{"title":"Fuzz","description":"","products":[{"product_id":"4-wheeler-bass-fuzz","title":"JHS 4 Wheeler V2 Bass Fuzz","description":"\u003cp\u003e Bass fuzz has to be the sweetest thing ever. There is nothing like a tight bass line with fuzz driving it home. Our 4 Wheeler will give you the ability to do everything from 60’s jam band to modern electronic fuzz. With Volume, Tone, Fuzz and a specially tuned Gate control, the ability to tweak away is at your fingertips. There is enough volume\/headroom to shack any stage as well as drive your amp as hard as you would ever need. The tone and fuzz controls are super flexible with usable sweeps all the way around while the gate control can give you those much desired synth break-offs or just the right amount of jab for that perfect riff.\u003c\/p\u003e\n\u003cp\u003eBass Fuzz that will end your search for that perfect tone in a small and flexible footprint!\u003c\/p\u003e\n\u003cp\u003eDimensions: 4 5\/8\" x 2 1\/2\" x 1 1\/2\"\u003c\/p\u003e\nPower: 9v DC Center Negative\n\u003cp\u003e \u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":166201572,"sku":"JHSP4WHEELER","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/JHS-Pedals-4-Wheeler-top.jpg?v=1460686941"},{"product_id":"octapussy-octave-fuzz","title":"Catalinbread Octapussy Octave Fuzz","description":"\u003cp\u003eThe more you play the Octapussy, the more sounds you’ll find in it!\u003c\/p\u003e\n\u003cp\u003eWith the Octapussy, you can:\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e •Play sweet, breathy, delicate octave-up melodies up high on the neck.\u003cbr\u003e •Play epic soaring leads that are full sounding with upper harmonics that\u003cbr\u003e bloom and bloom and bloom as you hold that bend.\u003cbr\u003e •Get tough sounding almost ring modulated double-stops that growl\u003cbr\u003e when you sustain it.\u003cbr\u003e •Obtain sounds that evoke Caribbean steel drums.\u003cbr\u003e •Get massively huge grinding, industrial-strength power chords.\u003cbr\u003e •Riff out with a textured, harmonically rich fuzz tone that can achieve\u003cbr\u003e cello-like qualities.\u003cbr\u003e •Play otherworldly sounding arpeggios.\u003cbr\u003e •Make strange, atonal soundscapes.\u003cbr\u003e •Evoke the texture of a sitar.\u003cbr\u003e •Achieve mysterious sounding droning melodies.\u003cbr\u003e •And more!\u003c\/p\u003e\n\u003cp\u003eOctapussy features three carefully voiced controls that are responsive and\u003cbr\u003e musical as you want to be throughout the entire range of the knobs.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Attn (Attenuate)\u003cbr\u003e This control should normally be set full counter-clockwise. For best tone\u003cbr\u003e and response, only attenuate when you’ve got the Gain and Body knobs\u003cbr\u003e really cranking and need to reduce the output some.\u003c\/p\u003e\n\u003cp\u003eGain\u003cbr\u003e This control increases the gain for more fuzz, harmonics, and uppermidrange\u003cbr\u003e frequency boost. It is voiced to be usable throughout its range\u003cbr\u003e from minimum all the way to maximum.\u003c\/p\u003e\n\u003cp\u003eBody\u003cbr\u003e This control increases the bass response as well as making the octave more\u003cbr\u003e prominent. Like the Gain knob, it also increases output and harmonic\u003cbr\u003e content. Technically, it is a negative-feedback loop with variable frequency\u003cbr\u003e response. But let’s not dwell on technicals.... this is another MOAR knob!\u003cbr\u003e To get the best feel for what this knob does, set it at minimum and then\u003cbr\u003e slowly bring it up as you thump the low E string on your guitar. You’ll\u003cbr\u003e hear (and feel!) the low end thump increase as you turn up the Body.\u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":244587482,"sku":"CATL0020","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/octa-front-360x600.png?v=1625126656"},{"product_id":"velvet-fuzz","title":"Wampler Velvet Fuzz","description":"\u003cp\u003e\u003cspan\u003eSometimes, it's not about chasing a tone from one specific piece of equipment, it's about capturing the tones from the entire signal chain.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLooking back through history, there have been some truly outstanding fuzz tones. In particular, the tones achieved by running a fuzz into a screaming stack. The kind of tones that are just earth shattering in their depth, aggression and smoothness.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBrian Wampler, who's always looking for the best tones to capture, decided the chase was on. Taking the base tones from a very famous pedal and the characteristics of a famous stacked, EL34 driven, amp - decided it was about time those tones were brought together in pedal format.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf you are a fan of the tones of the players like David Gilmour or Eric Johnson, then it could be that the Velvet Fuzz is the pedal you are looking for.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe key to the tone of the Velvet is the voicing switch. In the “big” position, the pedal reacts like a classic fuzz. Loads of internal compression and truly massive tones it really is that “tone” from that “era”. Dropping the volume back cleans it up perfectly so your rhythm can remain clear enough and then your solo's will flatten all those who dare to stand before you.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn the “tight” position, the tone comes in and you get the feeling you have swapped amps as well, those mammoth tones but without the compression and other traits that many fuzz players love... Yes, that's right. If you love the tone of Fuzz but not the reaction of it, this is the setting on the pedal that is for you\u003c\/span\u003e\u003c\/p\u003e","brand":"Wampler Pedals","offers":[{"title":"Default Title","offer_id":653133109,"sku":"WP-VELVET-FUZZ","price":339.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/VELVETFUZZ.jpg?v=1620626526"},{"product_id":"karma-suture","title":"Catalinbread Karma Suture","description":"\u003cdiv class=\"col-main\"\u003e\n\u003cdiv class=\"product-view\"\u003e\n\u003cdiv class=\"product-collateral\"\u003e\n\u003cdiv class=\"product-tabs-content\" id=\"product_tabs_description_contents\"\u003e\n\u003cdiv class=\"std\"\u003eWhat happens if you take a NOS PNP germanium transistor and an NPN silicon transistor, plus a germanium and silicon diode, and throw them into the alchemist’s pot and stir it up with plenty of Catalinbread sauce? You get a bubbling cauldron of even-order harmonics that will enhance any guitar rig! So, you’re thinking, is it a fuzz? Yes! Is it an overdrive? Yes! Is it a sparkly boost? Yes, again! Karma Suture’s four control layout allows you to dial in a huge range of harmonically rich tones that sound great into clean amps and into overdriven amps. Or into a foundation overdrive, such as the Dirty Little Secret. It can work equally well with vintage single coils and hot humbuckers. Because Karma Suture generates predominantly even-order harmonic distortion, you will notice amazing clarity even with extreme settings. You can even play complex chord voicings and yet every note rings through clear! Try that with your average fuzz or distortion pedal! And even at maximum settings, the Karma Suture retains an open and responsive character unlike a lot of fuzzes and distortion pedals. Even though it has an open character, you can get amazing sustain with the Karma Suture on, especially if you’re hitting a cranked up amp with it. Harmonics come in waves, undulating in and out as you hold that epic power chord. Based on the rare Harmonic Percolator circuit, it is not just a clone. We’ve expanded the potential by adding the exclusive Density and Diodes controls coupled with months of fine-tuning to get everything just right. You’ll find great sounds throughout the rotation of all the controls. No matter how you have the pedal set, the tone and response is always alive, sensitive to your every playing nuance.\u003cspan style=\"line-height: 1.2;\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":802438493,"sku":"CATL0015","price":279.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/karma-front-360x600.png?v=1625126654"},{"product_id":"colour-boxv2anniv","title":"JHS Colour Box V2 10th Anniversary","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe Colour Box is ten years old, and to celebrate, we're offering a special colorway in a pro-audio aesthetic! Get them while they're hot, because we're only planning on selling these from now until December 31, 2024.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 2012, I had a crazy idea for a tone shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard-to-achieve sounds of \"direct-in\" electric guitar recordings that I loved.  Bands like the Beatles, Spoon, Wilco, and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.\u003c\/p\u003e\n\u003cp class=\"\"\u003eI wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation, and re-works, this concept evolved into something far beyond what we had imagined.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 2014 as we filmed the first demo videos at Abbey Road Studios in London and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so much more!\u003c\/p\u003e\n\u003cp class=\"\"\u003eOn its release day, I wasn't quite sure how it would be accepted, but I knew that I loved it. As a few months went by, we saw something amazing begin to happen; this pedal was showing up in all types of environments. Producers, engineers, and artists were emailing us, tagging us on socials and showing how they had put the Colour Box to use. Studio vocals, live vocals, kick drums, acoustic guitars, bass, keys, overhead drums, stereo buses, room mics, synths, re-amps, and some incredibly large stage setups had it on almost every instrument! This unit can be heard on dozens of recordings from U2, Wilco, The National, Spoon, Collective Soul, Muse, the War on Drugs, and Phantogram amongst others. As proud of this pedal as we were, we wanted to make it better, so we did. \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION 2 EMERGES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe most significant improvements are:\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eAddition of an Output transformer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eSafely Passes 48V Phantom Power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eEQ Shift Knobs for precision EQ control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eHi\/Lo Switch for ultra clean headroom\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e100% available clean signal even on acoustic guitar\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eSilent switching, aka no \"switch-pop\"\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eRuns on standard 9V DC Neg power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cstrong\u003eFEATURES \u0026amp; CONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a \"drive\" or \"gain\" control, adding more grit, distortion, and even fuzz as you increase the gain.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Colour Box V2 has a new Hi \/ Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn addition to the Hi \/ Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMOST POWERFUL EQ YET\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The classically labeled EQ knobs adjust the amount of frequencies that get boosted and cut, while the Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control.\u003c\/p\u003e\n\u003cp class=\"\"\u003eEQ Functions\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eTreble Knob\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- Cut\/Boost Control     +\/-15dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMiddle Knob\u003c\/strong\u003e- Cut\/Boost Control    +\/- 10dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBass Knob\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e-   Cut\/Boost Control   +\/-15dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003eFrequencies controlled by EQ Shift Knobs:\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eTreble Shift\u003c\/strong\u003e- 2kHz to 30kHz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMiddle Shift\u003c\/strong\u003e- 150Hz to 2.4kHz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBass Shift\u003c\/strong\u003e- 20Hz to 440Hz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHi-Pass\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esection is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob. The HPF is a 2nd order 12dB per octave high pass filter. The -3dB cutoff freq (the frequency at which the filter starts to act) can be adjusted from 160Hz to 650Hz.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eXLR AND OUTPUT\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Colour Box V2 has a combination XLR and 1\/4\" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST\/XLR.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eV1 = Smaller enclosure; no “shift” EQ knobs; seven knobs total.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 = Larger enclosure; ten knobs total; added Hi\/Lo Toggle; passes phantom power. Output transformer addition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE COLOUR BOX V2 RUNS ONLY ON STANDARD 9V DC NEGATIVE POWER (DO NOT PLUG IN ANYTHING GREATER THAN 9V) AND MEASURES 5.7” X 3.75” X 1.85\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":843901977,"sku":"JHSPCOLOURBOX10TH","price":699.