{"title":"Overdrive","description":"","products":[{"product_id":"angry-charlie-channel-drive-jcm800-1","title":"JHS Angry Charlie V3","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Angry Charlie has become a staple of the JHS line over the years. In the 3, we set out to keep everything that has made it a star in place while adding some tweaks for even greater flexibility and usability. The V3 is a force to be reckoned with in the high gain pedal territory. It convincingly and accurately breathes JCM800 tones with ease. Let's look at the features.\u003c\/p\u003e\n\u003cp\u003eThe Angry Charlie has five controls: Volume, Drive, Bass, Mids and Treble. The Volume control acts as a standard master volume control on an amplifier. Simply turn the control to the right and you are louder, turn it to the left and you are quieter. The Drive control decides the amount of overall dirt\/overdrive that enters the signal path. Turn it up for more distortion and down for less. New to the V3 are the Bass, Mids, and Treble controls. To faithfully replicate a Marshall amplifier we felt it was time to incorporate a full Marshall-style tone stack.  All three of these controls act as a cut and boost, while at noon they are relatively flat. The right 1\/4\" jack is the input, and the left is the output.\u003c\/p\u003e\n\u003cp\u003eIf you are a glutton for high gain overdrive\/distortion that has a British flavor full of rich bass response, thick mids, and a balanced high-end response, the Angry Charlie V3 will change your life. Well, your gear life.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\".\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":145232002,"sku":"650415210909","price":319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/JHS-Angry-Charlie-V4-top.jpg?v=1460685784"},{"product_id":"morning-glory-overdrive","title":"JHS Morning Glory V4","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eOver the years the Morning Glory is undoubtedly our most known and praised overdrive pedal. It has won more awards and received more accolades than any other JHS pedal. It was created in 2009 out of a need for an overdrive pedal that simply took a guitar and amplifier,s tone to the next level without adding strong mid frequencies or any other characteristic that came along with the Tubescreamer style circuits on the market. Its goal was, and still is, to be incredibly easy to use and to be the most transparent overdrive out there. Even though the \"transparent\" buzzword is a bit overused all these years later, the meaning and application still stands as the best way to describe the magic that the Morning Glory brings to your rig. Let's take a look at what improvements the Morning Glory V4 has to offer.\u003c\/p\u003e\n\u003cp\u003eLooking at the controls, we have Volume, Drive, Tone and Gain. The Volume control acts as a master output level control. One improvement of the V4 is that we have added 2x the available headroom to this control if compared to the V3. The Drive control dials in overdrive as you turn clockwise. As this control increases, the treble content is also slightly increased. The Tone control is a basic high-pass filter, and as you turn clockwise, the tone becomes brighter.  As you turn this control to the left, it becomes darker. The Gain toggle activates a new boost mode. This mode is overall more powerful, has more low-end content, and when the drive knob is in its upper region, it creates a more high gain tone than ever available in any variation of the Morning Glory. This toggle is indicated by the status LED turning Red and can be remotely activated by way of the \"Remote Gain\" 1\/4\" jack located on the upper right side of the pedal. This ability enables the Gain toggle be used in an on-the-fly application for live performance. Set your normal MG tone and instantly switch the Red Remote for a secondary tone with using hardly any space on your board at all. The Bright Cut toggle is now located on the side of the pedal, still easily accessible but out of the way. This switch is great for rigs that lean a little on the bright side or when you are using the MG as a higher gain drive sound. The input jack is located on the lower right side and the output jack is on the left side. The MG runs on standard 9V DC supply only.\u003c\/p\u003e\n\u003cp\u003eWhether you play a Stratocaster or a Les Paul, you will instantly recognize how the Morning Glory is touch sensitive and keeps 100% of your instrument,s feel in place. From \"Little Wing-ish\" chime to full chord rock \u0026amp; roll, the Morning Glory is hard to beat. If you are one of the thousands who have made the Morning Glory a part of your rig or a first-time interest, the Morning Glory V4 offers all the right features, tones, and ease of use that you are looking for in a primary overdrive pedal.