr\u003e\u003cbr\u003eThe character and core of the Microtubes B7K remains the same, still retaining the powerful dynamic saturation circuit of the B3K and adds a four-band equalizer and a balanced line driver for even greater versatility. Designed for both studio and live use, it will take your direct sound to a whole new level.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch3\u003eBlend\u003c\/h3\u003e\n\u003cp\u003eMixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eLevel\u003c\/h3\u003e\n\u003cp\u003eSets the volume of the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eDrive\u003c\/h3\u003e\n\u003cp\u003eSets the amount of saturation in the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eGrunt Switch\u003c\/h3\u003e\n\u003cp\u003eSets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eAttack Switch\u003c\/h3\u003e\n\u003cp\u003eSets the amount of treble content to saturate: The \"Boost\" setting emphasizes the treble content extra clarity and presence. The \"Flat\" position leaves this register untouched while the \"Cut\" position will reduce the amount of high frequencies being saturated.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eLow\u003c\/h3\u003e\n\u003cp\u003e+-12dB @ 100Hz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eLow Mids Switch\u003c\/h3\u003e\n\u003cp\u003eThis switch change the center frequency of the Low Mids from 1kHz to 500Hz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch3\u003eLow Mids\u003c\/h3\u003e\n\u003cp\u003e+-12dB @ 1kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eHi Mids\u003c\/h3\u003e\n\u003cp\u003e+-12dB @ 3 kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eHi Mids Switch\u003c\/h3\u003e\n\u003cp\u003eThis switch change the center frequency of the Hi Mids from 3kHz to 1.5kHz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eTreble\u003c\/h3\u003e\n\u003cp\u003e+-12dB @ 5kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eParallel Output\u003c\/h3\u003e\n\u003cp\u003eA passthrough for your input signal, useful for parallel processing.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eDirect Output\u003c\/h3\u003e\n\u003cp\u003eA balanced version of the ¼” output, useful for running into PA’s or studio mixing consoles.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003ch3\u003eDIMENSIONS\u003c\/h3\u003e\n\u003cp\u003e12×10.7 cm (4.72×4.21 in)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003ch3\u003eWARNING\u003c\/h3\u003e\n\u003cp\u003eThe Microtubes B7K v2 has a current draw of 30mA. Only use a regulated 9V DC adapter with a center-negative plug. Due to ecological reasons it does not accept batteries. Unregulated power supplies and\/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":45207979092,"sku":"DRKGL0040","price":589.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/B7kv2-Website.png?v=1625126784"},{"product_id":"darkglass-electronics-b3k","title":"Darkglass Microtubes B3K V2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith the Microtubes B3K v2 you get all the features of the original, with the ability to restore the mids for natural character. The attack switch has been replaced by the tone knob, giving much more control of the higher harmonic content (3 kHz to 8 kHz). The grunt switch is still present, as you would expect. The addition comes in the form of a mid boost, giving you a subtle 6dB boost from 300 Hz to 1 kHz to help you cut through a bit more. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFundamentally the Microtubes B3K is the same pedal we designed nearly a decade ago, aimed to give you a perfect combination of brutality and clarity. You can guarantee that this pedal will deliver defined and powerful saturation in an intuitive format.\u003c\/span\u003e\u003c\/p\u003e\n\u003cb\u003eFeatures\u003c\/b\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003cp\u003eLevel: Sets the volume of the overdriven signal.\u003c\/p\u003e\n\u003cp\u003eDrive: Sets the amount of saturation in the overdriven signal.\u003c\/p\u003e\n\u003cp\u003eBlend: Mixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.\u003c\/p\u003e\n\u003cp\u003eGrunt Switch: Sets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage.\u003c\/p\u003e\n\u003cp\u003eAttack Switch: Sets the amount of treble content to saturate: The “Boost” setting emphasizes the treble content extra clarity and presence. The “Flat” position leaves this register untouched while the “Cut” position will reduce the amount of high frequencies being saturated. This new addition helps to keep the treble portion of the signal under control, specially useful when playing with new strings and\/or cabinets with tweeters!\u003c\/p\u003e\n\u003cp\u003eWARNING: The Microtubes B3K has a current draw of 20mA. Only use a regulated 9V DC adapter with a center-negative plug. Due to ecological reasons it does not accept batteries. Unregulated power supplies and\/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":45209936276,"sku":"DRKGL0020","price":339.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/effects-darkglass-microtubes-b3k-v2-1_2048x_682d412b-b56d-4909-bc6c-0d3aafca2e3f.jpg?v=1625126788"},{"product_id":"darkglass-electronics-duality-dual-fuzz-engine","title":"Darkglass Electronics Duality - Dual Fuzz Engine","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Duality is a unique fuzz pedal that contains two discrete fuzz circuits—a gated saw-tooth wave and a raunchy high-gain sound—which can be mixed together to yield a vast selection of distinct sonic textures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLevel\u003c\/h3\u003e\n\u003cp\u003eSets the volume of the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eFilter\u003c\/h3\u003e\n\u003cp\u003eControls the amount of high frequency content in the fuzz signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eBlend\u003c\/h3\u003e\n\u003cp\u003eMixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eDuality\u003c\/h3\u003e\n\u003cp\u003eMixes two discrete fuzz circuits. Set it at minimum for a pure gated saw-tooth wave, or crank it up for a tighter high gain fuzz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":45211037204,"sku":"DRKGL0030","price":339.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/df1.png?v=1625126781"},{"product_id":"darkglass-alpha-omega","title":"Darkglass Electronics Alpha Omega","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBesides being an amazing composer, producer and bassist, Jon Stockman is amazing at crafting some of the most devastating bass tones in the world. We got together in our then Helsinki headquarters 18 months ago and after endless tweaking and tens of prototypes we are finally ready to announce our first co-designed creation: Alpha · Omega.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis creation differs greatly from our previous preamplifiers and overdrives: it is fully operational amplifier based and has two distinct distortion circuits (Alpha and Omega) which can be selected or blended using our Mod knob. This unusual control, in conjunction with the toggle switches and 3 active band equilizer makes Alpha · Omega the most flexible among our designs.\u003c\/span\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":47417627156,"sku":"DRKGL0010","price":589.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/alpha-omega_71d7a5f5-dbb8-4eeb-bfc7-b4fb6447a7bf.jpg?v=1625127112"},{"product_id":"daddario-xl-45-130-nickel-wound-long-scale-5-string-bass-strings-exl170-5","title":"D'addario XL 45-130 Nickel Wound Long Scale 5-String Bass Strings (EXL170-5)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEXL170-5 is the 5-string version of the best-selling D’Addario bass set. With the addition of the .130 low B string, EXL170 offers the ideal combination of distinctive brightness and booming, tight lows. The most versatile and universally appealing set for all playing styles. Fits long scale basses with a string scale length of up to 36 1\/4 inches. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eD'Addario XL Nickel Wound Electric Bass strings are world-renowned as \"The Player's Choice\" amongst bass players of all genres and styles. All XL strings are precision wound on our exclusive digitally-controlled machines, ensuring each string has excellent intonation, clear fundamentals, and unparalleled consistency. Each string is wound with a nickelplated steel wrap wire known for distinctive bright tone with excellent magnetic output delivering a universally appealing and versatile tone for all playing styles.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e5-string version of D'Addario's best selling bass guitar set\u003c\/li\u003e\n\u003cli\u003eRound wound with nickelplated steel for a distinctive bright tone with clear fundamentals\u003c\/li\u003e\n\u003cli\u003eFits long scale basses with a string scale length of up to 36 1\/4 inches\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A. for the highest quality and performance\u003c\/li\u003e\n\u003cli\u003eString Gauges: Wound .045, .065, .080, .100, .130\u003c\/li\u003e\n\u003cli\u003eEnvironmentally friendly, corrosion resistant packaging for strings that are always fresh\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"D'addario","offers":[{"title":"Default Title","offer_id":48579850836,"sku":"DADDEXL170-5","price":73.