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/files\/jhsanncb.jpg?v=1742971448"},{"product_id":"hoof-fuzz","title":"Earthquaker Devices Hoof Fuzz","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOur flag-ship device! The Hoof Fuzz is a germanium\/silicon hybrid fuzz which is based on character of the classic green Russian muff. It is capable of creating everything from dirty and organic overdrive to monstrous fuzz madness. It features a smooth, natural and harmonically rich sustain that is less associated with muff style fuzzes and has more in common with an overdriven amplifier. The Hoof Fuzz has some real clarity and distinctiveness that provides a tight and controlled signal that will surely be heard through the mix. The Shift control is secret weapon of the Hoof. It changes the frequency response of the tone control, primarily on the treble side, but it also diminishes any unnecessary muddiness on the bass side too. Scoop the mids or boost them- lots of tonal shaping options are on tap! The Hoof Fuzz has become a key pedal for TONS of well known artists in both the studio and on stage. All analog, true bypass and made one at time by human hands in Akron, Ohio (the center of the universe).\u003c\/p\u003e\n\u003ch3 class=\"cufon_headings\"\u003eMeasures\u003c\/h3\u003e\n\u003cp\u003e4 5\/8″ x 2 1\/2″ x 2.25″ with knobs\u003c\/p\u003e\n\u003ch3 class=\"cufon_headings\"\u003ePower\u003c\/h3\u003e\n\u003cp\u003e9v Battery or any standard 9 volt DC power supply with a negative center 2.1mm barrel.\u003c\/p\u003e\n\u003ch3 class=\"cufon_headings\"\u003eControls\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eFuzz:\u003c\/strong\u003e Clockwise for heavy, counterclockwise for light.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTone:\u003c\/strong\u003e Bass to the left, Treble to the right.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLevel:\u003c\/strong\u003e Controls the output level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShift:\u003c\/strong\u003e Adjust the mid content. Clockwise for classic scooped mids, counterclockwise for the more modern cutting mids all the kids love.\u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":918874549,"sku":"EQD0018","price":299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Hoof.jpg?v=1625126890"},{"product_id":"fulltone-69-mkii","title":"Fulltone 69 MKII","description":"\u003cp\u003eThis is how you wished your Fuzzface sounded... Fat and Harmonic. And it cleans up like a vintage Fender amp when you turn down your guitar's volume control. The Rolling Stones and the Black Crowes have discovered this trick.\u003c\/p\u003e\n\u003cp\u003eIf you love the first 2 Hendrix releases then you'll love this pedal, with 2 Germanium transistors hand-picked and tested for optimum performance. A Contour Knob lets you dial in Midrange, Harmonics and Sustain, also an Input Bias knob that takes out the \"woofiness\" and gives great Overdrive\/Distortion sounds when its level is reduced. An Internal Trimmer allows for adjustment of Clipping Symmetry, Harmonics, and Tracking.\u003c\/p\u003e\n\u003cp\u003eSpecifications subject to change at any given moment due to availability... and whimsy.\u003c\/p\u003e\n\u003cp\u003eTrue-Bypass w\/LED is standard equipment to preserve tone when the pedal is off!\u003c\/p\u003e\n\u003cp\u003eEric Johnson says of his '69... \u003cem\u003e\"Of all the pedals I've been sent... I like this one the best!\" (1998 Guitar World magazine)\u003c\/em\u003e\u003c\/p\u003e","brand":"Fulltone","offers":[{"title":"Default Title","offer_id":1034600909,"sku":"FULL0001","price":419.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/fulltone-69-mk2.jpg?v=1420772885"},{"product_id":"janus-tremolo-fuzz","title":"Walrus Audio Janus Tremolo\/Fuzz","description":"\u003cp\u003eThe Janus is a true bypass, dual joystick controlled Tremolo\/Fuzz pedal that allows you to create a landscape of distorted textures. Both the Tremolo and the Fuzz can be isolated and used alone, but can also be used together in series creating thick textures with a lot of movement. Each joystick has a separate X and Y axis that has designated controls. The Tremolo joystick controls the rate and depth while the Fuzz joystick controls the amount of fuzz and the tone. There are individual Volume controls for both effects and a Blend control for the Fuzz that allows the user to mix unaffected signal with the effected fuzz signal.\u003c\/p\u003e\n\u003cp\u003eThe joystick controls make the Janus a great option for guitars, vocals, keys, or tracks.\u003c\/p\u003e\n\u003cp\u003e9V DC – 8 mA – 7.38 x 4.70 X 2.75 inches\u003c\/p\u003e","brand":"Walrus Audio","offers":[{"title":"Default Title","offer_id":1067720173,"sku":"900-1010","price":415.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/janus_flat-800x491.jpg?v=1423115706"},{"product_id":"fuzz-factory","title":"ZVEX FUZZ Factory (Vexter Series)","description":"\u003cp\u003e\u003cspan color=\"#ffffff\" face=\"Verdana, Arial, Helvetica, sans-serif\" size=\"2\" style=\"color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: small;\"\u003eThe classic amazing Zvex Fuzz Factory! On so many records and installed in Matt Bellamy's MB-1 Manson guitar from MUSE, these really are a modern classic!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan color=\"#ffffff\" face=\"Verdana, Arial, Helvetica, sans-serif\" size=\"2\" style=\"color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: small;\"\u003eThe Vexter Fuzz Factory is identical in construction to the newest hand-painted Fuzz Factories, including a DC power jack and on\/off LED indicator. Because it is hand silk-screened instead of hand-painted, we are able to offer it at a somewhat reduced price! \u003c\/span\u003e\u003cbr\u003e\u003cspan color=\"#ffffff\" face=\"Verdana, Arial, Helvetica, sans-serif\" size=\"2\" style=\"color: #000000; font-family: Verdana, Arial, Helvetica, sans-serif; font-size: small;\"\u003eThis is a five-knob fuzz using two new old-stock sixties germanium transistors. The circuit is not modelled after any classic fuzz design, but should have been around when Leary was still lucid. \u003cbr\u003eAlthough the five knobs are named for the parameters over which they seem to have the most control, please don't hold me to it. They are controls for various operating levels and biases, and basically shape you a personalised fuzz.\u003c\/span\u003e\u003c\/p\u003e","brand":"ZVEX","offers":[{"title":"Default Title","offer_id":1102811393,"sku":"AUD-ZV-VR-FFY","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/zvex-vexterff-newest-400_2000x_1a18d66d-3678-48d6-8330-2d6fb59915ec.jpg?v=1627619353"},{"product_id":"park-fuzz-sound","title":"Earthquaker Devices PARK Fuzz Sound","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Park Amplification company, originally started by Jim Marshall himself, has almost as much history as the actual Marshall name. As the story goes, Jim Marshall entered a distribution deal for his amp line in 1965, but the terms of the deal were vague enough such that Marshall could build amps on the side, just not under his own name. Thus, Park was born, and the amps produced under that name were slight variations on Marshall circuits until the company dissolved in 1982.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAmong the line of amps, a few pedals were also produced. Most of them were wahs or variations thereof, but one pedal stuck out: The Park Fuzz Sound.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe original pedal (we had one) featured unlabeled TO-1 package transistors, so one would think that the circuit left us with Jim Marshall. However, the good folks at Earthquaker Devices, in collaboration with the newly-resurrected Park Amplification, have faithfully recreated the Park Fuzz Sound so that a new generation may enjoy it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhile the original deployed the aforementioned mystery cans, the new Park Fuzz Sound uses a different set of NOS germanium transistors, hand-selected for a tonal match. Indeed, when A\/B’d with the original unit, the sounds were strikingly similar. In fact, the staff at PGS was split right down the middle as to which was which. What’s more, when doing the test, we had to set the new Park Fuzz Sound’s Fuzz control at about half, whereas the original was dimed. The reissue has way more range in the Fuzz dial than the original.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnother bugaboo of original fuzz pedals is the powering situation; in the case of the original Park, it’s powered by a battery only but changing it out required using a lever to pry open the lid. While that’s a hassle, using batteries is kind of a hassle in and of itself. However, this and many older fuzz pedals are positive-ground; the common workaround is reversing the lugs on the power jack internally, but this configuration means that the pedal cannot be daisy-chained. The new Park Fuzz Sound doesn’t phone it in, offering a chip inside that corrects the voltage problem for complete rig integration.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe new Park Fuzz Sound is hand-made, one at a time in exotic Akron, Ohio. The pedal is wire for true bypass and accepts a standard 9v center-negative Boss-style power adapter. The current draw is low, so it’s ready for your isolated power supplies.​\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e \u003cstrong\u003eMeasures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4 5\/8″ x 2 1\/2″ x 2.25″ with knobs\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThis device can be powered by a standard 9 volt DC power supply intended for musical instruments with a negative center 2.1mm barrel or a 9v battery. Even though this pedal is a germanium fuzz, it will play nice on a daisy chain due to it’s internal voltage regulation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVolume:\u003c\/strong\u003e This is the level control, louder to the right, quieter to the left.\u003cbr\u003e\u003cstrong id=\"yui_3_16_0_1_1417726342527_76823\"\u003eTreble\/Bass:\u003c\/strong\u003e This is the tone control, thicker tones to the right, brighter to the left.\u003cbr\u003e\u003cstrong id=\"yui_3_16_0_1_1417726342527_76828\"\u003eFuzz:\u003c\/strong\u003e\u003cspan\u003e This is the gain control, more fuzz to the right, less to the left.\u003c\/span\u003e\u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":1116283253,"sku":"EQD0026","price":339.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/big_ParkFuzz800x800.jpg?v=1625126891"},{"product_id":"muffuletta","title":"JHS Muffuletta","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn 1967 the legendary Mike Matthews started experimenting with circuits for the electric guitar, and by early 1969 he had created a circuit that has become one of the most legendary, collected and mythical pedals in the history of guitar effects. With 30+ versions made throughout its almost half a century lifetime, the Big Muff Distortion\/Fuzz has personally pioneered the sounds of some of the biggest bands and musical movements in history. The Muffuletta is our tribute to the legend and story of one of the greatest pedals ever invented. Let’s take a look at what makes the Muffuletta the ultimate recreation of this circuit in a way that has never been done before.\u003c\/p\u003e\n\u003cp\u003eThe heart of the Muffuletta is the fact that it replicates five (yes five) classic Big Muff circuits from years gone by as well as a new and original JHS version for a total of six Muff models. All executed without any digital signal processing or digital emulation. When you choose a model, you are achieving analog tone that uses real components and values found in the original units. We have selected our favorite classic versions from the pages of history and made them available in one small format pedal that is easy to understand, operate and do what it should do… replicate rare, expensive, mythical and sought after versions of this circuit with ease.\u003c\/p\u003e\n\u003cp\u003eLooking at the pedal, there are four controls: Volume, Tone, Sustain and Mode. The “Volume\" control works just like any other volume control allowing you to adjust the overall output of the pedal to your taste. The “Tone” control lets you brighten or darken your overall tone. The “Sustain” control is best understood as a gain or distortion control as it gives more distortion to the circuit. The “Mode” control lets you choose from our six different versions of the Big Muff on the fly. Looking at the “Mode” control you will see six icons around the lower 50% of the knob. Let's take a look at each mode and why they made the cut to be in the ultimate Big Muff tribute.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eJHS - \"2015\"\u003c\/strong\u003e The JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful, less compressed with a more haunting mid range. It is also the best for bass guitar.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e73 Rams Head -\u003c\/strong\u003e “1973-1977 V2” The 73 Rams Head gets its name for the strange little elfin looking face that appears on the lower right corner of the pedal. Over the years people nicknamed this unit based on the fact that is looks somewhat like a lamb or animal. It is best known for having a scooped mid range, less gain and being overall darker. Famous users include David Gilmour (main Pink Floyd recordings), Ernie Isley (Eisly Brothers), and J. Mascis (Dinosaur Jr.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Triangle -\u003c\/strong\u003e “1969-1970 V1” The Triangle Muff gets its name from the triangle arrangement of the knobs on the original unit. It is best known for having more low-end response and being more articulate. Famous users include Santana, David Gilmour's Pete Cornish made pedal boards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Pi -\u003c\/strong\u003e “1977-1978 V3” The Pi Muff gets its name from the instantly recognizable red Pi symbol on the top. This is not to be confused with the later redesigned NYC version released much later in 2000. It is best known for a more aggressive sound. Famous users include Frank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townsend (The Who).