\u003c\/p\u003e\n\u003cp\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.3\"x1.5\".\u003c\/p\u003e\n\u003cp\u003ePower: 9v DC Center Negative\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":150119382,"sku":"650415210756","price":319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/JHS-Morning-Glory-V4-top-updated.jpg?v=1460687095"},{"product_id":"dirty-little-secret","title":"Catalinbread Dirty Little Secret","description":"\u003cp\u003eIntroducing the new Dirty Little Secret from Catalinbread. The Dirty Little Secret has earned itself a well-deserved reputation for replicating the sound and feel of a classic era Marshall amplifier, supplying one of the most iconic guitar sounds in music. Able to clean up with a flick of your guitar's volume control, or go from mild crunch to full kerrang with your pick attack, the Dirty Little Secret has seen the inside of arenas and bedrooms alike, providing great overdriven sounds to clean backlines, low-wattage amps, and even direct applications. When the JFETs used as the base for the Dirty Little Secret were discontinued, and as our stock of them began to dwindle we knew we had to find ones still being manufactured. However, rather than simply re-voicing around these new JFETs, we decided to push the envelope and provide an amazingly robust feature-set, from ever evolving listening and circuit skills, and pure power of intention. This isn't just 'a' Marshall in a box, it's the most versatile and dynamic Marshall-style overdrive out there!\u003c\/p\u003e\n\u003cp\u003eWhat's new in the Dirty Little Secret:\u003c\/p\u003e\n\u003cp\u003e• The DLS now offers two distinct voicings, \"Super Lead\" and \"Super Bass\" switchable via an internal slider switch.\u003c\/p\u003e\n\u003cp\u003e• Completely redesigned full three-knob treble-middle-bass tone control complement that reconfigures for each mode setting.\u003c\/p\u003e\n\u003cp\u003e• We've also added an internal presence trimmer that allows you to fine-tune the presence of the pedal precisely to your guitar and amp combination.\u003c\/p\u003e\n\u003cp\u003e• The gain range is much wider and even more responsive to pickup types, playing dynamics and instrument volume knob!\u003c\/p\u003e\n\u003cp\u003eThe \"Super Lead\" mode expands the range of the DLS MkII with more gain available and more control over your tone sculpting with the addition of the midrange control without losing any of the touch-sensitive dynamic qualities that made the MkII so great to play - in fact, those qualities have been enhanced. The gain range now goes from classic plexi all the way to modified JCM800 levels and can get even more raw and open than any previous DLS. This mode was voiced specifically to make humbucker-equipped guitars really rock with clean to scream all from the twist of your guitar's volume knob.\u003c\/p\u003e\n\u003cp\u003eThe \"Super Bass\" mode is a new voicing that gives you the tone and gain structure of a Marshall Super Bass (which is very similar to a JTM45 or JTM50\/100). This mode was voiced to really hone in on that elusive in-between \"not quite clean, not quite dirty\" response that old tube amps were so good at getting. And it was specifically voiced to make fuzz pedals sound great (especially two-transistor based fuzzes like the fuzz face). Plug a Strat into a Fuzz Face into the new DLS in SB mode and you'll see what we mean!\u003c\/p\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":307366183,"sku":"CATL0009","price":279.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/dls-front-359x600.png?v=1625126650"},{"product_id":"sick-as-overdrive","title":"Bondi Effects Sick As Overdrive Mk3","description":"\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eWhat's new with the Mk3 Version: \u003c\/strong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSame classic Sick As sound\u003c\/li\u003e\n\u003cli\u003eR\u003cspan\u003eobust power input protection\u003c\/span\u003e \u003c\/li\u003e\n\u003cli\u003eOptimised power delivery network\u003c\/li\u003e\n\u003cli\u003eR\u003cspan\u003eeduced noise floor\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eOur quietest ever true-bypass switching\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe Sick As Overdrive is a diversion from the well-worn path, taking its basic structure from the Klon Centaur® but with some major improvements for the modern player. The gain control serves a dual purpose— as the gain is increased, the ratio of gain-to-clean tone increases as well. This ensures that when the gain is rolled off, the tone never becomes muddy and unpleasant. You can control the amount of headroom and the character of the drive with the toggle switch. Choose from a more compressed, mid-range focused tone or an open, transparent, rhythm tone.  The tone circuit is a powerful, two-band active EQ circuit capable of boosting or cutting the bass and treble frequencies up to 15dB for maximum versatility. The voltage is also boosted internally to 18V for increased clarity and headroom.