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/da_prod_exl170-5_main_2.jpg?v=1625126771"},{"product_id":"daddario-nyxl-45-105-long-scale-bass-guitar-strings-nyxl45105","title":"D'addario NYXL 45-105 Long Scale Bass Guitar Strings (NYXL45105)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eD'Addario's NYXL electric bass string sets feature the innovative combination of NYXL nickel-plated wrap wire wound on our NY Steel core for expanded dynamic range and harmonic response. NYXL45105 is a hybrid set, optimal for players looking for a string set with both flexibility and deep, powerful lows. Fits basses with a string scale length of up to 36 1\/4 inches.  \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eNYXL Bass features our high carbon NY Steel core wrapped with our reformulated nickel-plated steel. This new construction delivers deep, powerful lows, focused punch, and accentuated harmonics. Designed for all playing styles, NYXL Bass provides more dynamic range and sustain than any other bass string.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eRe-engineered core-to-wrap ratios for a more versatile string\u003c\/li\u003e\n\u003cli\u003eReformulated nickel-plated steel wrap wire for a familiar feel and accentuated harmonics\u003c\/li\u003e\n\u003cli\u003eNY Steel cores for improved tuning stability and increased durability\u003c\/li\u003e\n\u003cli\u003eFits long scale basses with a string scale length of up to 36 1\/4 inches\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A. for the highest quality and performance\u003c\/li\u003e\n\u003cli\u003eString Gauges: NYXL Nickel Wound .045, .065, .085, .105\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"D'addario","offers":[{"title":"Default Title","offer_id":48580944276,"sku":"NYXL45105","price":69.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/da_prod_nyxl45105_main_2.jpg?v=1625126758"},{"product_id":"dunlop-nickel-wound-bass-guitar-strings-45-105","title":"Dunlop Nickel-Wound Bass Guitar Strings (45-105)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBass players demand consistency, durability and versatility from their strings. Dunlop delivers. Dunlop Bass Strings offer traditionalists, slappers, and pick wielding rockers cutting midrange, wide bottom end and a growl that will cut through any band. Carefully selected core-to-wrap ratios yield low tension strings with an extremely long life, and minimal break-in time. Each set is exceptionally well balanced string-to-string, and provides an amazing amount of dynamic range. Dunlop Bass Strings are available in warm and rich sounding nickel-plated steel and punchy and bright stainless steel in all popular and custom gauges. Every set of Dunlop Strings come packaged utilizing three levels of moisture protection and sealed in a VCI Fresh Technology (Vapour Corrosion Inhibitor) bag to guarantee that your strings arrive as fresh as the day they were made.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eString Construction:\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNickel Plated Steel Round Wound\u003c\/li\u003e\n\u003cli\u003eHex Core\u003c\/li\u003e\n\u003cli\u003e37.25\" Winding Ball to Taper by tuning post\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e.045 .065 .085 .105\u003c\/span\u003e\u003c\/p\u003e","brand":"Jim Dunlop Electronics","offers":[{"title":"Default Title","offer_id":390394052635,"sku":"DUNBSTRING45105","price":49.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/dbn45105.jpg?v=1625126858"},{"product_id":"rotosound-swing-bass-guitar-strings-1","title":"Rotosound Swing Nickel Bass Guitar Strings Long Scale (45-105)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe most popular Roundwound bass string ever. Rotosound was the first string company to produce this kind of string. Introduced in 1962 it changed the sound of the instrument instantly. The favorite string of many players including Billy Sheehan, John Paul Jones and Geddy Lee. The steel used to produce these strings is unique, combined with a highly secretive manufacturing process.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e45, 65, 85, 105\u003c\/p\u003e","brand":"Rotosound","offers":[{"title":"Default Title","offer_id":390616186907,"sku":"ROTOSRS66LDN","price":40.5,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/11775855_800.jpg?v=1625127190"},{"product_id":"rotosound-swing-stainless-steel-custom-5-string-bass-strings-extra-long-scale-45-130","title":"Rotosound Swing Stainless Steel Custom 5 String Bass Strings Extra Long Scale (45-130)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe most popular Roundwound bass string ever. Rotosound was the first string company to produce this kind of string. Introduced in 1962 it changed the sound of the instrument instantly. The favorite string of many players including Billy Sheehan, John Paul Jones and Geddy Lee. The steel used to produce these strings is unique, combined with a highly secretive manufacturing process.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e45, 65, 85, 105, 130\u003c\/p\u003e","brand":"Rotosound","offers":[{"title":"Default Title","offer_id":390691389467,"sku":"ROTOSRS665LDN","price":40.5,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/51Mb24D9ehL._SL500_AC_SS350.jpg?v=1625127194"},{"product_id":"source-audio-aftershock-bass-distortion","title":"Source Audio Aftershock Bass Distortion","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eGet down and dirty with the AfterShock Bass Distortion. On its own the AfterShock features three massive bass distortion engines, but connect the pedal to the Neuro Mobile App (a free download for iOS and Android) and feast upon a massive collection of additional overdrive, fuzz and distortion tones. Further edit each engine with the Neuro’s parametric EQ, stereo routing options, and internal stacking capabilities.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOut of the box, the AfterShock Bass Distortion packs three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. Heavy creates an aggressive scooped sound with ample highs and thundering lows. The Fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. The Aftershock’s simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. The Clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s SONIC GROWL. Adjust the onboard Tone control and find that thunderous sweet spot for any bass\/amp combination.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBy itself the AfterShock offers tremendous tonal range, but dig a little deeper and discover its hidden power and flexibility. Every pedal in the One Series line is compatible with the Neuro Mobile App (a free download for iOS or Android). Connect the AfterShock to the Neuro App and access its extended equalization capabilities as well as Source Audio’s free library of over 40 overdrive, fuzz, and distortion algorithms for bass AND guitar — each algorithm can be downloaded directly to the pedal. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), providing the power to save up to 128 different presets.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFinally the AfterShock’s stereo inputs and outputs plus its dual drive circuits make it possible to launch into an extended range of tonal possibilities. With help from the Neuro App bassists can stack any combination of drive engines in either series or parallel as well as split the signal and send a separate drive engine to each of the pedal’s outputs.\u003c\/p\u003e","brand":"Source Audio","offers":[{"title":"Default Title","offer_id":2088927690779,"sku":"SAUDIO009","price":339.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/productview-os-asbd-face.png?v=1625127215"},{"product_id":"darkglass-electronics-alpha-omicron","title":"Darkglass Electronics Alpha Omicron","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eWith the double distortion engine (Alpha and Omega), the Alpha·Omicron delivers unparalleled versatility, harmonic-rich and bone-crushing sound. Designed for bassists in need of a preamplifier to be distinctively heard in any musical context.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003ch2 class=\"tit-bb\"\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eBlend\u003c\/h3\u003e\n\u003cp\u003eMixes the clean and processed signals. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine mix tuning.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLevel\u003c\/h3\u003e\n\u003cp\u003eSets the volume of the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eDrive\u003c\/h3\u003e\n\u003cp\u003eSets the amount of gain in the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eMod\u003c\/h3\u003e\n\u003cp\u003eSelects or mixes between the two distinct distortion circuits: Alpha is punchy, tight with a lot of definition, whereas Omega is simply brutal and raw.