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Russian -\u003c\/strong\u003e \"1999-2009 V8” The Russian Muff gets its name from the “Made in Russia” text found on the back. It is best known for having less clarity and less low end. Famous users include Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Civil War -\u003c\/strong\u003e “1991-1993 V7” The Civil War Muff gets its name from the old style Civil War era font found on the enclosure as well as the navy and grey colors found on many. It is best known for having more mid range, brighter overall tone and less gain. Famous users include Thurston Moore (Sonic Youth), John Fogerty, Jeff Tweedy (Wilco), Mike Mills and Peter Buck (REM).\u003c\/p\u003e\n\u003cp\u003eThe Big Muff has an amazing history and has been used by some of the most influential guitarists ever. Never before has there been a single pedal that gives you all these different eras of it’s tone. We are convinced that the Muffuletta can fit in anyone's rig who loves dirt, distortion and fuzz, and we think it will be hard for you to disagree once you plug it in and play.\u003c\/p\u003e\n\u003ch4\u003eWith a pedal so stuffed with tasty tones you will have a hard time needing anything else to curb your appetite.\u003c\/h4\u003e\n\u003cp\u003e\"I want to give a massive thank you to my good friend Jon Cusack and Cusack Music for helping this hefty idea be fully realised. Jon you are a wizard of circuitry and a deep well of design knowledge to the things that are over my head – Josh\"\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":7793200449,"sku":"JHSPMUFFULETTA","price":389.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/jhs_muffuletta.jpg?v=1446095092"},{"product_id":"the-crayon","title":"JHS The Crayon","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eIn 1968 a piercing guitar tone came through the speakers on the Beatles “Revolution 1”. This is one of the most famous uses of plugging a guitar straight into a mixing console and creating the now referred to as “Direct-In Distortion\". That tone is one of the most recognizable and unique guitar tones of the last 60 years and was one of the inspirations for the JHS Colour Box that we released in May of 2014. We sought to recreate that same compressed bite and fuzz that you get when plugging directly into a British style preamp but in a compact pedal. What we came up with was something even more than we imagined, and the Colour Box has become a staple among many producers, guitar players, and multi-instrumentalists world wide. Many players over the last few years have expressed their interest in a unit that is like the Colourbox but more streamlined for the one basic application of a dirt box. No XLR function, no 3 band EQ… Just the dirt in an easy to use format for guitarists… So we decided to pull the Crayon out of the Colour Box.\u003c\/p\u003e\n\u003cp\u003eThe controls are Master, Pre, Tilt, and Hi Pass. “Master\" is your classic volume control that controls the overall output. “Pre\" works as a drive or fuzz control like turning up the pre-volume on a preamp to send it in to overdrive. As you reach 75% and above, the fuzz will begin to gate out as you pick the strings harder when playing, it is very responsive to your input signal and touch. The “Tilt\" acts as an active tone control that is flat when the knob is at 50%. When turned to the left, the Tilt control boosts bass and simultaneously cuts treble. When turned to the right, it boosts treble and cuts bass. This allows for some very unique and usable adjustments to the overall feel of the Crayon. The “Hi-Pass” toggle switch lets you activate from two different frequencies located on the side of the pedal, 200Hz and 750Hz. These settings let only the high band frequencies above them pass, and this allows for some amazing tone shaping possibilities.\u003c\/p\u003e\n\u003cp\u003eThe Crayon excels at Direct-In fuzz tones, but it truly covers more ground than you would first imagine. From subtle tube-like overdrive to classic rock distortion and all the way to spitting fuzz, the Crayon is much more than a one-trick pony. The Crayon also cleans up with your guitar's volume better than any other drive we make. It is exceptional for the player who want to access multiple dirt tones with the controls of their guitar.\u003c\/p\u003e\n\u003cp\u003eThe Crayon may be the tone you’ve heard and always wanted, the tone that you never knew where to find. Add this Crayon to your palette of tones and color your own unique voice.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":10318236807,"sku":"JHSPTHECRAYON","price":319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/JHS-Crayon-top.jpg?v=1447816664"},{"product_id":"woolly-mammoth","title":"ZVEX Woolly Mammoth Vexter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDesigned for bass, a favorite for guitar, this incredibly sub-frequency-preserving unit will hold on to the lowest lows like no fuzz ever heard before. It features a gentle gate for silencing your instrument between notes or phrases, and has an EQ control that smoothly selects between more bass and more treble.\u003c\/p\u003e","brand":"ZVEX","offers":[{"title":"Default Title","offer_id":10472249159,"sku":"AUD-ZV-VR-WOOL","price":399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/download_412eed85-50b6-44be-a543-40b53409ad8a.jpg?v=1583585212"},{"product_id":"haunt-fuzz","title":"Old Blood Noise Haunt Fuzz","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Old Blood Noise Endeavors Haunt is a gated fuzz that is capable of a wide array of fuzz sounds. From the restrained and nuanced light fuzziness to granular and biting saw sounds, many textures and character traits can be summoned with the Volume, Gate, Fuzz, Mix and Tone knob controls. The Haunt also has two toggle switches; Mode and Bass. Mode switches between two combinations of silicon transistors; Bass adds an additional low end boost to the effected signal. \u003c\/p\u003e\n\u003cp\u003e9VDC - 2.1mm negative center pin adapter.\u003cbr\u003e20 mA draw.\u003c\/p\u003e","brand":"Old Blood Noise Endeavors","offers":[{"title":"Default Title","offer_id":16655775751,"sku":"OBNE0003","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Untitled1_0001_00136---001OBNE---Old-Blood---Product-Photo---Dark-Star-02_0001_Haunt---Metallic-Sivler-with-Black_png.jpg?v=1474325121"},{"product_id":"earthquaker-devices-acapulco-gold","title":"Earthquaker Devices Acapulco Gold V2","description":"\u003cp\u003eThe Acapulco Gold is a dirt-simple distortion Device modelled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs!\u003c\/p\u003e\n\u003cp\u003eSince tone is in the hands, EarthQuaker decided to keep the controls of the Acapulco Gold as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That’s it. The rest is at your fingertips. Want less gain? Turn down your guitar’s volume knob. Need a darker rhythm tone? Roll back your guitar’s tone control. Easy, right?\u003c\/p\u003e\n\u003cp\u003eWith your guitar’s volume all the way up, the Acapulco Gold roars like a wide-open Model T on the verge of explosion. At just-barely-backed-off, the Gold becomes a raunchy overdrive. At minimum guitar volume settings, the Acapulco Gold delivers a hazy, Nashville-sounding spank to your tone.\u003c\/p\u003e\n\u003cp\u003eHow about this? If your guitar has separate volume and tone controls for each pickup and a three-way selector switch, this little one-knob banger becomes a three-channel tone monster at the flick of your wrist!\u003c\/p\u003e\n\u003cp\u003eEach Acapulco Gold is made part-by-part, wire-by-wire, giant knob-by-giant knob with real, live humanimal hands in EarthQuaker's gilded manufactory located in gray olde Akron, Ohio USA.\u003c\/p\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eBased on vintage Model T amplifier\u003c\/li\u003e\n\u003cli\u003eSingle knob design allows control of a wide range or distortion tones\u003c\/li\u003e\n\u003cli\u003eUnique driven tube sound\u003c\/li\u003e\n\u003cli\u003eTrue bypass with electronic relay-based switching - Audio will not pass without power\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":21084974855,"sku":"EQD0001","price":249.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/files\/46457c051ea258eb8b598bddcc0caf72fe85e616-1000x1000.avif?v=1753775551"},{"product_id":"keeley-monterey","title":"Keeley Monterey","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWith the Keeley Monterey you take one step back in time and two steps forward.\u003c\/p\u003e\n\u003cp\u003eThe Monterey is a surrealistic envelope of neo-vintage effects.  It combines classic sounds with new interpretations to create a modern timbre and audio spectrum for guitarists.\u003c\/p\u003e\n\u003cp\u003eThe Keeley Monterey Rotary Fuzz Vibe has a vintage fuzz, rotary speaker, vibe, harmonic and auto wah, an octave up or octave down, as well an expression control to allow you to create a rich array of new and newer sounds.\u003c\/p\u003e\n\u003cp\u003eThere are two channels on the Monterey Rotary Fuzz Vibe, and these can be configured to give you five different sounds.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe right stomp switch activates the fuzz channel.  The fuzz channel has been designed to give you a rich, full, classic two-transistor fuzz sound that is accurate yet has a touch of smoothness added.  It is very responsive and dynamic.  It plays well in any position on a Strat or Les Paul style guitar.  At the heart of the fuzz are vintage Fairchild Semiconductor transistors.  These moderate gain transistors offer the perfect fuzz tone and do not have the temperamental temperature related problems that germanium devices exhibit, while still giving you incredible tone.\u003c\/p\u003e\n\u003cp\u003eThe modulation channel is where the fun really starts.  The Monterey Rotary Fuzz Vibe offers an Octave effect with both the Vibe and Wah sounds.  With those two sounds you can either have Octave Up, Octave Down, or No Octave.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn the Center Position of the Octave Control you have NO octave up or down.  If you turn the Octave Control up (or clockwise), you have an increasing octave up sound.  As you turn the Octave Control down, you have an increasing amount of octave down sound added.  Again, if you do not want an octave effect added, simply set the Octave Control to the center position.\u003c\/p\u003e\n\u003cp\u003eThe Monterey Rotary Fuzz Vibe features a very rich and deep vibe sound.  The “Kool Vibe” setting is perfect for getting complex phaser-like sounds.  It combines phasing and tremolo at key frequencies to give you incredible depth and rhythm.  Not only does it match the frequency response of a vibe, it simulates the unique pulsing of a photo-cell based effect.  You can add the Octave to the “Kool Vibe” for an amazing doubling effect or for an incredibly deep synth bass type sound.\u003c\/p\u003e\n\u003cp\u003eThe “Les Rotary” sound in the Monterey Fuzz Vibe is both very accurate and surprisingly new sounding.  Like the original cabinet, this simulation joins both the lower drum and the upper horn into a rich, dimensional effect that generates an unmistakable chorus and tremolo soundscape.  Not only is the cabinet itself simulated with very short reverberated reflections that offer a doubling effect, the Doppler Effect provides a soothing chorused sound that is clean and ethereal.  The Octave Control in the Rotary cabinet simulation controls the volume of the horn or tweeter sounds.  It does not produce an octave effect here.  This allows you to get a very chorus-like effect with ample high-end detail when simulating a “Les Rotary” style cabinet.  Set the Rate OFF for no rotation, turn the Fuzz on, and the Depth and Octave controls give you a wonderful speaker cabinet simulation.  It’s fuzz with tonal control like you’ve never had before!  Perfect for matching any size of power amp with the pedal’s fuzz to give you anything from dark overdrive to hard, edgy, squared fuzz!\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe “Harmonic Wah” section combines several more new sounds from Keeley in the Monterey Rotary Fuzz Vibe.  It is a fixed or cocked wah sound, an auto wah, a harmonic\/tremolo wah, and even a regular foot-controlled wah when you add an expression pedal.  With the Depth Control turned all of the way down\/off you are in the Wah Mode.  The Wah Mode gives you control over the frequency you boost by adjusting the Rate Control.  If you have an expression pedal connected, it becomes a regular Wah Pedal.  Turn the Depth control up a slight amount and the Monterey becomes an Auto Wah.  In the Auto Wah mode, your pick attack and strength creates an envelope filter sound.  After the noon\/center position on the Depth Control, you have the new Harmonic Wah.  It is like the harmonic tremolo on a brown face amp, but the frequencies are centered around a wah pedal instead.  It’s ideal for players who like the rhythmic back-and-forth rocking sound of a wah pedal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003eAdd any expression pedal controller to the EXP input on the back and you have control over the Rate of the “Les Rotary” and “Kool Vibe” settings.  In the “Harmonic Wah” setting, it controls the frequencies.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eWant more sounds?  Well OK, turn the unit over and take the bottom off.  There is a tiny DIP Switch that allows you to change the order of the Fuzz and Modulation effects!  Yes, you can get some crazy noise by putting fuzz after modulation effects, but it works!  And works well at giving you insane tones that are thick and full.  Let your ears gaze at the strangeness.  Alien amplitudes of gain and fuzz.  Endlessly creative.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Monterey does not come with an expression pedal, as many players already have one they can use.  We do offer the M-Audio expression pedal.  It works well and is very reasonable.  