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClean Boost, Overdrive or a blend of the two.\u003c\/li\u003e\n\u003cli\u003eDynamic and natural, responsive to your pick attack or volume knob.\u003c\/li\u003e\n\u003cli\u003eInternally boosted to 18 volts for maximum headroom and clarity.\u003c\/li\u003e\n\u003cli\u003eToggle switch controls the amount of headroom and character of the drive.\u003c\/li\u003e\n\u003cli\u003ePowerful active tonestack, capable of 15dB of boost or cut\u003c\/li\u003e\n\u003cli\u003eSoft touch true-bypass switching\u003c\/li\u003e\n\u003cli\u003eCurrent Consumption ~67mA \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bondi Effects","offers":[{"title":"Default Title","offer_id":12218850082875,"sku":"BONDI001","price":379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/image_81f12918-fa66-4e75-90b2-e3b1116fbe06.jpg?v=1661929063"},{"product_id":"paisley-drive","title":"Wampler Paisley Drive","description":"\u003cp\u003e\u003cspan\u003eSince late 2009, we discovered that \u003c\/span\u003eBrad Paisley\u003cspan\u003e was using Wampler Pedals. He started with the \u003c\/span\u003eAnalogEcho\u003cspan\u003e, then got an \u003c\/span\u003eEgo Compressor\u003cspan\u003e and then had the \u003c\/span\u003eUnderdog\u003cspan\u003e overdrive.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEverything was great until his tech at the time, Chad, mentioned to Brian that Brad still was not quite settled on the overdrive sound he was getting from his live rig… could Wampler maybe look at making a pedal …??\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBrads requirements were quite “simple”… it needs to be clean but get crunchy with some “beef” to it. It needs to have a fluid tone when soloing. I needs to add a little hair to the tone but then but then has to be able to give flat out ball busting gain, oh… but please do not wreck the tonality. It needs to have everything, in a pedal format, but do not make it sound like a pedal...!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOver a period of months, Brian made some circuits and sent them off, there were a couple of “tweaks” here and there to be made and then finally, when official “proto #2” landed it went straight into the live rack and out on the H20 world tour.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThat prototype has now been made into the Brad Paisley signature “Paisley Drive” and goes with Brad wherever he goes. When you see Brad live, or performing live on the TV, and you are blown away by his overdriven tone, it’s the Paisley Drive.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe truly great thing about this pedal is that it’s not only Telecaster style guitars that it works so well with, it brings the best out of your Strat or anything you may have loaded with humbuckers. You no longer need to have individual pedals for your guitars; the Paisley Drive will make each one sing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe inbuilt tonal controls, the presence and mid contour switches, will make this pedal the single most versatile and complete overdrive pedal you have ever owned. In fact, we believe it might be the last one you ever buy...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBrad Paisley:-\u003cbr\u003e“...we actually recorded this (pedal) in the studio, you know, trying it out. I turned up a Trainwreck Amp that I've got and compared the sound of the distortion and it was very, very similar. And that's a very good test because any time a pedal can mimic a great overdriven amp then you're on to something...”\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Wampler Pedals","offers":[{"title":"Default Title","offer_id":651133501,"sku":"WP-PAISLEY-DRIVE","price":329.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/wampler-paisley-drive-v2.jpg?v=1620626737"},{"product_id":"sovereign-distortion","title":"Wampler Sovereign Distortion","description":"\u003cp\u003e\u003cspan\u003eTo a discerning and devoted league of tone chasers, Brian Wampler is The King when it comes to organic, convincing and inspiring dirt tones. Thus we thought it only fitting to name Brian’s latest pedal – a simple Distortion pedal – The Sovereign.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eA little presumptuous, you might say? No, we think this is a pedal that lives up to its name. Oh, yes. From cream to ream; thrash to powder puff; hellacious burn to heavenly soothe; The Sovereign will do it for you. Truly.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYou see, Brian was asked by a very convincing and influential client (whom we shall name later) to make, a “simple distortion pedal”. Let’s think for a moment about the amazing “distortion” pedals Brian has already given us: The Plexi series, the SLOstortion, The ubiquitous Pinnacle and others. How could he top those? They’re already regarded as the best in their respective fields.