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eBite Switch\u003c\/h3\u003e\n\u003cp\u003eBoosts High Mids (2.8kHz) for additional presence and definition.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eGrowl Switch\u003c\/h3\u003e\n\u003cp\u003eShelving Bass Boost for a fatter tone and increased low end saturation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-dimensions\"\u003e\n\u003ch3\u003eDIMENSIONS\u003c\/h3\u003e\n\u003cp\u003e11.3×7.5 cm (4.45×2.95 in)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-warning\"\u003e\n\u003ch3\u003ePOWER \u003c\/h3\u003e\n\u003cp\u003eThe Alpha·Omicron has a current draw of 20mA. Only use a regulated 9V DC adapter with a center-negative plug. This pedal will not run on batteries.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":2318142079003,"sku":"DRKALFOM1","price":339.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/AOm-Pic.png?v=1625126777"},{"product_id":"darkglass-electronics-alpha-omega-ultra","title":"Darkglass Electronics Alpha Omega Ultra","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv id=\"tabs-1\" aria-labelledby=\"ui-id-1\" class=\"ui-tabs-panel ui-widget-content ui-corner-bottom\" role=\"tabpanel\" aria-expanded=\"true\" aria-hidden=\"false\"\u003e\n\u003cp\u003eThe Alpha·Omega Ultra is the most versatile bass preamplifier we’ve designed: with its two distinct distortion circuits (Alpha and Omega), extremely high dynamic range, six-band active graphic EQ, dedicated headphone output and balanced direct output with switchable digital impulse-response cabinet emulation make for an incredibly complete tool for the modern bass player.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA cabinet’s frequency response is a huge part of modern music production, as raw, distorted Direct signals often require it for achieving big, natural tones out of instruments. Impulse  Response cabinet emulation has become extremely popular in modern production to uncompromisingly replicate the benefits of real speakers (sonic-size and presence of the full-rig) without any of the drawbacks: having an acoustically treated room (or very, very unhappy neighbors), carrying bulky cabinets and setting up expensive microphones. \u003c\/p\u003e\n\u003cp\u003eAnd as more and more musicians go direct, the need and benefits of incorporating studio-grade cabinet emulation into our top-of-the-line creations were evident. Now, you can have an uncompromising, ready-to-mix sound with your Alpha·Omega Ultra everywhere you go.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWith the Darkglass Alpha·Omega already a successful release in 2017, the Ultra version is meant to be exponentially more versatile with these groundbreaking features. The Alpha·Omega Ultra’s Virtual Cabinet functionality allows you to get a consistent studio-grade setup by incorporating an incredibly accurate representation of your favorite cabinet’s character. And since they exist in the digital domain, they can be changed in a latter of seconds via a USB port with the Darkglass Suite -available for both PC and Mac- a free, easy to use platform for experimenting with your favorite cabinet  configurations. This feature is fully switchable on the Direct Output and always-on for the headphone output, which gives you the chance to practice silently with an indescribably realistic, full-rig sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"last-tab\"\u003e\u003c\/div\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":6933481652283,"sku":"DARKALPHAOMEGAULTRA","price":669.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/AOU-Front.jpg?v=1625126777"},{"product_id":"xotic-effects-bass-bb-preamp","title":"XOTIC EFFECTS Bass BB Preamp","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003eNew Version 1.5\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eThe Bass BB Preamp distortion booster was designed to retain the original attack sound and tonal spectrums and produce a variety of gain structures for all bass players.\u003c\/p\u003e\n\u003cp\u003eEach of the two broadly-overlapping EQs offers 15dB of Boost or Cut.\u003c\/p\u003e\n\u003cp\u003eThe gain knob offers pristine clean boost to a hard overdriven distortion which is very nice tone that stays firm, with great note separation and just the right amount of compression for a smooth overall texture.\u003c\/p\u003e\n\u003cp\u003eTrue bypass for eliminating any signal interference when switched off. Can be used with AC adaptor (optional) or 9V Battery.\u003c\/p\u003e","brand":"Xotic Effects","offers":[{"title":"Default Title","offer_id":12726546268219,"sku":"XOTICBASSBB","price":309.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/files\/bassbb.jpg?v=1750140186"},{"product_id":"darkglass-hyper-luminal-hybrid-compressor","title":"Darkglass Electronics Hyper Luminal Hybrid Compressor","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eDarkglass Hyper Luminal Hybrid Compressor \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA revolutionary touch sensitive technology device that embraces the spirit of our predecessor, the super symmetry, and takes it way beyond with three distinctive modes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWe have made it our mission to combine our analog expertise and signature sound with cutting-edge, digital technologies, not to replace, but to enhance the sonic possibilities and intuitiveness of the next generation of Darkglass products. The Hyper Luminal Compressor embodies this like no other pedal in the industry: by digitally modeling the side-chain circuits in some of the most legendary compressors in history, we were able to capture their essence and characteristic behavior while keeping a completely analog signal path. The pedal ships with 3 selectable models (more to be added): BUS: Modeled after the Solid State Logic® Bus Compressor. FET: Inspired by the legendary 1176®. SYM: Our, now discontinued Super Symmetry, transcends in the digital realm. But that is not all! Instead of using mechanical switches (because let's face it, switches are boring), to select the compression Ratio and Mode we implemented touch-through-metal sensors. The sensors in the Hyper Luminal Compressor detect when and where the chassis is touched and changes parameters accordingly: this technology not only provides a very new, intimate and pleasant user experience, setting it apart from any other pedal in the market, but it does so while operating with extreme consistency and, unlike mechanical switches, it is virtually unbreakable. The pedal also features a gorgeous 10-LED gain reduction meter and four knobs: Blend: Mixes the clean and effected signals. Time: Sets the time constants (Attack and Release). Fine tuning and mapping can be done through the Darkglass Suite, so users can assign different constants to each model. Compression: Sets the amount of compression. Level: Sets the overall output volume of the unit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAs for I\/O the hyper Luminal Compressor features: Input: 1\/4\" connector for the instrument. Output: 1\/4\" connector for the amplifier or next effect in the chain. 9VDC: Center negative, 250mA, 9VDC only. The Hyper Luminal doubles the operation voltage internally to 18V for extra headroom. USB: A Micro USB B connector allows you to connect the pedal to PC\/Mac to load upcoming compressor models, set Time settings and other parameters.\u003c\/span\u003e\u003c\/p\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":18405060935739,"sku":"DKGLSHYPRLM","price":519.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Hyper_Luminal_Pedal_Empire.png?v=1625126784"},{"product_id":"darkglass-microtubes-900-v2-bass-amplifier","title":"Darkglass Electronics Microtubes 900 v2 Bass Amplifier","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThree years ago Darkglass Electronics released it’s first amplifier, the Microtubes 900. Its unusual features, and design embodied the Darkglass ethos like none of our previous products. It was an uncompromising amplifier, incredibly versatile, and unapologetically loud. Now, a thousand days after the first Microtubes 900 saw the light of day, we are proud to announce the next step in its evolution, the Microtubes 900 v2. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith enhanced durability, improved equalizer, studio-grade compression, impulse response cabinet emulation, and MIDI control, the Microtubes 900 v2 features all the options the modern, professional bassist needs in a compact, sleek, and loud format.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eFootswitch included\u003c\/strong\u003e - The Intelligent Footswitch is an intuitive yet versatile accessory for your Microtubes 900v2. One tap will engage and disengage the Microtubes Engine, while holding for 3 seconds will Mute the amplifier. It is connected to the head via a standard 1\/4\" cable and it's powered by a microcontroller that sends commands to the head using a proprietary communication protocol.