The Monterey is not battery powered.  You will need a standard 9V 100mA supply, negative tip.\u003c\/p\u003e\n\u003cp\u003eThe Monterey Rotary Fuzz Vibe comes in 12 different graphic designs.  Just like music which can be surprisingly rewarding, you’ll be surprised with a design.  We will not be able to select a specific pattern that you may want.  It is wonderfully random.  They are hand made with the intention of becoming your new favorite instrument.\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":21620010119,"sku":"KMONT","price":479.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/MontereyAlternate1-1000x1000.jpg?v=1464229814"},{"product_id":"j-rockett-hooligan-fuzz","title":"J Rockett Hooligan Fuzz","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv itemprop=\"description\" class=\"short-description\"\u003e\n\u003cp\u003eThe Hooligan is the Tour Series version of the WTF Fuzz but with some tonal tweaks and made to be simple in every way. We wanted this pedal to really inspire players, which can be hard to do with a fuzz pedal. The Hooligan blooms and feeds back, creating all sorts of textures. You can go from a very smooth, Rat type overdrive to the famous Trombetta horn sounds. We feel like we have dialed in the perfect warmth versus the typical, strident sound of a fuzz pedal. The Hooligan is very musical and fun to play!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLevel\u003c\/strong\u003e – Controls the overall output\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain\u003c\/strong\u003e – Controls the overall gain\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGunk\u003c\/strong\u003e – Goes from smooth to a complete musical mess with all sorts of horn sounds in between.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product_meta\"\u003e\u003c\/div\u003e","brand":"J Rockett","offers":[{"title":"Default Title","offer_id":25183459527,"sku":"JROC0001","price":259.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/hooligan-product.jpg?v=1468809512"},{"product_id":"jhs-calhoun-pre-order","title":"JHS Calhoun","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003eCalhoun \u003c\/strong\u003e\u003cspan\u003eis a collaborative signature pedal for legendary guitarist, writer, and producer Mike Campbell. Mike is most known for his role in Tom Petty and The Heartbreakers, but he has worked closely with such artists as Don Henley, Bob Dylan, Stevie Nicks, George Harrison, Jackson Browne, Brian Setzer, Johnny Cash, Fleetwood Mac and The Wallflowers to name a few. He also is a founding member of Mudcrutch and has a side project called the Dirty Knobs. When the opportunity to create his only signature pedal came to us, we were honoured, to say the least. Let's go over what the Calhoun has to offer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eThe Calhoun is a 2 in 1 overdrive\/fuzz pedal that is designed around Mike's specific desires for live and studio performance.  Looking at the pedal you will see two foot switches. You will also see a toggle switch in the centre near the top. The best way to understand the Calhoun is to picture an imaginary line that separates the two sides; this line goes directly down the centre where the toggle switch is located. The left side is the drive portion of the pedal with Volume, Drive, Treble, Bass controls. The Volume control is a master level control allowing you to set the maximum or minimum volume of the pedal. The Drive control adjusts how much dirt\/distortion you are allowing in the circuit. The Treble and Bass controls adjust the EQ of the pedal, allowing you to darken and brighten the frequencies as needed. The right side of the pedal is the fuzz portion, with Volume, Fuzz, Bias, and EQ controls. The Volume control acts as the same master volume control as the left side. The Fuzz control adjusts the intensity of the fuzz sound. The Bias control adjusts the voltage to the circuit allowing more powerful tones that bloom with more headroom or weaker and more saturated tones. The EQ control lets you set the range of tone from dark to bright as you wish. The toggle switch mentioned earlier allows you to choose the order of the two effects when stacked (both on at the same time). The effect that the toggle is pointed at is first in series; this lets you stack the effects in whichever way you desire to achieve different textures of stacked tones. \u003c\/span\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":28393039239,"sku":"JHSPCALHOUN","price":460.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/JHS-Pedals-Calhoun-front-hi-res.jpg?v=1472043012"},{"product_id":"greer-amps-super-hornet","title":"Greer Amps Super Hornet","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Super Hornet has been a long time in the making…at least in Nick’s mind. Based on one very special FOXX Tone Machine in Nick’s collection, this pedal is a shop favorite when it comes to fuzz and anything octave. We took the basic building blocks of the vintage circuit, tweaked it, put a little bit of special sauce in the design by using \u003cstrong\u003eNOS BC-107B transistors\u003c\/strong\u003e, and threw an added feature in the mix. You’ll notice that there is an octave toggle, like on the vintage units that these pedals are styled after…but, that’s not just a straight-forward on\/off toggle. When the toggle is in STINGER mode, the momentary STINGER switch becomes active. You can simply stand on the momentary switch, to engage the OCTAVE for a lead run, then come off of the STINGER switch to return to normal fuzz, or even tap the switch, to flutter the octave on and off. This feature is absolutely awesome. When the toggle is in OCTAVE mode, the fuzz is permanently an OCTAVE fuzz, and the STINGER switch is \u003cem\u003eNOT ACTIVE. \u003c\/em\u003eThe fuzz control goes from light fuzz with some clean, to raging wall of fuzz tones. The tone control is a wide sweep tone control. All in all, this pedal is a perfect addition to any guitar or BASS player’s tone arsenal. The OCTAVE even works in low fuzz settings!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNOS BC-107B transistors!\u003c\/li\u003e\n\u003cli\u003eBased on a classic rock machine!\u003c\/li\u003e\n\u003cli\u003eLight fuzz to aggressive, wall of fuzz tones!\u003c\/li\u003e\n\u003cli\u003eSTINGER switch that allows for momentary octave when the fuzz is engaged!\u003c\/li\u003e\n\u003cli\u003eTrue Bypass\u003c\/li\u003e\n\u003cli\u003eUses a standard neg. center, 2.1mm power supply only!\u003c\/li\u003e\n\u003cli\u003eLifetime Warranty to the original owner\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Greer Amps","offers":[{"title":"Default Title","offer_id":30836978634,"sku":"AU-GA-SH","price":399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/hornet.png?v=1474516817"},{"product_id":"greer-amps-tarpit","title":"Greer Amps TarPit Fuzz","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe TarPit Integrated Circuit Fuzz Machine is the newest release from Greer Amps. This pedal was created out of the desire to have the sound and feel of a vintage Muff style fuzz, with grit, and grind that will sustain for days. Based on the vintage Big Muff Pi variant that utilizes two integrated circuits, with some Greer Amps tweaks (\u003cstrong\u003enot\u003c\/strong\u003e the standard 4 transistor version), the Tarpit has all of the sounds that one might expect from a Muff style fuzz, and so much more.\u003c\/p\u003e\n\u003cp\u003eThe Tarpit is built in a rugged powdercoated aluminum enclosure, with printed graphics, designed by Nick DePartee (an awesome graphic designer, and former guitarist for the band Kutless). We chose the most awesome metallic blue powdercoat color that we could track down, and had the graphics set in black and white. The Tarpit features custom Oxblood control knobs by Davies (these knobs are currently available in a limited supply).\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the Sustain control set low, the Tarpit can get dark, and spitty, with a low gain, almost gated feel. Increasing the Sustain control has a double effect—the Tarpit gets slightly brighter, and the fuzz, sustain, and harmonics all increase. The wide sweep tone control brings a new level of versatility to the Tarpit. Turning the tone control down cuts treble, and boosts bass frequencies; setting the tone control in the middle, or slightly above, allows for full guitar and bass frequencies to come out. If you want to get really crazy, push the tone control higher, and you’ll get into some AM radio type frequencies. The volume control utilizes a slightly later taper on the potentiometer. We did this in an effort to allow the user to get their awesome sustain and fuzz at lower volumes when needed…never fear, though, the Tarpit can get as loud as you need it to!\u003c\/p\u003e\n\u003cp\u003eThe Tarpit can run off of a battery, or a standard 2.1mm, negative center pin power supply. We placed the in and out jacks along the top of the pedal, as well as the DC jack, in an effort to help with pedalboard layout. The output jack is closest to the volume control.\u003c\/p\u003e\n\u003cp\u003eThe Tarpit features Greer Amps’ lifetime warranty, to the original owner, and is built like a tank. We utilize a custom fabricated board that is over engineered, so that you don’t have to worry about your pedal letting you down. The two integrated circuits are mounted in chip sockets, so if anything ever happens to the chips, they can easily be replaced.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eON TOUR AND IN STUDIO WITH DWEEZIL ZAPPA, \u003c\/strong\u003e\u003cstrong\u003eJIMBO HART (BASS PLAYER FOR JASON ISBELL), \u003c\/strong\u003e\u003cstrong\u003eLAUR JOAMETS (GUITARIST FOR STURGILL SIMPSON), AND MANY MORE!\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVintage Muff tones, ranging from spitty fuzz to over the top sustain\u003c\/li\u003e\n\u003cli\u003eWide sweep tone control, for boosted bass tones, or peaked out highs\u003c\/li\u003e\n\u003cli\u003eBased on a rare, vintage Big Muff Pi, utilizing two IC's, instead of the normal transistorized version\u003c\/li\u003e\n\u003cli\u003eBeautiful blue metallic powdercoated enclosure\u003c\/li\u003e\n\u003cli\u003eBlack and white printed graphics, designed by Nick DePartee (former guitarist for Kutless)\u003c\/li\u003e\n\u003cli\u003eLimited Oxblood colored Davies control knobs\u003c\/li\u003e\n\u003cli\u003eHand wired in Athens, GA\u003c\/li\u003e\n\u003cli\u003eTrue Bypass\u003c\/li\u003e\n\u003cli\u003eUses 9-Volt battery or standard neg. center, 2.1mm power supply\u003c\/li\u003e\n\u003cli\u003eBuilt with top quality components\u003c\/li\u003e\n\u003cli\u003eLifetime Warranty to the original owner\u003c\/li\u003e\n\u003cli\u003ePedals are currently built to order, and will ship within 1-2 weeks of your order and payment\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Greer Amps","offers":[{"title":"Default Title","offer_id":30837388426,"sku":"AU-GA-2","price":310.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/TARPIT.png?v=1474517296"},{"product_id":"caroline-wave-cannon-mkii-superdistorter","title":"Caroline Wave Cannon MKII Superdistorter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eSo, what IS the story on Wave Cannon® version 2.0, or as we’ve decided to call it, the Wave Cannon MKII Superdistorter? The long story short is that this thing is an unrepentant, unapologetic distortion pedal that is totally nasty and fun. This Cannon comes pre-loaded with balls (pun alert!) and is capable of going from cranked, lightly dirty amp tones to the sound of a furry Godzilla devouring a junkyard full of broken a\/c window units.\u003c\/p\u003e\n\u003cp\u003eIt’s different than the original, which was based on the classic ’70s fuzzstortions we grew up playing. It’s different from our Haymaker™, which is a wide range drive pedal based around the rotation of a clipping network into different locations in the circuit, and which is intended to respond and feel like an extension of your amp. This pedal is really about rocking your socks off. While it can do some extremely cool mild-to-medium crunch tones, Wave Cannon II is really capable of overwhelming your amp. The focus (mids) and tone controls are different from what we’ve done before and can give you a really broad range of textures and voicings. There is a LOT of gain and volume on tap, as we’d been infuriated in the past by great sounding classic distortion pedals we’ve owned that didn’t go far enough with clean amps, or were quieter than unity gain or the bypass signal. The rumble switch allows more low end if you want it, or lets you tighten things up if you don’t need it.\u003c\/p\u003e","brand":"Caroline Guitar Company","offers":[{"title":"Default Title","offer_id":32237659018,"sku":"AUD-CA-WCZ-MKII","price":339.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/caroline-wc2-red_2000x_04c9481d-d520-442e-bd3b-a16bd67b7695.jpg?v=1634129743"},{"product_id":"caroline-shigeharu-olympia","title":"Caroline Shigeharu (Olympia)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eShigeharu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTired of your fuzz getting lost in the mix? Wish you could just pour molten sonic gravy from your speakers? Imagine classic Muff-style fuzziness with the punch of a classic overdrive, and you have \u003cstrong\u003eShigeharu™\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eUsing a cascading hybrid of op-amp and BC184 transistor gain stages, Shigeharu provides all the sweet singing sustain and massive flamethrower gain you crave, but with unprecedented clarity, improved punch and definition, and consistent performance wherever it sits in your signal chain – even after buffers or wireless units. Combine that with the parallel octave-up voiced fuzz available on demand with the Havoc* stomp and you have a whole lot of nasty right here.