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWell, folks, for starters, The Sovereign does not allude to be another (with all due respect) A.I.A.B (amp-in-a-box, for the uninitiated). No, no, no. This beast has its own thing going on. It has a mid control that is admittedly borrowed from other great Wampler pedals like The Pinnacle, but this one is refined, less fussy and instantly gratifying over the full range of its sweep. Seriously rich mids are to be found here, able to cut through the din of the bass and drums in an instant. Smooth, creamy highs – think: stainless steel wings on your soaring solos - are a mere flick of a toggle away. The bottom end is tight but with just the right amount of sag to simulate a good tube amp going into orgasmic throes of heat. Yeah, baby.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSpecifications:\u003c\/p\u003e\n\u003cp\u003e• Hand made in the U.S.A.\u003c\/p\u003e\n\u003cp\u003e• High grade film capacitors and resistors picked for their superior sound and response\u003c\/p\u003e\n\u003cp\u003e• Completely true bypass\u003c\/p\u003e\n\u003cp\u003e• Battery connection and 9v power jack (barrel plug like Boss)\u003c\/p\u003e\n\u003cp\u003e• Power draw: 9mA\u003c\/p\u003e\n\u003cp\u003e• High gain, crunchy and dynamic pedal\u003c\/p\u003e\n\u003cp\u003e• Extremely tweakable EQ\u003c\/p\u003e\n\u003cp\u003e• Advanced Gain Structure, amazing array of sounds.\u003c\/p\u003e\n\u003cp\u003e• 2.5\" x 4.5\" (63.5mm x 114.3mm)\u003c\/p\u003e\n\u003cp\u003e• Powder coated durable finish\u003c\/p\u003e","brand":"Wampler Pedals","offers":[{"title":"Default Title","offer_id":651369685,"sku":"WP-SOVEREIGN","price":299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/SOVEREIGN.jpg?v=1620627024"},{"product_id":"euphoria-overdrive","title":"Wampler Euphoria Overdrive","description":"\u003cp\u003e\u003cspan\u003eWhen Brian created the circuit that would eventually become the Euphoria, he was working on creating a pedal that would go from clean tones to distorted tones while adding a bit of warmth. He wanted something for himself that would be dynamic, have a great sounding “gritty” tone to it yet be able to respond to the volume knob like a tube amp. Everything about Brian is in the dynamics of sound and if a pedal can't work with him dynamically, then he just can't use it.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Euphoria is his take on that elusive tone and feel made famous by \"D style Amplifiers\" - smooth creaminess yet crunchy when you need it to be, yet the tonality is much more transparent than other “D sounding\" pedals. Very responsive tone controls that interact with the pedal - they don't just “color” the sound. The controls actually affect the response and feel of the pedal, just like a great tube amp.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIf you love the sound of your clean tone, and just wish you could have more “hair” on the note... a little bit of grit without any change in tonality, the Euphoria will do that with ease. PLUS it's extremely flexible... with the toggle switch in the down position you'll get a hint of fuzz along with the overdrive, it's reminiscent of the tones that \"Eric Johnson\" may use. With the toggle in the up position the tonality is super smooth, creamy yet crunchy when you dig into the strings. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis is reminiscent to the famous “D style” tone, though it's really much, much more than that. In the center position, the toggle will give you tons of crunch, or roll the gain back a bit and push the volume up and you have a superior clean boost with a 2 band EQ that's extremely transparent, but variable so you can actually turn it into an awesome treble booster just by cranking up the treble and turning the bass down.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eSpecifications:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHigh grade film capacitors and resistors picked for their superior sound and response\u003c\/li\u003e\n\u003cli\u003eCompletely true bypass\u003c\/li\u003e\n\u003cli\u003eBattery connection and 9v power jack (barrel plug like Boss)\u003c\/li\u003e\n\u003cli\u003e4 knobs - Volume\/gain\/bass\/treble\u003c\/li\u003e\n\u003cli\u003eSwitch goes from overdrive setting to distortion setting (soft clipping to hard clipping)\u003c\/li\u003e\n\u003cli\u003e2.5\" x 4.5\" in size\u003c\/li\u003e\n\u003cli\u003eMeant to be played loud through a tube amp, but sounds great at lower levels as well\u003c\/li\u003e\n\u003cli\u003eUltra-bright LED for ease of use\u003c\/li\u003e\n\u003cli\u003eBattery connection and 9v power jack (barrel plug like Boss)\u003c\/li\u003e\n\u003cli\u003ePowder coated durable finish\u003c\/li\u003e\n\u003cli\u003eCompletely original circuitry\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Wampler Pedals","offers":[{"title":"Default Title","offer_id":653183313,"sku":"WP-EUPHORIA","price":339.