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eFeatures\u003cbr\u003e· Dual ¼”\/Speakon jacks (New)\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e· Dual XLR Out Pre AND Post (New)\u003cbr\u003e· Headphone Jack with separate volume control (New)\u003cbr\u003e· Auxiliary In (New)\u003cbr\u003e· Memory for 3 Impulse response via the Cab Select switch (New)\u003cbr\u003e· MIDI for remote switching, configurable with the Darkglass Suite (New)\u003cbr\u003e· USB connector to load IRs, MIDI learning, among other features. (New)\u003cbr\u003e· Ultra-quiet 6-band graphic EQ (New)\u003cbr\u003e· Built-in Adjustable studio-grade VCA compression (New)\u003cbr\u003e· B3K and Vintage Drive Circuits · Passive\/Active Switch\u003cbr\u003e· 4\/2 Ohm functionality\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":21017258950715,"sku":"DRKGLS900V2","price":2079.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/M900v2-Front.png?v=1625126784"},{"product_id":"darkglass-alpha-omega-900-bass-amplifier","title":"Darkglass Electronics Alpha Omega 900 Bass Amplifier","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eDarkglass Alpha Omega 900\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Alpha·Omega 900 takes the best elements of our most successful distortion preamplifier ever, combined with state of the art features to make a monstrous 900-watt amplifier with earth-shattering tone. While Darkglass' signature Alpha and Omega drive engines add incredible girth and size to the overdriven signal, the studio-grade VCA compressor adds an extra layer of control, and the ultra-quiet 6-band graphic equalizer can help sculpt the tone from aggressive and overdriven to crystal clear clean, whatever your needs may be. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThat's not everything though, the MIDI programmability and impulse response cabinet simulation with up to three different storable virtual cabinets make the AO900 not only one of the most complete amplifiers for the touring musician but combined with the auxiliary input and headphone output, the ideal tool for silent practicing. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFootswitch Included-\u003c\/strong\u003e The Intelligent Footswitch is an intuitive yet versatile accessory for your Alpha·Omega 900. One tap will engage and disengage the Distortion, while holding for 3 seconds will Mute the amplifier. It is connected to the head via a standard 1\/4\" cable and it's powered by a microcontroller that sends commands to the head using a proprietary communication protocol.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003e· Dual ¼”\/Speakon jacks (New)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Dual XLR Out Pre AND Post (New)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Headphone Jack with separate volume control (New)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Auxiliary In (New)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Memory for 3 Impulse response via the Cab Select switch (New)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· MIDI for remote switching, configurable with the Darkglass Suite (New)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· USB connector to load IRs, MIDI learning, among other features. (New)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Ultra-quiet 6-band graphic EQ (New)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Built-in Adjustable studio-grade VCA compression (New)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Alpha and Omega Drive Circuits\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· Passive\/Active Switch\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e· 4\/2 Ohm functionality\u003c\/span\u003e\u003c\/p\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":21017333334075,"sku":"DRKGLSALOMAMP","price":1599.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/AO900-front.png?v=1625126779"},{"product_id":"ebs-micro-bass-3-professional-outboard-preamp","title":"EBS Micro Bass 3 Professional Outboard Preamp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe EBS MicroBass 3 is a 2-channel preamp, built exclusively with premium components. It is engineered by EBS in Sweden with technologies from the famous HD360 and Fafner II amplifier designs. The preamp operates at a signal level equal to a professional mixing console (+\/- 15V)which gives you plenty of headroom. The high signal level makes it suitable to use as a preamp in combination with any type of power amp.\u003c\/p\u003e\n\u003cp\u003eRun the Clean and Drive channels in series or parallel. Use the dual balanced XLR-outputs to tap the signal post and pre EQ at the same time. If you run the Effects loop in stereo mode, the balanced outputs become a Left and Right output instead. With 10 Mohms input impedance, it handles any type of bass – passive, active or with piezo pickups.\u003c\/p\u003e\n\u003cp\u003eThe built-in tuner makes it easy to tune between songs without the need of an external device. The MicroBass 3 also carries an onboard compressor, similar to the one found on several EBS amplifiers, and several more features.\u003c\/p\u003e\n\u003cp\u003eThe analog EBS MicroBass 3 ensures your sound – every time.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e100% analog professional preamp.\u003c\/p\u003e\n\u003cp\u003eDual channels – Clean and Drive.\u003c\/p\u003e\n\u003cp\u003eRun in parallel or series.\u003c\/p\u003e\n\u003cp\u003eBlend control for the drive.\u003c\/p\u003e\n\u003cp\u003eDual Balanced XLR-out (pre \u0026amp; post EQ or Stereo).\u003c\/p\u003e\n\u003cp\u003eEffects loop (mono or stereo).\u003c\/p\u003e\n\u003cp\u003eCharacter and Bright filters (clean channel).\u003c\/p\u003e\n\u003cp\u003eHI or LO gain drive engines.\u003c\/p\u003e\n\u003cp\u003eThin or Deep type (drive channel).\u003c\/p\u003e\n\u003cp\u003eTuner, Aux-input, Headphones out.\u003c\/p\u003e\n\u003cp\u003e10 Mohms input impedance (main input).\u003c\/p\u003e\n\u003cp\u003e9V DC, 450 mA required (power supply included).\u003c\/p\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":21179417591867,"sku":"EBSMB3","price":599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/MB3_2.jpg?v=1625126911"},{"product_id":"darkglass-electronics-microtubes-x-ultra","title":"Darkglass Electronics Microtubes X Ultra","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Microtubes X Ultra greatly expands on the already immense versatility of the Microtubes X7. Featuring all the great controls that its predecessor has that allows users to select exactly what frequencies they want to compress and saturate for the low and treble respectively, but with four major additions providing an additional layer of flexibility, while maintaining the same compact footprint, making it an extremely complete tool for the modern bassist.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLow Comp\u003c\/h3\u003e\n\u003cp\u003eControls compression amount for the low band. Both threshold and makeup gain are controlled to maintain a constant level. This control is also used to control the compression amount when the compressor is enabled for clean signal in Darkglass Suite.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLow Level\u003c\/h3\u003e\n\u003cp\u003eSets the output volume of the low-pass signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLow Pass Frequency\u003c\/h3\u003e\n\u003cp\u003eControls the cut-off frequency to be mixed back to the high-pass side. Ranging from 50Hz (for only sub-bass) and 500Hz to preserve some clean mids.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eHigh Level\u003c\/h3\u003e\n\u003cp\u003eSets the output volume of the distorted high-pass signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eHigh Drive\u003c\/h3\u003e\n\u003cp\u003eSets the amount of distortion for the high pass side.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eHigh Pass Frequency\u003c\/h3\u003e\n\u003cp\u003eControls the cutoff frequency to be distorted, ranging from 100Hz (for thicker, fuzzier saturation) or 1kHz for ultra-sharp definition.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eMaster\u003c\/h3\u003e\n\u003cp\u003e+-12 dB. Sets the overall volume of the unit.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eLow shelf\u003c\/h3\u003e\n\u003cp\u003e+-12 dB @ 80 Hz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003e250 Hz \/ 500 Hz \/ 1,5 kHz \/ 3 kHz\u003c\/h3\u003e\n\u003cp\u003e+-12dB.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eHigh shelf\u003c\/h3\u003e\n\u003cp\u003e+-12 dB @ 5 kHz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eDirect Output\u003c\/h3\u003e\n\u003cp\u003eBalanced XLR output for connecting the pedal to a microphone preamp, PA system, etc.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eGround lift\u003c\/h3\u003e\n\u003cp\u003eDisconnects the signal ground on the Direct Output to break any ground loops. Set this switch to either position that has less noise. The switch does not affect the ¼” output.