\u003c\/p\u003e\n\u003cp\u003eTwo extra controls reside inside the pedal – a bias\/gate control for dialing up broken, spitty sounds, and a slide switch that locks the octave-up “on” and converts the momentary to a kill\/mute switch.\u003c\/p\u003e\n\u003cp\u003eShigeharu™ was designed in collaboration with our friend John Snyder at Electronic Audio Experiments, because this thing was fearsome enough to compel us to seek a second opinion.\u003c\/p\u003e","brand":"Caroline Guitar Company","offers":[{"title":"Default Title","offer_id":38457573002,"sku":"AUD-CA-SH-OLY","price":339.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/DSC_7058-e1487565388940-259x300.jpg?v=1625126638"},{"product_id":"keeley-electronics-dark-side-v2","title":"Keeley Darkside V2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWe should all be so lucky as to be identified by the sound of a single note.  Some players are so well defined that their entire musical journey can be heard in a single note they play.  Tone is in the fingers.  Tone is in the mind.  Effects can be a great way of expressing emotions or creating textures.  The Dark Side is about creating sounds and adding new tones to your symphony.  It’s the things you can’t create with your fingers or mind.  It’s metasymphonic.  The Dark Side provides all the textures that define an essence, in one pedal.\u003c\/p\u003e\n\u003ch4\u003eAtom\u003c\/h4\u003e\n\u003cp\u003eThe individual pieces that make up the Dark Side workstation are Fuzz, Delay and Modulation.  The Fuzz side of the Dark Side is a big fuzz style distortion based on a 1977 op-amp style.  We used something similar in our Psi Fuzz.  This one is completely and radically different.  We made what seemed like endless changes to extract the nuances of earlier transistor based fuzzes.   We gained it way to down to fit the time period and the style.  This is a more transparent Big Fuzz.  This one lets your guitar sing with sustain, yet retains the essence of you guitar whether single coil or humbucker based.\u003c\/p\u003e\n\u003cp\u003eThe next core element in the Dark Side pedal is the Delay and Modulation side.  You can select between a multi-head tape delay effect or between a combination of 4 different modulation sounds.  The Dark Side delay has 12 different syncopated delays.  They are rhythmic and have the tonal quality of the old spinning drum tape delays.  The Dark Side has many subtle filters to get the tape delay setting to have the feel and warmth of the original machines, yet gives you range of control to have modern features like expression pedal control for the number of repeats.  You can use it for creating a feedback oscillation delay.  Extremely subtle modulations in the delay make it very musical.\u003c\/p\u003e\n\u003cp\u003eThe next atom in this workstation is the modulation effect.  There are four parts to this effect.  Flanger, Rotary Speaker Cabinet, U-Vibe, and Phaser.  You can blend between the “Electric Lady” Flanger and a Les-Rotary cabinet, creating new sounds.  You can find that perfect blend between a vintage sounding opto-coupler based U-Vibe and the little orange phaser.\u003c\/p\u003e\n\u003cp\u003eThere is also an Expression Pedal port on the pedal.  It is highly recommended to have an expression pedal handy.  You can make many adjustments on the fly that just increase the fun and functionality of the pedal while you’re creating music.  It has to be a TRS style expression pedal.  We suggest something like the M-Audio or Moog expression pedals.\u003c\/p\u003e\n\u003ch2\u003e\u003cspan\u003e\u003cstrong\u003eDARK SIDE V2\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eYou spoke and we listened!  Make America TRS-Free Again.  Okay, we heard you, you can’t switch order on the fly during a gig.  You never used the TRS cable to insert effects.  You just tossed the cable aside.  You all said YES when we said effect-order switch.  New units have a simple push button switch to change the order!  Sweetwater has the first stock available of the new units.  Mike Hermans did a new video with the effect-order switcher.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch4\u003eHeart\u003c\/h4\u003e\n\u003cp\u003eAt the heart of the Dark Side is a hand built board that contains analog fuzz and a high quality 24-bit DSP engine. We studied and analyzed decades worth of gear and crafted our own sounds that give you not only the original tones, but an endless range of in-between sounds you can’t get elsewhere.  Even if you have other Keeley effects or workstations, you don’t have these exact sounds.  The Rotary is slightly different than the Monterey, it’s more chorus like.  The Flanger is different than the hidden one on the Bubble Tron. The U-Vibe on this pedal is also deeper and throbs with more intensity.  If you were lucky enough to get one of the Jimi Hazel Phase Delays or put the Bubble Tron into the hidden bank 2 mode; well then you have heard our 4 stage phaser.  It’s dead on and a blast to play.  Like the Monterey, this unit is completely hand built.  Including the high-end DSP, everything is hand assembled and soldered by our technicians with decades of experience.  Attention to detail and tone at every point.\u003c\/p\u003e\n\u003ch4\u003eMother\u003c\/h4\u003e\n\u003cp\u003eWhat you get is a Mother Lode of effects and sounds.  Necessity is the Mother of Invention.  Someone needed to put all these epic sounds in one box.  So we did.  There’s no need to wish you were here, get out your Strat and we’ll see you on the Dark Side.\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":39995518932,"sku":"KDARK","price":499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/darkside_v2.jpg?v=1490229763"},{"product_id":"source-audio-la-lady","title":"Source Audio LA Lady","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"tabs_wrapper product-detail\" id=\"product-info-tabs\"\u003e\n\u003cdiv class=\"tab_panel scrollable scrollbar-always-visible ps-container ps-active-y active_tab\" id=\"overview\" data-ps-id=\"d62f560d-2058-3a56-87e0-10d2317c58c7\"\u003e\n\u003cp\u003eThe L.A. Lady Overdrive is compact in size, but inside this golden effects pedal live the archetypal tones of over 50 years of overdrive and fuzz technology. Out of the box the L.A. Lady features three distinct drive engines with an abundance of warm and powerful crunch, but connect the L.A. Lady to the Neuro Mobile App (a free download for iOS and Android) and access a massive collection of additional overdrive, fuzz and distortion tones with extended parametric EQ capabilities, stereo routing options, and internal stacking functionality. The L.A. Lady is the culmination of an eight-year study of classic overdrive tones combined with highly sophisticated, contemporary technology - it is an overdrive pedal of unrivaled reach and tone.\u003c\/p\u003e\n\u003cp\u003eUpon plugging into the L.A. Lady, guitarists will find three amazing overdrive tones. The Classic engine uncompromisingly delivers the sought after “Marshall in a box” sound with everything from fat and subtle rhythm sounds to screaming lead tones. The Smooth engine provides the understated thump and midrange bump synonymous with the contemporary Texas blues sound. Crunch is Source Audio’s own version of an overdriven tube amp, offering warm and chunky low gain tones with additional drive levels that extend well beyond most pre-amps.\u003c\/p\u003e\n\u003cp\u003eOn its own, the L.A. Lady offers outstanding tonal range, but dig a little deeper and discover the hidden power and flexibility of this golden box. Every pedal in the One Series line is compatible with the Neuro Mobile App (a free download for iOS or Android). Link the L.A. Lady to the Neuro App and access its extended equalization capabilities as well as Source Audio’s free library of over 40 overdrive, fuzz, and distortion algorithms – each algorithm can be downloaded directly to the pedal. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), providing the power to save up to 128 different presets.\u003c\/p\u003e\n\u003cp\u003eFinally, the L.A. Lady’s stereo inputs and outputs plus its dual drive circuits make it possible to launch into an exponentially diverse range of tonal possibilities. With help from the Neuro App, guitarists can stack any combination of drive engines in either series or parallel as well as split the signal and send a separate drive engine to each of the pedal’s outputs. The LALO is clearly an overdrive like no other.\u003c\/p\u003e\n\u003cdiv class=\"ps-scrollbar-y-rail\"\u003e\n\u003cdiv class=\"ps-scrollbar-y\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ca href=\"http:\/\/www.sourceaudio.net\/neuro\/\" title=\"Neuro Efffects System\"\u003e\u003c\/a\u003e","brand":"Source Audio","offers":[{"title":"Default Title","offer_id":40662169684,"sku":"SAUDIO007","price":299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/productview-os-lal-face.png?v=1493035949"},{"product_id":"pelican-noiseworks-half-horse-fuzz","title":"Pelican Noiseworks Half Horse Fuzz","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eThe Half Horse is an incredibly dynamic JFET based fuzz which has been hiding in the left side of the Pelitaur.  What started as an experiment in boxing this circuit up on it's own for fun, turned into an absolute need to let this fuzz live a strong, independent life.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eFor far too long this horse has been cast aside in favor of a certain weird, bird-like creature.  It's time he break away and tour with his all new solo album!\u003c\/div\u003e\n\u003cdiv\u003e \u003c\/div\u003e\n\u003cdiv\u003eThings have been modified from the original left side fuzz circuit of the Pelitaur.  Some slight tweaks were necessary to give the half horse enough confidence to come out and stand in the spotlight.  These changes yielded a wider gain range, superior dynamics, and changes to the sound circuit (tone) that will please even that guy who \"doesn't like fuzz\".\u003c\/div\u003e\n\u003cdiv\u003eControls\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eGRAIN: a giant knob controlling the gain of the fuzz circuit.  This can also be thought of as a 'texture control'\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eOUTPUT:  Simply an output volume control\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eSOUND:  Controls the sound of the fuzz from dark and mellow to bright and sputtery.  (AKA a tone knob)\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eSpecs\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eAll top mounted jacks\u003c\/div\u003e\n\u003cdiv\u003e9vDC center negative power (8mA)\u003c\/div\u003e\n\u003cdiv\u003eTrue bypass with soft touch relay switching.\u003c\/div\u003e","brand":"Pelican Noiseworks","offers":[{"title":"Default Title","offer_id":40777030100,"sku":"PELICANHALFHORSE","price":149.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/fullsizeoutput_40b_1024x1024_22cea7a9-2457-494e-b2f1-21f813b4be3d.jpeg?v=1493352220"},{"product_id":"mad-professor-fire-red-fuzz","title":"Mad Professor Fire Red Fuzz","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eA FUZZ PEDAL THAT IS EASY TO PLAY WITH LONG SUSTAIN AND LOT OF TONE VARIATIONS.\u003c\/h2\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe pedal has a compressed, deep effect to allow equal sustain throughout the fretboard. Tone control was specifically designed to allow tones from mellow fuzz, through slight midcut to thin bright fuzz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe FRF is not another variation of a classic fuzz design but an unique pedal with its own character and extremely versatile Tone control.\u003c\/p\u003e\n\u003cp\u003eIt is great for recording different layers of Fuzz tones from haunting dark to cutting thin bright.\u003c\/p\u003e\n\u003cp\u003eWhat ever setting you use the tone is always very musical and controllable.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe factory version has a little lower gain on minimum setting so it is easier to use in front of overdrive amp or pedals. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eControls\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eVOLUME:\u003c\/b\u003e Sets the level of distorted signal.\u003cbr\u003e\u003cb\u003eFUZZ:\u003c\/b\u003e Controls fuzz depth from just slight to heavy fuzz\u003cbr\u003e\u003cb\u003eTONE:\u003c\/b\u003e Controls EQ of fuzzed sounds: mellow to CCW rotation, slight midcut in mid position and thin fuzz to fully CW rotation.\u003c\/p\u003e\n\u003ch3\u003eElectrical specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSupply voltage range:\u003c\/b\u003e 7,5 to 18VDC\u003cbr\u003e\u003cb\u003eCurrent consumption at 9VDC:\u003c\/b\u003e 2,5 mA\u003cbr\u003e\u003cb\u003eInput inpedance:\u003c\/b\u003e 52K Ohm’s\u003cbr\u003e\u003cb\u003eOutput impedance:\u003c\/b\u003e 50K Ohm’s\u003cbr\u003e\u003cb\u003eComplete bypass (true bypass)\u003c\/b\u003e\u003c\/p\u003e","brand":"Mad Professor","offers":[{"title":"Default Title","offer_id":43812702100,"sku":"MADPROFFIREREDFUZZ","price":159.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/download_f66a7930-9ce4-4856-9e91-fe3d9854f967.jpg?v=1498171685"},{"product_id":"walrus-audio-jupiter-v2","title":"Walrus Audio Jupiter V2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Jupiter V2 has some new updates making it an even more essential fuzz to any player's signal chain.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan\u003eIncrease of gain on tap.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAdjusted volume control making it easier to dial in unity gain.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAltered tone control for improved high frequency response.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eAdded gate control via internal trim pot to tame noise, or to achieve the spatty \"dying battery\" tones.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eKiller new artwork and a new coal sparkle powder coat on the enclosure.