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/EUPHORIA.jpg?v=1620626175"},{"product_id":"dual-fusion","title":"Wampler Dual Fusion","description":"\u003cp\u003e\u003cspan\u003eThe Dual Fusion pedal from Wampler Pedals is, we think, the first overdrive pedal specifically voiced to the new breed of fusion guitarists.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFusion in its current form is a fairly new concept, with roots not only in theoretical jazz but rock; not classic blues based rock, but the more technically advanced “shredders” that first became popular in the mid to late 80’s.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe new fusion players have spent years honing their craft. With the advent of internet guitar lessons, people all over the world are looking towards fusion as the new style of musical expression, the modern era of soloists that are taking the instrument another stage further.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOne of the forerunners of this genre is \u003c\/span\u003eTom Quayle\u003cspan\u003e. Tom is the UK’s finest and most in demand exponent of modern fusion. With a rich theoretical knowledge, a student base that contains not only “regular” players but also some absolute stellar names in the industry, \u003c\/span\u003e\u003cstrong\u003e\u003cem\u003eand\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e a pair of ears that are completely unforgiving he has never been able to locate a pedal he can use that allows him to be the guitarist he truly is.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen we first met Tom in early 2012, he was already using our \u003c\/span\u003eEuphoria\u003cspan\u003e and \u003c\/span\u003ePaisley Drive\u003cspan\u003e stacked together to give him the tones he required. But something wasn’t quite right; those pedals are voiced for other genres of music altogether so we set about honing the tones to match his style of playing. He needed more transparency, a tighter and controlled response on the bass end and when stacked up they needed to sound and feel like an amp running at high levels and give each string complete clarity and response.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOver a year later, we have the Dual Fusion. With two independent circuits that are based, but are completely modified, on the Euphoria and Paisley Drive, Tom finally has a tone that can be used when he is in full flow as a musician.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Wampler Pedals Dual Fusion, the first pedal to be specifically voiced for the fastest growing breed of musicians around. With the most versatile stacking\/signal path options available on an analog pedal, it is the foundation of modern Fusion... Add into the the versatility you expect from Wampler Pedals, the Dual Fusion will appeal to guitarists from all genre’s at all levels. \u003c\/span\u003e\u003c\/p\u003e","brand":"Wampler Pedals","offers":[{"title":"Default Title","offer_id":655521853,"sku":"WP-DUAL-FUSION","price":379.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/dual_fusion_2016_front.jpg?v=1498563145"},{"product_id":"multidrive-1","title":"EBS MultiDrive STUDIO EDITION","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"lista\"\u003ePreserve the low range\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eSuitable for live and studio use\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eUniversal Overdrive Pedal\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eTubeism, Standard and Flat modes\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eControls for Drive and Volume\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eTrue Bypass Signal Relay Switching\u003c\/p\u003e\n\u003cp class=\"lista\"\u003eProtected against over voltage up to 18V\u003c\/p\u003e\n\u003cp class=\"ingress\"\u003e\u003cstrong\u003e\u003cem\u003eTHE EBS MULTIDRIVE STUDIO EDITION \u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003eIS A 'CLASS A' OVERDRIVE PEDAL, CAPABLE OF PRODUCING SUSTAIN, OVERDRIVE AND MANY OTHER USEFUL 'TUBE AMP' DISTORTION SOUNDS.\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"hr\"\u003e\n\u003chr\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpice up your sound!\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eThe MultiDrive is considered an overdrive, more than a distortion pedal. The mode switch selects\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eTubeism\u003c\/em\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eStandard\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eor\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eFlat\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eoverdrive type sounds. All with a preserved bottom since the pedal let through the low frequencies untouched and solid. With guitar, it provides a slightly overdriven bluesy tone with lots of sustain and body. This is the pedal to spice up your sustain!