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eCab Sim\u003c\/h3\u003e\n\u003cp\u003eToggle the cabinet simulation on\/off on the Direct Output. This switch completely bypasses all digital circuits and allows you to get a zero latency signal when needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eHeadphones\u003c\/h3\u003e\n\u003cp\u003eMicrotubes X Ultra has a digitally controlled headphone amplifier with a 3.5mm stereo jack output. Digital volume control is available in Darkglass Suite. Headphone volume can be controlled directly on the pedal with the master volume control when the preamp is enabled. When the pedal is on bypass, the master volume does not affect the headphone volume.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eUSB\u003c\/h3\u003e\n\u003cp\u003eA Micro USB B connector allows you to connect the pedal to PC\/Mac to load cabinet simulation impulse responses to the pedal and control various other settings. Download the free Darkglass Suite software from www.darkglass.com\/suite to configure the pedal, load new impulses and download firmware updates.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eAuxiliary Input\u003c\/h3\u003e\n\u003cp\u003ePerfect for quiet practice, you can now connect your PC or mobile device to your pedal to play along with your favorite songs, and backing tracks while using the headphone output.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":21297896783931,"sku":"DKGLSMICROXUTRA","price":669.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Main-Picture-X-Ultra.png?v=1625126787"},{"product_id":"hamstead-subspace-intergalactic-driver","title":"Hamstead Subspace Intergalactic Driver","description":"\u003cp\u003e\u003cstrong\u003eA Journey\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eThrough Subspace\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eOur journey to push the boundaries of what a drive pedal can be has come to its next stop. This is Subspace: the analogue versatility of Odyssey by Peter Hamstead, optimised for low frequencies.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWith it’s re-voiced circuit, enhanced with the addition of a parallel dry control, Subspace allows you to craft your perfect drive sound without losing any character or low frequencies from your original signal. You’ll be taken on a journey from clean boost with tone shaping, to warm vintage valve style overdrive, through to defined distortion and all the way to glitchy oversaturated fuzz.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWhilst developed with bass in mind, Subspace took us further than we could have imagined. When used with guitars it opens up a whole range of alternative and inspiring drive sounds, and allows frequency-specific clipping for all instruments including keys, synths and drum machines. When used with bass it offers more than you could believe was possible from a compact analogue drive pedal.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col sqs-col-5 span-5\"\u003e\n\u003cdiv class=\"sqs-block code-block sqs-block-code\" data-block-type=\"23\" id=\"block-yui_3_17_2_1_1535733168701_207246\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cul\u003e\n\u003cli\u003e3 Clipping Circuits\u003c\/li\u003e\n\u003cli\u003ePowerful Tone Shaping\u003c\/li\u003e\n\u003cli\u003eFrequency-Specific Clipping\u003c\/li\u003e\n\u003cli\u003eWarm Vintage Overdrive\u003c\/li\u003e\n\u003cli\u003eDefined High Gain Distortion\u003c\/li\u003e\n\u003cli\u003eParallel Dry Control with x2 Boost\u003c\/li\u003e\n\u003cli\u003e+\/-18dB of Treble and Bass Boost \u0026amp; Cut\u003c\/li\u003e\n\u003cli\u003eMid-Boosted Drive\u003c\/li\u003e\n\u003cli\u003eGlitchy Oversaturated Fuzz\u003c\/li\u003e\n\u003cli\u003e-10dB Input Gain Switch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAn all-analogue design by Peter Hamstead. Inspired \u0026amp; voiced by Tim Steer \u0026amp; Simon Francis.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSubspace features an optical OptoKick footswitch from our friends at TheGigRig, for silent and reliable switching. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Hamstead Soundworks","offers":[{"title":"Default Title","offer_id":30084553146427,"sku":"HMSTDSUBSPACE","price":539.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Subspace_Banner_Graphic_1_Optimised.png?v=1625127502"},{"product_id":"crowther-audio-prunes-custard","title":"Crowther Audio Prunes \u0026 Custard","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Prunes \u0026amp; Custard is a two stage circuit. There is a preamp stage, the gain of which is adjusted with the Drive control. This stage is followed by a special wave-shaping distortion circuit. There is some treble roll-off between the preamp and the special distortion circuit. The frequency at which this treble roll-off happens can be changed with the Guitar\/Bass switch. The special distortion stage produces strong harmonic overtones, mostly odd harmonic. Higher harmonics are progressively introduced with increased Drive settings and signal level, so a decaying bass guitar note can sound like a mean swept filter.\u003c\/p\u003e\n\u003cp\u003ePlaying double notes, like 4ths or 5ths can produce some strong intermodulation effects, rather like a ring modulator, but more musical, albeit more distorted! The Mix control is a balance between the preamp stage output (ccw), and the special distortion stage output (cw). For bass guitar, the Mix control would usually be set at around 10 to 12 o'clock. For guitar, a high Mix setting, along with reduced Drive can give some rather pleasant overdrive effects. When the Drive and Mix controls are set to higher settings, the sound can become all harmonics, with very little fundamental signal, and in some situations may sound a bit thin, especially for bass guitar, but setting the Lo Freq. contour switch to the right takes some low frequency from the Preamp side of the Mix control and mixes it back with the special distortion side.\u003c\/p\u003e\n\u003cp\u003eWhen used as an effect in a live mixing or recording situation, the P\u0026amp;C can be driven from from a spare aux send or channel direct out and returned to a spare input channel. In this situation the Mix control would be set to maximum, and there is the added flexibilty of being able to apply EQ to the distortion effect, and to use it dynamically within a mix. This is quite useful for (yet another) overdriven snare sound, and for toms. To avoid things getting too out of hand, inserting a noise gate on the return, and maybe keying it from the send signal can be a useful idea.\u003c\/p\u003e","brand":"Crowther Audio","offers":[{"title":"Default Title","offer_id":30267008221243,"sku":"CAPAC","price":289.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/CrowtherPrunesandCustard.jpg?v=1625126753"},{"product_id":"ebs-billy-sheehan-ultimate-bass-pedal","title":"EBS Billy Sheehan Ultimate Bass Pedal","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eEBS BILLY SHEEHAN ULTIMATE SIGNATURE DRIVE.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eIF YOU EVER WANTED A SETUP WHERE YOU CAN BLEND A CLEAN BASS RIG WITH A DISTORTED, BUT CAN’T AFFORD TO HAVE TWO RIGS. THIS IS THE ULTIMATE SOLUTION FOR YOU!\u003c\/em\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cblockquote class=\"wp-block-quote\"\u003e\n\u003cp\u003e\u003cem\u003e“This pedal is a distillate of several important principles in the signal chain for bass. Compression, distortion, tone-shaping and blending all together.”\u003c\/em\u003e, Billy said when EBS released his first signature pedal in 2013. The original concept is still the same, but with more features added along the way.\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003ch6\u003e\u003cstrong\u003eMix the Clean with a Distorted signal path\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eSince the pedal splits the signal into two parallel paths – one \u003cem\u003eclean\u003c\/em\u003e and one with \u003cem\u003edistortion\u003c\/em\u003e – it becomes as if running the sound through two different bass rigs at the same time. The two \u003cem\u003eClean\u003c\/em\u003e and \u003cem\u003eDrive\u003c\/em\u003e \u003cem\u003eLevel\u003c\/em\u003e controls decides how you set the mix and melt the paths together. For a tighter, more defined sound you can engage the built-in compressor. Threshold settings for the compressor can be adjusted inside.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eBring back more low-end and boost the gain when needed\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eA \u003cem\u003ePhase Inverter\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eswitch brings back more low-end to the drive channel in cases when phase cancellation appears. The\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eBoost footswitch\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ekicks up the drive gain a notch when needed.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eExtend the range of the Tone Control\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe new and major feature of the Ultimate version is the\u003cstrong\u003e \u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eHi or Lo Frequency Filter.