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eBrushed Aluminum knobs\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003eThe Jupiter is a true bypass fuzz pedal inspired by the desire for gritty, thick and loud fuzz. Fuzz pedals tend to emphasize specific frequency ranges, which is both a positive and negative attribute. The Jupiter’s controls allow you the ability to dial in the right amount of fuzz with the right tonal quality to either stand out in the mix, or ride it out with the drums and rhythm. It includes a Mode switch that changes between three different clipping diode arrangements, providing more options and combinations of fuzz and tone and a Bass boost toggle switch for increased low end.\u003c\/span\u003e\u003c\/p\u003e","brand":"Walrus Audio","offers":[{"title":"Default Title","offer_id":44164014676,"sku":"900-1012V2","price":249.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Jupiter_V2_front.jpg?v=1498528252"},{"product_id":"darkglass-electronics-duality-dual-fuzz-engine","title":"Darkglass Electronics Duality - Dual Fuzz Engine","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Duality is a unique fuzz pedal that contains two discrete fuzz circuits—a gated saw-tooth wave and a raunchy high-gain sound—which can be mixed together to yield a vast selection of distinct sonic textures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eLevel\u003c\/h3\u003e\n\u003cp\u003eSets the volume of the overdriven signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eFilter\u003c\/h3\u003e\n\u003cp\u003eControls the amount of high frequency content in the fuzz signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-4\"\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eBlend\u003c\/h3\u003e\n\u003cp\u003eMixes the clean input signal with the overdriven signal. The clean signal remains at unity gain while the volume of the overdriven signal is set by the Level knob, allowing for fine control of the blend ratio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"box-feature f-knob\"\u003e\n\u003ch3\u003eDuality\u003c\/h3\u003e\n\u003cp\u003eMixes two discrete fuzz circuits. Set it at minimum for a pure gated saw-tooth wave, or crank it up for a tighter high gain fuzz.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Darkglass Electronics","offers":[{"title":"Default Title","offer_id":45211037204,"sku":"DRKGL0030","price":339.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/df1.png?v=1625126781"},{"product_id":"fuzz-war","title":"Death By Audio - Fuzz War","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eControls are for Volume, Fuzz, and Tone. The tone control is a specially designed multi-curve shaping filter which changes the timbre of the pedal from super deep bass sludge to screaming highs. Smoke on this and it will fuzz you up. No playin. The clearest most sustainy feedback wall of fuzz. This is the jam.\u003c\/span\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":46363189076,"sku":"DBA0061","price":299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/download-1_e384dc6e-4cc6-4abc-96bd-1ec247e481a4.jpg?v=1625126791"},{"product_id":"death-by-audio-supersonic-fuzz-gun","title":"Death By Audio Supersonic Fuzz Gun","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"100%\" cellpadding=\"0\" cellspacing=\"0\" border=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cdiv id=\"ProductDetail_ProductDetails_div\"\u003e\u003cspan id=\"product_description\" itemprop=\"description\"\u003e\u003cinline\u003e\u003cinline\u003eThe Supersonic Fuzz Gun is a completely unique and different take on a fuzz pedal made with the extreme manipulator in mind. The controls interact with each other in an amazing and interesting way to create a huge array of gated and oscillating fuzz sounds. Control knobs are for Bias, Density, Fuzz, Filter, and Level. Switches are for true bypass and Oscillation\u003cspan\u003e \u003c\/span\u003e\u003c\/inline\u003e\u003c\/inline\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":46445063124,"sku":"DBA008","price":395.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/download-2_44e9a818-5796-4589-870b-276bd23df34e.jpg?v=1625126796"},{"product_id":"death-by-audio-apocolypse","title":"Death By Audio Apocalypse","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWe have used our years of fuzz innovation to create a pedal which utilizes 5 unique fuzz circuits combined with a sweepable frequency equalizer yielding one of the most usable and versatile fuzz tone shifters we've ever heard: the APOCALYPSE.\u003c\/span\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":46445199764,"sku":"DBA009","price":425.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/download_5dbbf252-a521-4df9-85c9-2bbf5e8bde71.jpg?v=1625126791"},{"product_id":"death-by-audio-waveform-destroyer","title":"Death By Audio Waveform Destroyer","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e8 Different internally customisable distortions selectable by a combination of 4 foot switches. Once selected via internal DIP switches the fuzz's are always the same so you can go back time and time again on your favourite fuzz sounds. This gives you a ton of fuzz, overdrive, distortion sounds you will become addicted to. \u003c\/span\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":46445396948,"sku":"DBA0010","price":425.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/download-1_9686949d-657f-4301-b77a-49107bde2321.jpg?v=1625126797"},{"product_id":"death-by-audio-interstellar-overdriver-deluxe","title":"Death By Audio Interstellar Overdriver Deluxe","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePure overdrive is back and better than ever. The Interstellar Overdriver Deluxe is two amazing, all analog, Interstellar Overdriver pedals and more! Not only can you slam one channel into the other for unearthly overdrive sounds but we've also added a six position selector switch on channel 2 with six unique overdrive \/ fuzz effects. From a pleasant boost to jet rocket lift-off this is the pedal to blast your sound into the future!\u003c\/span\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":46445605140,"sku":"DBA0011","price":500.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/download_76a8b11b-7fee-42b5-b0cd-f1cdf1543172.jpg?v=1625126795"},{"product_id":"death-by-audio-robot","title":"Death By Audio Robot","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Robot is a low fidelity 8 bit pitch transposer with absolutely no feelings what-so-ever. It is completely synthetic and transforms any input into a spuree of resynthesized robot jargon. Features bendable super lo-fi octave up, octave down, arp, and unity pitches.\u003c\/span\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":46445928468,"sku":"DBA0012","price":500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/download-2_1339a8e0-877c-4019-805a-606b31593979.jpg?v=1625126796"},{"product_id":"death-by-audio-psycho-evil-filter","title":"Death By Audio Psycho Evil Filter","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePsycho HP\/BP\/LP filter with LASER ETCHED ENCLOSURE. Can be pushed past the limit to glitch out into octaves up, down, and envelope folds. The EVIL FUZZ is just that total balls to the wall or balls to the wall times 2 with blooming inverted compression. The CV\/Expression in enables you to move the filter up and down in sync with an arpeggiating synth or control it with an expression pedal. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSounds amazing with synth, guitar, and amplified skateboard.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":46446160084,"sku":"DBA0013","price":609.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/download_43543014-55c9-40db-b60c-76175427a93e.jpg?v=1625126795"},{"product_id":"death-by-audio-soundwave-breakdown","title":"Death By Audio Soundwave Breakdown","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Soundwave Breakdown takes the idea of a screaming fuzz pedal and turns it inside out utilizing specially matched transistors turned backwards to get it's bombastic sound. The one knob controls extreme biasing of one of the transistors and the other controls intense filtering. The combination allow a vast universe of fuzz | distortion | buzz | grind | bleeps | synth sounds | and soundwave manipulation. The exact positions of the knobs yield completely different sounds. Be forewarned, it is only balls to the wall fuzz all the time.\u003c\/span\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":46446551252,"sku":"DBA0014","price":285.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/download-1_56545629-6b0e-4da8-b21d-ad70392ab053.jpg?v=1625126796"},{"product_id":"jhs-pollinator-v2","title":"JHS Pollinator V2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn the late ‘60s, the Fuzz Face burst on the scene, delivering the gritty tones that continue to change the world today. In a lot of ways, JHS owes a debt to these tones as they helped kick off the effect pedal revolution. The Pollinator is our tip of the hat to this Germanium fuzz circuit. In JHS Pedals fashion, we included a few major improvements while caring for the details that preserve the original’s legendary tone. If you are a fan of classic fuzz and the unique touch sensitivity, response, and tone that a true Germanium fuzz offers, the Pollinator V2 is a perfect fit.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLegendary rock ‘n’ roll tone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIf you want to add the sometimes thick, sometimes spitty, always glorious sounds of 1960s fuzz to your rig, the Pollinator V2 is the pedal for you. Inspired by the tones of the legendary Fuzz Face pedals, the Pollinator utilizes perfectly hand-matched germanium AC128 transistors to recall the tones used by Jimi Hendrix, Eric Johnson, and more.\u003cbr\u003e- JHS’s take on the fuzz tone that came to define the sound of 1960s rock ‘n’ roll\u003cbr\u003e- Perfectly matched Germanium AC128 transistors deliver that fat and smooth sound\u003cbr\u003e- Retains the ability to clean up beautifully by rolling back your guitar’s volume\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFour controls with some added umph!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOnce we felt we nailed the sound, we kept right on going. On top of killer-sounding fuzz, our Pollinator V2 sports a ton of headroom on the volume control. And the powerful Bias control voices the overall character of the fuzz - perfect for nailing the exact old-school buzz you’re looking for.\u003cbr\u003e- Added output allows you to crank the volume control, punishing the front of your amp\u003cbr\u003e- Bias control shapes the voice of the pedal’s grit\u003cbr\u003e- The Fuzz control interacts with the Gain knob for a huge variety of tones\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eModern convenience\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEvery musician wants the nostalgia-inducing tones of vintage effects in their rig - that is, until they have to deal with the noise, hard-to-find replacement parts, or worse yet, having it stolen. So keep that precious original Fuzz Face at home and load the Pollinator V2 onto your pedalboard. Classic tone, powerful additions, and modern peace of mind all in one.\u003cbr\u003e- You won’t mind stomping on this rugged pedal\u003cbr\u003e- Bias control overcomes the issue of the transistors sounding different in various temperatures and environments (as all Germanium transistor-based fuzzes are subject to)\u003cbr\u003e- Easily replaceable if the unthinkable happens. As a matter of fact...just buy two!\u003cbr\u003e- Runs on a standard 9V power adapter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\".\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":48575284180,"sku":"JHSPPOLLINATORV2","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/JHS-Pollinator-V2-top.jpg?v=1625127176"},{"product_id":"keeley-electronics-rotten-apple-fuzz","title":"Keeley Electronics Rotten Apple Fuzz","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eBig OpAmp Fuzz\u003cbr\u003eSmashed Tuning\u003cbr\u003eThick and Rotten\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWith just a whiff of op-amp fuzz left after mutilating this muff, you’re left with something that’s dreamy in bass and gain range.  What’s needed for that rotten-to-the-core sound is a thick dose of bass, gain for days, and a perfectly scooped midrange that recalls the 1990’s on speed dial.\u003cbr\u003eThe GAIN of the Rotten Apple has an amazing range of gain on tap, AND it is sensitive to your guitar and strumming.  So even though it pumps and smashes through your speaker cab, you can roll your guitar back to float like a butterfly.  The Tone Control gives you everything from submerged stoner rock sludge to highs that claw at your speakers.\u003c\/p\u003e\n\u003ch5\u003eDid you know we did extensive testing of this pedal on my Eric Clapton Strat with Lace Sensors?  Yeah, we knew we wanted to nail a very specific tone.  Dialed it!\u003c\/h5\u003e\n\u003ch5\u003eDid you know we took all we learned from our Dark Side fuzz and made this one even less noisy while increasing the gain dramatically!\u003c\/h5\u003e\n\u003ch5\u003eDid you know that despite all the rage, rats in Chicago seem to have no natural enemy.  (Field Note: Robert Keeley on his visit to Hotel Cass at the corner of Wabash and Erie.)\u003c\/h5\u003e\n\u003ch2\u003eAvail Yourself to Adore This\u003c\/h2\u003e\nBut aren’t V4s supposed to sound harsh?!?  Well yeah, but we rewrote every page of the book.  The story doesn’t end with rebuilding a circuit, it ends with the filtering.  Why do certain sythns sound so amazing even though they are just generators?  The filtering.  We nailed it.  Listen to the demo of the Rotten Apple, thick and dreamy.  Fits perfectly in your 90s  mix.  Cuddle your guitar and this stompbox you little cherub and rock out.