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEvolution.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eThe MultiDrive was first introduced in 2001. The 2008 edition improvements added 3 dB higher headroom, higher sensitivity and new analog circuitry with higher dynamics and lower noise, as well as true bypass switching technique. The latest Studio Edition, introduced in 2015, comes with a completely new design, optimized signal path, new signal relay switching technique, overvoltage protection up to 18V and the possibility to power the pedal with anything from 9-12V DC. \u003c\/p\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":779987169,"sku":"EBS0009","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/multidrive_front.png?v=1625126911"},{"product_id":"karma-suture","title":"Catalinbread Karma Suture","description":"\u003cdiv class=\"col-main\"\u003e\n\u003cdiv class=\"product-view\"\u003e\n\u003cdiv class=\"product-collateral\"\u003e\n\u003cdiv class=\"product-tabs-content\" id=\"product_tabs_description_contents\"\u003e\n\u003cdiv class=\"std\"\u003eWhat happens if you take a NOS PNP germanium transistor and an NPN silicon transistor, plus a germanium and silicon diode, and throw them into the alchemist’s pot and stir it up with plenty of Catalinbread sauce? You get a bubbling cauldron of even-order harmonics that will enhance any guitar rig! So, you’re thinking, is it a fuzz? Yes! Is it an overdrive? Yes! Is it a sparkly boost? Yes, again! Karma Suture’s four control layout allows you to dial in a huge range of harmonically rich tones that sound great into clean amps and into overdriven amps. Or into a foundation overdrive, such as the Dirty Little Secret. It can work equally well with vintage single coils and hot humbuckers. Because Karma Suture generates predominantly even-order harmonic distortion, you will notice amazing clarity even with extreme settings. You can even play complex chord voicings and yet every note rings through clear! Try that with your average fuzz or distortion pedal! And even at maximum settings, the Karma Suture retains an open and responsive character unlike a lot of fuzzes and distortion pedals. Even though it has an open character, you can get amazing sustain with the Karma Suture on, especially if you’re hitting a cranked up amp with it. Harmonics come in waves, undulating in and out as you hold that epic power chord. Based on the rare Harmonic Percolator circuit, it is not just a clone. We’ve expanded the potential by adding the exclusive Density and Diodes controls coupled with months of fine-tuning to get everything just right. You’ll find great sounds throughout the rotation of all the controls. No matter how you have the pedal set, the tone and response is always alive, sensitive to your every playing nuance.\u003cspan style=\"line-height: 1.2;\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Catalinbread","offers":[{"title":"Default Title","offer_id":802438493,"sku":"CATL0015","price":279.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/karma-front-360x600.png?v=1625126654"},{"product_id":"colour-boxv2anniv","title":"JHS Colour Box V2 10th Anniversary","description":"\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe Colour Box is ten years old, and to celebrate, we're offering a special colorway in a pro-audio aesthetic! Get them while they're hot, because we're only planning on selling these from now until December 31, 2024.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 2012, I had a crazy idea for a tone shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard-to-achieve sounds of \"direct-in\" electric guitar recordings that I loved.  Bands like the Beatles, Spoon, Wilco, and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.\u003c\/p\u003e\n\u003cp class=\"\"\u003eI wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation, and re-works, this concept evolved into something far beyond what we had imagined.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn 2014 as we filmed the first demo videos at Abbey Road Studios in London and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so much more!