\u003c\/em\u003e\u003c\/strong\u003e This switch moves the whole frequency spectrum of the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTone filter\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eup or down, to extend the capabilities of the pedal.\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHi\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003esetting adds a whole new palette of distortion sounds that was not possible to create with previous versions of the pedal.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eMix in effects on the Clean and Drive channel separately\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThe individual \u003cem\u003eEffect Loops\u003c\/em\u003e for each channel can be used to color the channels individually with external effects. The \u003cem\u003eClean Loop\u003c\/em\u003e jack can also be used as a clean\u003cem\u003e input\u003c\/em\u003e if you have a bass that features dual outputs. It sounds great if you run the lows through the Clean Loop jack while the mids\/highs go through the main input, which leaves the lows untouched and only the higher frequencies treated by the drive.\u003c\/p\u003e\n\u003ch6\u003e\u003cstrong\u003eInherited features\u003c\/strong\u003e\u003c\/h6\u003e\n\u003cp\u003eThis version has inherited all the features from the Deluxe version (including the possibility to swap the drive chip without the need of soldering). But the palette of sounds you can create is expanded by the new Hi or Lo frequency filter to make it complete.\u003c\/p\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":32210013454395,"sku":"EBSBSU","price":449.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/BSU_2.jpg?v=1625126902"},{"product_id":"ebs-octabass-triple-mode-octave-divider","title":"EBS OctaBass - Triple Mode Octave Divider","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cb\u003e\u003ci\u003eTHE NEW EBS OCTABASS BLUE LABEL PUSHES THE BOUNDARIES FOR WHAT HAS SEEN AS POSSIBLE WITH AN ANALOG OCTAVE EFFECT. THE QUALITY AND CHARACTER OF THE OCTAVE TONE, AS WELL AS THE PRECISION AND SPEED OF THE TRACKING, IS OUTSTANDING.  \u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"hr\"\u003e\u003chr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eThe EBS OctaBass was the first effect unit ever made by EBS. It is famous for fast and accurate\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e tracking\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e and a fat, natural \u003c\/span\u003e\u003ci\u003e\u003cspan\u003esound\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. When you play your instrument, it \"tracks\" the note you play and produce a sound one octave below to mix in with the note you play.  The 'Blue Label' model has a couple of new features that enhance the tracking range and improves the control of the sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003e\u003cb\u003eImprove the tracking where it matters the most\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eA new Range-switch makes possible to move the optimized focus area of the tracking to either \u003c\/span\u003e\u003ci\u003e\u003cspan\u003ehigher up\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e or \u003c\/span\u003e\u003ci\u003e\u003cspan\u003elower down\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e the fretboard. All to match your playing style and needs. This feature makes the tracking speed and range outstanding for an analog octave pedal. \u003cem\u003eNote: Don't confuse this switch with the Range-switch on previous OctaBass pedals where it changed the character of the tone.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch6\u003e\u003cb\u003eEnhanced tone control\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp\u003e\u003cspan\u003eBy adding a seamless\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e tone control \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003eyou can go from a present, focused octave sound that cuts through the mix all the way to a sub-bass backdrop of lows that discreetly supports the note you play. The tone control enhances the palette of sounds and also makes it easier to achieve a synthesized bass sound.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePower the Blue Label OctaBass with 9-18V DC power. The footprint is reduced by 12% compared to the previous Studio and Black Label editions.\u003c\/p\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":32210528632891,"sku":"EBSOBBL","price":319.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/oc_bl_1.png?v=1625126912"},{"product_id":"darkglass-electronics-element-headphone-amp-cabsim","title":"Darkglass Electronics Element - Headphone Amp\/Cabsim","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eOne comprehensive device, that out of the box offers a bank of 5 cabinet simulations, and the ability to change them through the Darkglass Suite, Bluetooth technology to listen to backing tracks while playing, rehearsing, or studying. Two headphone outputs to allow interaction among musicians. XLR output to connect the Element to your audio interface or PA system. With a uniquely innovative approach, the Element provides in one device an immensely practical tool to empower modern musicians.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003ePhones\u003c\/h3\u003e\n\u003cp\u003eTwo touch sensitive volume control sliders, one for each headphone output.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eBlend\u003c\/h3\u003e\n\u003cp\u003eA touch sensitive slider to set the blend between the main input (Instrument\/Amp in) and the backing track (Bluetooth\/Aux in) for the headphone out mix.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eUSB\u003c\/h3\u003e\n\u003cp\u003eOne USB-C port for transferring impulse responses and firmware XLR output updates\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eAux In\u003c\/h3\u003e\n\u003cp\u003eYou can connect the line\/headphone out of your laptop\/keyboard\/mixer etc. into the 3.5 mm aux input on the Element.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003e\u003cstrong\u003eElement w\/ pedalboard\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eConnect your instrument to your pedalboard as you normally would and add the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eElement\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eat the end of the signal chain. Use the input labelled “\u003cem\u003eINSTRUMENT IN\u003c\/em\u003e” on the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eElement\u003c\/strong\u003e. You can now choose the impulse responses in slots 1-5 or the bypass signal. From here, the signal is passed through to the XLR output and via the blend and volume controls to the headphone outputs.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eElement w\/ amp \u0026amp; speaker cabinet\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eNote\u003c\/strong\u003e:\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eElement\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edoes NOT act as a loadbox! Always make sure your amplifier is connected to a suitable load!!!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eElement\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis built to work with amplifiers with a maximum output of 900 W. For the safest operation, it is advised to connect the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eElement\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eafter your speaker cabinet from your speaker cabinet’s parallel output connector. Use the input labelled “\u003cem\u003eAMP IN\u003c\/em\u003e” on the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eElement\u003c\/strong\u003e. You can now choose the impulse responses in slots 1-5 or the bypass signal. From here, the signal is passed through to the XLR output and via the blend and volume controls to the headphone outputs.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIf the amplifier’s maximum output is 100 W, the \u003c\/span\u003e\u003cstrong\u003eElement\u003c\/strong\u003e\u003cspan\u003e can be connected between the amplifier and the speaker cabinet. Use the input labelled “AMP IN” for the amplifier and the output labelled “\u003c\/span\u003e\u003cem\u003eSPEAKER OUT\u003c\/em\u003e\u003cspan\u003e” to connect the speaker cabinet to the \u003c\/span\u003e\u003cstrong\u003eElement\u003c\/strong\u003e\u003cspan\u003e. You can now choose the impulse responses in slots 1-5 or the bypass signal. From here, the signal is passed through to the XLR output and via the blend and volume controls to the headphone outputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIf you are using a Darkglass amplifier with a class D poweramp, you have the option to connect the amplifier straight to the \u003cstrong\u003eElement\u003c\/strong\u003e without using a speaker cabinet or an external load. Use the input labelled “\u003cem\u003eAMP IN\u003c\/em\u003e” on the \u003cstrong\u003eElement\u003c\/strong\u003e. You can now choose the impulse responses in slots 1-5 or the bypass signal. From here, the signal is passed through to the XLR output and via the blend and volume controls to the headphone outputs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col-xs-6 columnLeft columnReverse\"\u003e\n\u003cdiv class=\"wysiwyg\"\u003e\n\u003ch2\u003eWARNING\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eNEVER CONNECT AN AMPLIFIER TO “AMP IN” SIMULTANEOUSLY WITH AN INSTRUMENT TO “INSTRUMENT IN”!!! THIS COULD LEAD TO AN ELECTRIC SHOCK AND ALSO BREAK YOUR PRECIOUS EQUIPMENT!!!