\n\u003ch2\u003e\u003c\/h2\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":48749830932,"sku":"KEELROTTENAPPLE","price":215.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Rotten-Apple-Fuzz-Face-White-Keeley-1000x1000.jpg?v=1625127178"},{"product_id":"earthquaker-devices-data-corrupter","title":"Earthquaker Devices Data Corrupter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"col sqs-col-5 span-5\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-8db6908e3048c1540aa7\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch2\u003e\u003cstrong\u003eData Corrupter™\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003eModulated Monophonic PLL Harmonizer\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eOkay Brainiac, it’s time to put down that graphing calculator and get to work decoding your brand new Data Corrupter!\u003c\/p\u003e\n\u003cp\u003eThe Data Corrupter is a monophonic analog PLL harmonizer with modulation. It takes your input signal and brutally amplifies it into a crushing square wave fuzz tone that is then multiplied, divided and modulated to create a wild, yet repeatable, three-voice guitar synthesizer.\u003c\/p\u003e\n\u003cp\u003eThe Master Oscillator is the central nervous system at the heart of the Data Corrupter’s cyberpunk hive mind. The three-position switch on the Master Oscillator control panel labeled Root feeds your input to the Data Corrupter’s signal harvester in its original octave (Unison), one octave down (-1) or two octaves down (-2). Use the Master Oscillator’s Root switch to fine tune the Data Corrupter’s tracking response for maximum compatibility with your preferred instrument and frequency register. Once you’ve chosen your input octave, the Data Corrupter will perform its calculations and spit out a synthesized frequency, the octave and\/or interval of which may be selected via the Master Oscillator’s eight-position rotary switch. The Voice Mixer’s Oscillator control adjusts the Master Oscillator blend.\u003c\/p\u003e\n\u003cp\u003eThe Frequency Modulator applies pitch-bend modulation to the Master Oscillator. In Glide mode, you’ll hear a smooth portamento as each note slides into the next. In Vibrato mode the pitch modulates up and down for a retro sci-fi laser effect.\u003c\/p\u003e\n\u003cp\u003eThe Subharmonic assimilates the input signal into one of eight lower octave programs between one and three octaves below the original. For a more stable lower octave, set the Subharmonic’s Root switch to the Unison position, which divides the Square Wave input signal, and removes the Frequency Modulator from the Subharmonic signal path. To unleash the cracked machine lurking within the Data Corrupter mainframe, set the Subharmonic Root switch to Oscillator and try not to look away as the sonic malware you just installed mangles your input signal into the sum and difference of both the Master Oscillator and Subharmonic with the Frequency Modulator applied to the upper and lower octaves. If you think you’re brave enough, set the Subharmonic Root switch to Oscillator and try experimenting with different Master Oscillator and Subharmonic programs to wind up the doomsday clock and inch ever closer to the Singularity. Adjust the Voice Mixer’s Subharmonic control to set the lower octave volume.\u003c\/p\u003e\n\u003cp\u003eFinally, (or is it?) the Square control located top-left on the Voice Mixer blends in a fuzzed-out square-wave take of your input in its original octave. That’s it. These aren’t the droids we’re looking for. Move along.\u003c\/p\u003e\n\u003cp\u003eEach and every Data Corrupter is built one-at-a-time by a team of ensigns aboard the Starship Enterprise locked in orbit around the Borg Cube of Akron, Ohio, USA. Make it so. Engage.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-5 span-5\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-56b2ad26def987d138d1\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eNerd Talk\u003c\/strong\u003e\u003cbr\u003eThe heart of this pedal is based around a CMOS Phase Locked Loop (PLL) IC. In a nutshell, the PLL takes your input signal and compares its phase and frequency against an oscillator, generates an output proportional to their difference then feeds it back to the oscillator. This then causes the oscillator to lock onto the input signal and generate a synthesized frequency. Pretty cool, right? This synthesized frequency is referred to as the Master Oscillator on the Data Corrupter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMaster Oscillator\u003c\/strong\u003e\u003cbr\u003eThe Master Oscillator takes it’s input from one of three sources: Unison, one octave down and two octaves down. Some frequencies are too high for the Master Oscillator to divide, therefore, shifting them down one or two octaves brings them back into the proper range (it also happens to sound super cool). These sources are referred to as “Root” and can be selected via a three-position switch. The Root is then fed into the PLL and multiplied to create one of eight different intervals over three octaves that are selected by the rotary switch to create your harmony! This harmony can then be manipulated via the Frequency Modulator section.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Modulator\u003c\/strong\u003e\u003cbr\u003eThe Frequency Modulator has two modes, Glide and Vibrato. In Glide mode, the pitch will glide from note to note and the speed of the glide can be adjusted by the Rate control. At faster settings, this takes on a very cool phase shifting effect. In Vibrato mode, the pitch varies up and down to create a laser-like effect. The Frequency Modulator only affects the Master Oscillator, unless the Subharmonic Root switch is in the Oscillator position.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSubharmonic\u003c\/strong\u003e\u003cbr\u003eThe Subharmonic section of the Data Corrupter creates a sub octave of the Root and then divides it up into eight intervals over three octaves which are selected by the rotary switch to create your subharmonic harmony. The Root comes from one of two sources, Unison or the Master Oscillator. When Unison is selected, the Subharmonic will be a division of the square wave fuzz tone and the Frequency Modulator will have no effect. When Oscillator is selected, the Subharmonic will be a division of the Master Oscillator and the Frequency Modulator will be applied to the Subharmonic harmony.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVoice Mixer and Level\u003c\/strong\u003e\u003cbr\u003eThe Master Oscillator, Subharmonic and Square wave fuzz tone all have volume controls under the voice mixer section. Use these to blend the three voices together to taste. The Level is a master volume and determines the overall output level of the effect.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracking\u003c\/strong\u003e\u003cbr\u003eThis pedal should be placed close to front of your signal chain and before any delay, reverb or modulation effect. While it will work with most bridge pickups, the neck pickup will provide the best tracking results. Precise picking and single notes will track quickly and cleanly. Chords and sloppy playing will result in chaos. There is no control over the amount of gain because it really needs to be fine-tuned to properly track. Weak signals (like backing off on the guitar volume) will lead to poor tracking and gating.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesign Notes\u003c\/strong\u003e\u003cbr\u003eThis Device takes its inspiration from the Electrax Synthax and the “Basic Frequency Synthesizer” by Ray Marston. Neither of these were really intended to be guitar effect pedals and a lot of work went into creating the Data Corrupter to provide excellent tracking and long sustain. We think you’ll find it more expressive and accurate than pretty much any other PLL based effect pedal around.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMeasures\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e5.65″ x 4.65″ x 2.25″ with knobs\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Data Corrupter should be powered a standard 9-volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eCurrent Draw\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e25mA\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e1M\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e1K\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eSwitching\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThis device is true bypass and uses electronic relay based switching. Audio will not pass without power.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":48962065556,"sku":"EQD0010","price":439.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Data-Corrupter.jpg?v=1625126885"},{"product_id":"dr-scientist-frazz-dazzler","title":"Dr Scientist Frazz Dazzler","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIn the outer recesses of space lays Zeta-6 quadrant's largest junkyard. Here, gravity-challenged junkers float about rubbing their rusted hulls together, while the sounds of these frictions reverberate into the worlds around them. Want your tone to sound like two abandoned spaceships crashing in the vacuum of space, their oxidized wings gnashing together and disintegrating into dust? With a wide gain range, the Frazz Dazzler pedal will frazzle dazzle you with its mean-spirited and aggressive fuzz whether you play guitar, bass or an electronic instrument. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eKnobs:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdl\u003e\n\u003cdt\u003e\n\u003cp\u003eSizzle:\u003c\/p\u003e\n\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cp\u003ePassive treble cut\u003c\/p\u003e\n\u003c\/dd\u003e\n\u003cdt\u003e\n\u003cp\u003eGain:\u003c\/p\u003e\n\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cp\u003eSilicon transistors + 1 watt audio amplifier based, range from gritty overdrive to very high saturation\u003c\/p\u003e\n\u003c\/dd\u003e\n\u003cdt\u003e\n\u003cp\u003eVol:\u003c\/p\u003e\n\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cp\u003ePassive resistance to ground\u003c\/p\u003e\n\u003c\/dd\u003e\n\u003cdt\u003e\n\u003cp\u003eMix:\u003c\/p\u003e\n\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cp\u003eDry at 0, wet at full  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cp\u003e\u003cstrong\u003eSwitch:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdl\u003e\n\u003cdt\u003e\n\u003cp\u003eGain Setting:\u003c\/p\u003e\n\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cp\u003eLeft position is low to medium gain with no gate, right position is high gain with gate  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cp\u003e\u003cstrong\u003ePCB Trim-pots:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdl\u003e\n\u003cdt\u003e\n\u003cp\u003eBass:\u003c\/p\u003e\n\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cp\u003e+\/-15dB peaking filter centred at 100Hz, cut or boost the bass of the signal  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e\n\u003cdl\u003e\n\u003cdt\u003e\n\u003cp\u003e\u003cstrong\u003eExpression Control:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/dt\u003e\n\u003cdd\u003e\n\u003cp\u003eControls Mix knob, TRS input, 50kΩ\u003c\/p\u003e\n\u003c\/dd\u003e\n\u003c\/dl\u003e","brand":"Dr Scientist","offers":[{"title":"Default Title","offer_id":746197057563,"sku":"DRSCIENTIST002","price":385.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/dr-scientist-frazz-dazzler-v2-001.jpg?v=1625126827"},{"product_id":"source-audio-aftershock-bass-distortion","title":"Source Audio Aftershock Bass Distortion","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eGet down and dirty with the AfterShock Bass Distortion. On its own the AfterShock features three massive bass distortion engines, but connect the pedal to the Neuro Mobile App (a free download for iOS and Android) and feast upon a massive collection of additional overdrive, fuzz and distortion tones. Further edit each engine with the Neuro’s parametric EQ, stereo routing options, and internal stacking capabilities.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOut of the box, the AfterShock Bass Distortion packs three bass overdrive engines that span the gamut of low-end crunch, from smooth and natural overdrive to full-on fuzz attack. The Tube engine belts out a subtle, but powerful vintage tube overdrive with a smooth breakup and plenty of punch. Heavy creates an aggressive scooped sound with ample highs and thundering lows. The Fuzz engine offers intense germanium fuzz tones with loads of bottom and mucho grit. The Aftershock’s simple, yet powerful control panel provides the tools to finely sculpt the perfect bass tone. The Clean knob lets you to mix in just enough clean signal to maintain a rock-solid low-end without compromising the pedal’s SONIC GROWL. Adjust the onboard Tone control and find that thunderous sweet spot for any bass\/amp combination.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBy itself the AfterShock offers tremendous tonal range, but dig a little deeper and discover its hidden power and flexibility. Every pedal in the One Series line is compatible with the Neuro Mobile App (a free download for iOS or Android). Connect the AfterShock to the Neuro App and access its extended equalization capabilities as well as Source Audio’s free library of over 40 overdrive, fuzz, and distortion algorithms for bass AND guitar — each algorithm can be downloaded directly to the pedal. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), providing the power to save up to 128 different presets.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFinally the AfterShock’s stereo inputs and outputs plus its dual drive circuits make it possible to launch into an extended range of tonal possibilities. With help from the Neuro App bassists can stack any combination of drive engines in either series or parallel as well as split the signal and send a separate drive engine to each of the pedal’s outputs.