\u003c\/p\u003e\n\u003cp class=\"\"\u003eOn its release day, I wasn't quite sure how it would be accepted, but I knew that I loved it. As a few months went by, we saw something amazing begin to happen; this pedal was showing up in all types of environments. Producers, engineers, and artists were emailing us, tagging us on socials and showing how they had put the Colour Box to use. Studio vocals, live vocals, kick drums, acoustic guitars, bass, keys, overhead drums, stereo buses, room mics, synths, re-amps, and some incredibly large stage setups had it on almost every instrument! This unit can be heard on dozens of recordings from U2, Wilco, The National, Spoon, Collective Soul, Muse, the War on Drugs, and Phantogram amongst others. As proud of this pedal as we were, we wanted to make it better, so we did. \u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION 2 EMERGES\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi\/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. \u003c\/p\u003e\n\u003cp class=\"\"\u003eThe most significant improvements are:\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eAddition of an Output transformer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eSafely Passes 48V Phantom Power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eEQ Shift Knobs for precision EQ control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eHi\/Lo Switch for ultra clean headroom\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e100% available clean signal even on acoustic guitar\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eSilent switching, aka no \"switch-pop\"\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003eRuns on standard 9V DC Neg power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4\u003e\u003cstrong\u003eFEATURES \u0026amp; CONTROLS\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Gain section in red has three controls: Master, Pre-Vol, and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a \"drive\" or \"gain\" control, adding more grit, distortion, and even fuzz as you increase the gain.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18 dB, 2nd is +23 dB, 3rd is +28 dB, 4th is +33 dB, 5th is +39 dB.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Colour Box V2 has a new Hi \/ Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion, and fuzz sounds.\u003c\/p\u003e\n\u003cp class=\"\"\u003eIn addition to the Hi \/ Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high output microphones.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eMOST POWERFUL EQ YET\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The classically labeled EQ knobs adjust the amount of frequencies that get boosted and cut, while the Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control.\u003c\/p\u003e\n\u003cp class=\"\"\u003eEQ Functions\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eTreble Knob\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e- Cut\/Boost Control     +\/-15dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMiddle Knob\u003c\/strong\u003e- Cut\/Boost Control    +\/- 10dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBass Knob\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e-   Cut\/Boost Control   +\/-15dB  flat at noon.  CCW cuts, CW boosts.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003eFrequencies controlled by EQ Shift Knobs:\u003c\/p\u003e\n\u003cul data-rte-list=\"default\"\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eTreble Shift\u003c\/strong\u003e- 2kHz to 30kHz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eMiddle Shift\u003c\/strong\u003e- 150Hz to 2.4kHz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eBass Shift\u003c\/strong\u003e- 20Hz to 440Hz –  CCW lowers the center Freq, CW raises the center Freq.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eHi-Pass\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003esection is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob. The HPF is a 2nd order 12dB per octave high pass filter. The -3dB cutoff freq (the frequency at which the filter starts to act) can be adjusted from 160Hz to 650Hz.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eXLR AND OUTPUT\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eThe Colour Box V2 has a combination XLR and 1\/4\" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST\/XLR.\u003c\/p\u003e\n\u003ch4\u003e\u003cstrong\u003eVERSION HISTORY\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp class=\"\"\u003eV1 = Smaller enclosure; no “shift” EQ knobs; seven knobs total.\u003c\/p\u003e\n\u003cp class=\"\"\u003eV2 = Larger enclosure; ten knobs total; added Hi\/Lo Toggle; passes phantom power. Output transformer addition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE COLOUR BOX V2 RUNS ONLY ON STANDARD 9V DC NEGATIVE POWER (DO NOT PLUG IN ANYTHING GREATER THAN 9V) AND MEASURES 5.7” X 3.75” X 1.85\"\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":843901977,"sku":"JHSPCOLOURBOX10TH","price":699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/files\/jhsanncb.jpg?v=1742971448"},{"product_id":"clarkesdale-delta-overdrive","title":"Wampler Clarkesdale Delta Overdrive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAt the crossroads of Highway 61 and Junction 49 lies the official crossroads of Clarksdale, Mississippi – the birthplace of the Delta Blues. This historic town, and the famous music that was created there, is responsible for the inspiration behind this pedal – The Clarksdale Overdrive.