\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":34092778553403,"sku":"DGELEHPA","price":449.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Element-First-Image.png?v=1625126781"},{"product_id":"darkglass-electronics-b7k-ultra-v2-the-squid-limited-edition","title":"Darkglass Electronics B7K Ultra V2 'The Squid' Limited Edition!","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e Microtubes B7K Ultra v2 Aux In “The SQUID” Limited Edition!\u003c\/p\u003e\n\u003cp\u003eIn collaboration with the vision, taste and superb art of Ignacio Bazan Lazcano, we combined new engraving techniques and our latest technology to make this pedal look and feel like none of the brand’s previous products.\u003c\/p\u003e\n\u003cp\u003eLimited to 1000!!\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col-xs-12\"\u003e\n\u003ch2 class=\"tit-bb\"\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eMaster\u003c\/h3\u003e\n\u003cp\u003eWhereas the Level Knob controls the output of the overdrive section the Master volume adjusts the overall volume of the unit. Ideal for fine tuning the output on clean mode. It also serves as a DI level control.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eBlend\u003c\/h3\u003e\n\u003cp\u003eMixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLevel\u003c\/h3\u003e\n\u003cp\u003eSets the volume of the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eDrive\u003c\/h3\u003e\n\u003cp\u003eSets the amount of saturation in the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eAttack Switch\u003c\/h3\u003e\n\u003cp\u003eSets the amount of treble content to saturate: The \"Boost\" setting emphasizes the treble content extra clarity and presence. The \"Flat\" position leaves this register untouched while the \"Cut\" position will reduce the amount of high frequencies being saturated.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eGrunt Switch\u003c\/h3\u003e\n\u003cp\u003eSets the amount of low frequency content to saturate by selecting between three different bass boost levels before the clipping stage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eBass\u003c\/h3\u003e\n\u003cp\u003e+-12dB @ 100Hz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLo Mids\u003c\/h3\u003e\n\u003cp\u003e+-12dB switchable 250Hz, 500Hz and 1kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eHi Mids\u003c\/h3\u003e\n\u003cp\u003e+-12dB switchable 750Hz, 1.5KHz and 3kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eTreble\u003c\/h3\u003e\n\u003cp\u003e+-12dB @ 5kHz\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eDirect Ouput\u003c\/h3\u003e\n\u003cp\u003eBalanced XLR output for connecting the pedal to a microphone preamp, PA system etc.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eGround lift\u003c\/h3\u003e\n\u003cp\u003eDisconnects the signal ground on the Direct Output to break any ground loops. Set this switch to either position that has less noise. The switch does not affect the ¼” output.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-toggle\"\u003e\n\u003ch3\u003eCab Sim\u003c\/h3\u003e\n\u003cp\u003eToggle the cabinet simulation on\/off on the Direct Output. This switch completely bypasses all digital circuits and allows you to get a zero latency signal when needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eHeadphones\u003c\/h3\u003e\n\u003cp\u003eB7K Ultra has an internal stereo headphone amplifier capable of driving a minimum load of 16 ohms from the 3.5mm stereo jack. Use the Master volume control to adjust the level.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-plug\"\u003e\n\u003ch3\u003eUSB\u003c\/h3\u003e\n\u003cp\u003eA Micro USB B connector allows you to connect the pedal to PC\/Mac to load cabinet simulation impulse responses to the pedal and control various other settings.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-dimensions\"\u003e\n\u003ch3\u003eDIMENSIONS\u003c\/h3\u003e\n\u003cp\u003e125x96x57 mm (4,92x3,77x2,24 in)\u003c\/p\u003e\n\u003ch2\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003eMain Features\u003c\/strong\u003e\n\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eSingle user loadable cabinet simulation impulse response\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMaximum impulse length 21 ms\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e48 kHZ, 16-bit internal processing\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e1.6 ms latency\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e92 dynamic range\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eMicro- USB B port to connect to PC\/Mac\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e3.5 mm headphone output with cabinet simulation.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003e3.5 mm stereo auxiliary input.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBalanced XLR output with switchable cabinet simulation and switchable ground lift.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eInput impedance: 1M ohm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eOutput impedance: 1k ohm\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003ePower supply: 9V DC centre negative\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eDC current consumption: 120 mA\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-warning\"\u003e\n\u003ch3\u003eWARNING\u003c\/h3\u003e\n\u003cp\u003eWARNING: When the pedal is on bypass the master volume does not affect the headphone volume. In this case the total volume is adjustable in Darkglass Suite. With sensitive headphones the bypass volume can be very loud if not adjusted.\u003c\/p\u003e\n\u003cp\u003eThe Microtubes B7K Ultra v2 has a current draw of 120mA. Only use a regulated 9V DC adapter with a centre-negative plug. Due to ecological reasons, it does not accept batteries. Unregulated power supplies and\/or higher voltages may result in suboptimal noise performance and even damage your unit, voiding the warranty\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":34120588525627,"sku":"DRKGLB7KSQ","price":669.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/MicrotubesB7KUltrav2AuxInTheSQUID0.jpg?v=1625126781"},{"product_id":"ebs-bassiq-blue-label","title":"EBS BassIQ Blue Label","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eTHE NEW EBS BASSIQ ‘BLUE LABEL’ FEATURE ENHANCED VERSATILITY AND RESPONSIVENESS. THIS IS A FUN, INSPIRING AND MUSICAL ANALOG ENVELOPE FILTER.\u003c\/i\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv class=\"hr\" data-mce-fragment=\"1\"\u003e\u003chr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe EBS BassIQ produces sounds ranging from classic auto-wah effects to spaced out ”Funkadelic” and synth-bass sounds. It is for everyone looking for a fun, fat sounding and responsive envelope filter that reacts to how you play in a musical way.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eQ, Threshold \u0026amp; Attack-controls\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThreshold\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAttack\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e control knobs set the sensitivity of how the pedal responds to your playing. The sensitivity is the key to create a great variety of sounds from synth-bass, to wah-effects or sub-bass.  A separate control changes the \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eQ\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e value to create even more variation in the sound character. The higher the Q value, the sharper the effect. All sounds are depending on how you set the \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eQ\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e value in conjunction with\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e Threshold\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAttack\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e.  \u003c\/span\u003e\u003c\/p\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e \u003c\/h6\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eUp, Up-R \u0026amp; Down-modes\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn the\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eUp\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003emode, the pedal responds with a wah effect. Turn the Q knob all the way up to get distinct ‘quacky’ wah sounds (like the HiQ mode of the old BassIQ). Turn the Q knob back for a more mellow effect. To get a sub-bass sound, use the \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUP\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e mode and turn \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThreshold\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e all the way down and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAttack\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e all the way up. In the \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eDown\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e mode, you will achieve various types of synth bass sounds. The \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003eUP-R\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003emode works like UP but also interacts with an internal control that changes the range of the envelope effect.