\u003c\/p\u003e","brand":"Source Audio","offers":[{"title":"Default Title","offer_id":2088927690779,"sku":"SAUDIO009","price":339.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/productview-os-asbd-face.png?v=1625127215"},{"product_id":"zvex-fuzzolo-fuzz","title":"ZVEX Fuzzolo Fuzz","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Fuzzolo is a raging beast of a fuzz. We managed to squeeze this wild thing into a small box to save real estate on pedal boards, and because we could. The Fuzzolo has two controls: Volume (post gain), and Pulse Width. The Fuzzolo is equally devastating on guitar and bass.\u003c\/span\u003e","brand":"ZVEX","offers":[{"title":"Default Title","offer_id":2653079666715,"sku":"AUD-ZV-CA-FLO","price":239.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/J11395000000000-00-500x500.jpg?v=1625127222"},{"product_id":"earthquaker-devices-cloven-hoof-fuzz","title":"Earthquaker Devices Cloven Hoof Fuzz","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"col sqs-col-5 span-5\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-44fcadc63dae95858678\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eThe Cloven Hoof is the Hoof’s evil twin. It looks a lot like the Hoof, only more, um... Cloven.\u003c\/p\u003e\n\u003cp\u003eWe kept the tightness and clarity you loved about the Hoof, along with the wide range of fuzz sounds, and threw the rest away. NOS Germanium transistors? Nope! In their place, we installed a set of four specially selected Silicon transistors for cleaner cleans, higher gain, improved temperature stability, and a grittier, grindier, nastier fuzz tone with over 4x the gain of the original Hoof.  We also replaced key resistors with NOS Carbon Comp components to sprinkle a little bit of vintage flavor into the Cloven Hoof’s searing fuzz fury. It’s like they always say, “In with the old, out with the new.”\u003c\/p\u003e\n\u003cp\u003eThe “Tone” and “Shift” controls remain intact, only now they’re re-voiced for a smoother sweep, and more precise control over the Cloven Hoof’s beefy low-end. Speaking of low-end, have you heard this thing on bass? Wow. Try the Cloven Hoof on a bass guitar. Seriously. Trust us. You can still cut or boost the mids, and there’s still a metric ton of output on tap, just do us a favor, and for the love of all that’s Cloven, play this pedal with a bass guitar.\u003c\/p\u003e\n\u003cp\u003eThe Cloven Hoof is the perfect solution for those of you who wish the Hoof had more low-end, higher gain, and was just a little bit Hoofier.\u003c\/p\u003e\n\u003cp\u003eEach and every Cloven Hoof is one-hundred percent analog, true bypass, and built by qualified cowboys, cowgirls, and rodeo clowns in the organic, grass-fed, farm-to-table cattle ranch of Akron, Ohio, USA, y’all.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col sqs-col-5 span-5\"\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-8bbcae2a9e0adca8c7ea\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003ch3\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eFuzz:\u003c\/strong\u003e Clockwise for heavy, counterclockwise for light.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTone:\u003c\/strong\u003e Bass to the left, Treble to the right.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLevel:\u003c\/strong\u003e Use this control to make the Cloven Hoof louder or quieter.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShift:\u003c\/strong\u003e This adjusts the mid content, clockwise for scooped mids, counterclockwise for boosted.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMeasures\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e4.625″ x 2.5″ x 2.25″ with knobs\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eOur pedals take a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. Do not run at higher voltages!\u003c\/p\u003e\n\u003cp\u003eCurrent draw is 10 mA.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":2670943928347,"sku":"EQD0009","price":319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Cloven-Hoof.jpg?v=1625126883"},{"product_id":"jhs-the-kilt-v2","title":"JHS The Kilt V2","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWhen the opportunity to work with StuG came about (legendary guitarist, writer, producer, and founding member of UK band Delirious) we couldn,t pass it up. Right out of the gate Stu G wanted a dirt box that could essentially cover any-and-all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born, and for the V2 we have refined it to be a compact and versatile tone-machine.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Kilt V2 still has the fantastic circuit at the heart of the version one: a heavily tweaked Expandora style dirt box that gives you more tonal options than you might ever be able to use. We use a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that just feels better than the original Expandora. Then there are three toggles that enhance the tweak-ability even further. The cut\/flat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the \"flat\" position, the bass response is much beefier than the original Expandora for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different than your normal diode clipping selectors that you commonly see on drive pedals. This gives you multiple configurations and tonal options, helping the Kilt V2 cover light transparent drive all the way to a wall of fat fuzz\/distortion and everything found in-between.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e– When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup.\u003c\/p\u003e\n\u003cp\u003e– G1 flipped up adds a touch of drive for more riffy grit.\u003c\/p\u003e\n\u003cp\u003e– G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones.\u003c\/p\u003e\n\u003cp\u003e– Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz\/distortion that will cut through anything.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFor the V2 we have added the ability to switch the G2 toggle with a Red Remote! This gives you the ability to flip into heavy overdrive or fuzz with a footswitch on the fly, making the V2 just as versatile as the V1 but more compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSo put on your Kilt and raise a pint to rock and roll!\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":4991108907047,"sku":"650415211807","price":319.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/JHS-Kilt-V2-top.jpg?v=1625127245"},{"product_id":"zvex-effects-vexter-fat-fuzz-factory","title":"ZVEX Effects Vexter Fat Fuzz Factory","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eA version of the Fuzz Factory. This variation features a three position mini toggle switch. Setting 1 is a standard Fuzz Factory, settings 2 and 3 introduce “low” and “lower” frequencies to manipulate, oscillate, and mutate as you like. The Fat Fuzz Factory sounds fantastic on both guitar and bass!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eVexter Series pedals are lower priced, featuring silk-screened art. The parts inside Vexters are identical to the hand painted pedals.\u003c\/span\u003e\u003c\/p\u003e","brand":"ZVEX","offers":[{"title":"Default Title","offer_id":5940927365159,"sku":"AUD-ZV-VR-FFF","price":359.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/zvex-fat-fuzz-factory_2000x_0bbf3704-023c-4d99-93d5-d048789f1776.jpg?v=1625127254"},{"product_id":"zvex-vertical-fuzz-factory","title":"ZVEX Vertical Fuzz Factory","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePacked with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to intermodulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, ripping velcro and octave-like fuzz. Now available in portrait configuration, with the footswitch much further away from the knobs for no knocking!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003ePedal Dimensions (LxWxH):  4.70\" x 2.38\" x 1.82\"\u003c\/p\u003e","brand":"ZVEX","offers":[{"title":"Default Title","offer_id":6262652731431,"sku":"AUD-ZV-VR-TFF","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/TFFsample.jpg?v=1666675169"},{"product_id":"jhs-modded-nano-muff-pi-moonpi-mod","title":"JHS Electro Harmonix Modded Nano Muff Pi \"MoonPi Mod\"","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eTake a bite out of the new Nano Muff \"MoonPi\" Mod!   We send the Electro Harmonix Nano Muff into orbit in a nearby crunchy-and-creamy galaxy with an plethora of options by adding a 3-way voicing switch as well as a gate knob!!!!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eToggle up is Stock Nano Muff distortion\u003cbr\u003eToggle middle provides a more open\/powerful distortion\u003cbr\u003eToggle down will give you more saturation and full raging fuzz\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Gate knob lets you dial in the exact right amount of spitty gated fuzz out out this little white and red giant.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":6590183374887,"sku":"JHSPNANOMUFF","price":269.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Nano-Big-Muff-MOD-Top-view-web.jpg?v=1625127276"},{"product_id":"keeley-electronics-loomer","title":"Keeley Electronics Loomer","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Loomer is a Wall-Of-Fuzz drenched in a Wash-Of-Reverb.\u003c\/p\u003e\n\u003cp\u003eHeavy Gain, Soft Focus, Reverse,  Cascading Octave Feedback, Tremolo Bar Strummed Reverb.\u003c\/p\u003e\n\u003cp\u003eA stoned, morning floaty, messed up, thrill machine is what it is.  Washes of reverb in new ways you’ve not heard in a stomp box before and a fuzz that’s like a cigarette burn on your forearm.  It rages.\u003c\/p\u003e\n\u003cp\u003eJesus, Mary, and Reverbs\u003c\/p\u003e\n\u003cp\u003eCan’t live without these three and the new reverbs are born of a Shoegaze dream.\u003c\/p\u003e\n\u003cp\u003eHall\u003c\/p\u003e\n\u003cp\u003eSuper long ambient wash with the ability to add octave regeneration in the feedback loop.  More than shimmer it’s more like ascension shimmer.\u003c\/p\u003e\n\u003cp\u003eReverse\u003c\/p\u003e\n\u003cp\u003eSet different delay times with the Decay control which gives you rhythmic reverse.  This is based on the Yamaha SPX90 and the Alesis Midiverb II. This is not a true reversed reverb as it reads through a delay line at various points in the delay while increasing in volume.  The Decay control is more of a switch in that it is chooshing between 8 different set “decay” times: 150ms, 200ms, 250ms, 300ms, 350ms, 400ms, 450ms, and 500ms allowing you to set all kinds of delay times in which the notes come back at you.\u003c\/p\u003e\n\u003cp\u003eThis is where it gets really cool.  The vibrato in this mode is envelope controlled. The range runs from 0 to 50ms of time shift.Tone control is loosely based on the Jazzmaster rhythm tone control with a low pass filter centered at 156.6Hz  Strum hard at it pitch bends like you are playing the trem bar on a Jazzmaster or Jaguar!  Combine the two for an unreal dual-guitar player effect!\u003c\/p\u003e\n\u003cp\u003eSoft Focus\u003c\/p\u003e\n\u003cp\u003eBecause all of the reverbs can go All-Wet by means of the Blend Control, this is a great approximation of the Yamaha FX500 patch. Soft Focus Reverb features a dense reverb with two delays in parallel (one set for 250ms, the other set for 380ms.)\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":12622636908603,"sku":"KLOOMER","price":499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Loomer-Front-e1524682823472.jpg?v=1625127341"},{"product_id":"ryra-fuzz-a-matic","title":"RYRA Fuzz A-Matic","description":"\u003cp\u003eThe Rock Your Repaired Amp Fuzz A-Matic is a serious reinterpretation of a classic. The Fuzz A-Matic is available in two different graphic designs. This pedal will be available depending on the supply of appropriate NOS Germanium transistors. The Fuzz A-Matic is built by hand, tested and properly biased in the RYRA Shop. With attention to components, true bypass, and even comes with top mounted jacks! This is a pedal for players who typically work their volume and tone knobs.\u003c\/p\u003e\n\u003cp\u003eExterior dimensions of 4.8\" x 2.6\" x 1.56\" (122 x 66 x 39mm)\u003c\/p\u003e\n\u003cp\u003eFEATURES\u003c\/p\u003e\n\u003cp\u003eTop Mount Jacks\u003c\/p\u003e\n\u003cp\u003eTwo Different Graphic Designs\u003c\/p\u003e\n\u003cp\u003eTrue Bypass\u003c\/p\u003e\n\u003cp\u003eDC Jack\u003c\/p\u003e\n\u003cp\u003e9V Battery\u003c\/p\u003e","brand":"RYRA","offers":[{"title":"Yellow","offer_id":41550702215227,"sku":"RYRAFUZZO-1","price":329.0,"currency_code":"AUD","in_stock":true},{"title":"Vintage White with stripes","offer_id":41552369287227,"sku":"RYRAFUZZO-2","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/3-15-18-104.jpg?v=1625127343"},{"product_id":"ryra-tri-pi-muff","title":"RYRA Tri Pi Muff","description":"\u003cp\u003eThe Rock Your Repaired Amp Tri-Pi is my favorite version of the early Tri-Muff. This recreation has been thoughtfully designed. The Tri-Pi Muff is built by hand in the RYRA shop. With attention to components, true bypass, and even comes with top mounted jacks! This is a pedal for players who love all things Muff.\u003c\/p\u003e\n\u003cp\u003eExterior dimensions of 4.8\" x 2.6\" x 1.56\" (122 x 66 x 39mm)\u003c\/p\u003e\n\u003cp\u003eFEATURES\u003c\/p\u003e\n\u003cp\u003eTop Mount Jacks\u003c\/p\u003e\n\u003cp\u003eArmy Green with White Knobs\u003c\/p\u003e\n\u003cp\u003eTrue Bypass\u003c\/p\u003e\n\u003cp\u003eDC Jack\u003c\/p\u003e\n\u003cp\u003e9V Battery\u003c\/p\u003e","brand":"RYRA","offers":[{"title":"Default Title","offer_id":12725800992827,"sku":"RYRATRIPI","price":329.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/files\/ryra-tri-pi_2000x_167a6988-b2f6-4f2b-9792-56b742090fdb.webp?v=1719280857"}],"url":"https:\/\/www.pedalempire.com.au\/collections\/fuzz.oembed?page=18","provider":"Pedal Empire","version":"1.0","type":"link"}