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePass filters\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe three different types of pass filters, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFull Range\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBand Pass\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLow Pass\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e, offer three variations of your sound at any time. Find a sound setting you like, and then try the different pass filter options, and each of them will change the character of the sound. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eInternal controls\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrim pots are found inside to set the Gain output level of the pedal, a High Pass mix-in trim pot sets the level of high frequencies from the bypassed tone to mix in with the effect. A third trim pot decides the \u003cem data-mce-fragment=\"1\"\u003eRange\u003c\/em\u003e of the envelope effect in the pedals \u003cem data-mce-fragment=\"1\"\u003eUP-R\u003c\/em\u003e mode setting. Use these options carefully to tailor the pedal's response to match your personal needs perfectly. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe EBS Bass IQ Blue Label replaces the previous Bass IQ model from now on. The new pedal also has a 12% reduced footprint.\u003c\/p\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":34184241381435,"sku":"EBSBASSIQ","price":379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/biq_bl_1.png?v=1625126901"},{"product_id":"empress-compressor-mkii-bass","title":"Empress Compressor MKII Bass - Silver","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhen we released our original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eOn top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we’ve now added a fully variable sidechain high pass filter, and a two position ‘tone + colour’ circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.\u003cspan class=\"Apple-converted-space\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cb\u003eAll Analog Signal Path\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e- no digitals in here!\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eExtremely Transparent\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e- Add dynamic control without altering the original tone of your instrument\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e3 Compression Ratios\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e- 2:1, 4:1 and 10:1 ratios offer lots of flexibility\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eAttack and Release Control\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e- allows for ultimate control over the compression characteristics\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMix\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e- Blend uncompressed signal in with the compressed signal for parallel compression, New York Style!\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMetering\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e- Meter both gain reduction and input on separate meters.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTone + Color  \u003c\/strong\u003e-\u003cstrong\u003e \u003c\/strong\u003eAdds mild harmonic distortion with a mid range cut or an upper mid range boost. \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSidechain Send\/Return\u003c\/strong\u003e- 3.5mm TRS jack send and return for sidechain compresson.  \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSidechain High Pass Filter \u003c\/strong\u003e-  a variable high pass filter that filters low frequencies from the sidechain.\u003cspan\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe filter frequency ranges from 20Hz to 400Hz.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eImproved Low End Frequency Response \u003c\/strong\u003e- To handle those low low sounds, completely flat down to 20Hz.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eTrue Display LEDs\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e- Bright multi-color LEDs always let you know what the compressor is doing.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eTrue Bypass\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e- The Empress Compressor employs true bypass, so you can be sure that it's not affecting the signal when disengaged.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSmall Size\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e- \u003cspan data-mce-fragment=\"1\"\u003eNew enclosure approximately half the size of the original compressor\u003c\/span\u003e, which is delightfully small when considering all the features packed into this unit.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eBeautiful Case\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e- It has a sparkle you can't deny, available in blue or silver!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Empress","offers":[{"title":"Default Title","offer_id":34336531906619,"sku":"EMPCOMPBASS2","price":489.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/BassCompSilverFront_1024x1024_18e0e74c-86a2-4a3b-9d07-10a86d4332ea.png?v=1625126924"},{"product_id":"ebs-multicomp-blue-label","title":"EBS MultiComp Blue Label","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTHE EBS MULTICOMP BLUE LABEL IS AN ANALOG, HIGH PERFORMANCE, MULTI-BAND COMPRESSOR PEDAL THAT WILL IMPROVE YOUR SOUND INSTANTLY.\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv class=\"hr\" data-mce-fragment=\"1\"\u003e\u003chr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe EBS MultiComp is the most popular EBS effects unit ever. Thousands of bass players, guitarists, and other musicians all over the world use it on their pedalboards.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe compressor hits the sweet spot between allowing for dynamic playing \u003cem data-mce-fragment=\"1\"\u003eand\u003c\/em\u003e creating a smooth consistency across the fretboard. It can also be used simply to push the gain and beef up the overall sound when desired.   \u003c\/span\u003e\u003c\/p\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eYou can’t go wrong with the MultiComp\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA compressor can be tricky to dial in. Maybe that is why the super intuitive EBS MultiComp has seen such a long-standing success. It is a compressor that you can't go wrong with, that doesn’t require a degree in sound engineering and still does exactly what you want. What more to ask for?\u003c\/span\u003e\u003c\/p\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eA sensible upgrade\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThere is a major addition to the new \u003cem data-mce-fragment=\"1\"\u003eEBS MultiComp Blue Label\u003c\/em\u003e. A control on the front panel to adjust the threshold level, or \u003cem data-mce-fragment=\"1\"\u003eSensitivity\u003c\/em\u003e. The more you turn up the control, the higher the sensitivity.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe benefit of this is that you can adjust the sensitivity to match the output level of your instrument or your playing style. A center click indicates the factory setting value on previous editions of the pedal, to offer a reference to your old MultiComp.  \u003c\/span\u003e\u003c\/p\u003e\n\u003ch6 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eMore headroom to handle the extremes\u003c\/b\u003e\u003c\/h6\u003e\n\u003cp data-mce-fragment=\"1\"\u003eTo handle high-end basses equipped with 18V preamps with very hot output, the new MultiComp Blue Label can operate continuously on up to 18V DC power. This gives the pedal enough headroom to handle even these extreme instruments. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe new version has a reduced footprint by 12% and is lighter to save space and weight on your pedalboard. The recessed jacks keep the space needed between pedals to a minimum.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe EBS MultiComp Blue Label will replace the Studio Edition from now on.\u003c\/p\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":34433312325691,"sku":"EBSMULTICOMP","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/mc_bl_1.png?v=1770101218"}],"url":"https:\/\/www.pedalempire.com.au\/collections\/bass-pedals.oembed?page=6","provider":"Pedal Empire","version":"1.0","type":"link"}