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBlues and non-blues guitar players have used Tube Screamer® type circuits for years to help them create their own signature sound. Over the years, countless players have been asking Brian to create that world famous vintage mid-range overdrive – well he finally did it!\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Clarksdale is Brian’s take on that world famous lime green overdrive many of us have come to love– with a few great Wampler styled improvements of course. The world of Boutique pedals is filled with lots of great clones of that already famous circuit– so what else could be done?\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBrian wanted to create a pedal that would be true to the sound and feel of the original but would have a wider range of tonal options – to satisfy even the biggest tone chasers out there. The addition of a 3 band EQ (Bass, Mids, and Treble) allows a player to have a more tailored tonal pallet than the original. The Lift\/ Smooth switch will also allow a player to either sit in the mix with the Smooth setting or allow your leads to standout with the Lift option. Also unlike the original “green giant” the Clarksdale will not “fizz out” as much at low or high gain settings.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe Clarksdale has one foot in the past and one foot firmly planted in the future. Your Search for the perfect vintage midrange infused overdrive is finally over.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Wampler Pedals","offers":[{"title":"Default Title","offer_id":968948469,"sku":"WP-CLARKSDALE","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/clarksdale_2016_face.jpg?v=1498530265"},{"product_id":"voyager-overdrive","title":"Walrus Audio Voyager Overdrive","description":"\u003cp\u003eThe Voyager is a gain\/preamp overdrive that boasts a full spectrum of tone from any setting on its simple set of controls. From its lowest to highest settings, the Voyager provides a uniquely superb amount of clarity to any style of playing. At lower gain settings, it brightens the signal and adds clarity to each note played. With the gain turned up, the Voyager transforms into a thick overdrive, providing depth to chorded playing while retaining the clarity needed to break through on solos. Has True Bypass switching.\u003c\/p\u003e\n\u003cp\u003e9V DC 20mA – 4.77 x 2.9 x 2.3 inches\u003c\/p\u003e\n\u003cp\u003e***The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.***\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Walrus Audio","offers":[{"title":"Default Title","offer_id":1067706241,"sku":"900-1034","price":249.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/voyager_flat2.jpg?v=1423114618"},{"product_id":"descent-reverb","title":"Walrus Audio Descent Reverb","description":"\u003cp\u003eThe Descent was designed to create ambient textures of sound, from thick and endless hall reverbs to symphonic shimmers. The Descent is a three mode reverb system; hall, reverse, and shimmer. In each mode, the user has the ability to feed +1 and -1 octaves into the reverberated signal. The Hall mode will feature a classic reverb sound that can move your signal from a small-room-echo to a haunting long hall- echo. The Reverse mode smoothly flips your signal to playback unique responses and can be manipulated with pre-delay time controls. Shimmer mode highlights the octave features, dry signal, -1, and +1 to mix in your signal and creates a symphony of sound.\u003c\/p\u003e\n\u003cp\u003eThe Descent offers you eight controls to precisely hone in your perfect reverb. In addition, the user can use an auxiliary momentary switch in the fav input to switch the pedal on\/off and\/or save presets. If you have an already crowded pedal board, you can set your Descent at the back of the board and run a small SPST switch to the front of the board so you don’t lose valuable real estate. The Fav input requires a TRS cable to be used. The expression pedal control works with most on-the-shelf expression pedals. This feature allows the user to set the high and low parameters of each control and then fade in and out the those controls by moving your foot up or down on the expression pedal.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5 5\/8″ x 4 5\/8″ x 1 9\/16″\u003c\/li\u003e\n\u003cli\u003e-The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended.\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Walrus Audio","offers":[{"title":"Default Title","offer_id":14258962497595,"sku":"900-1008","price":339.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Descent.png-598x500.jpg?v=1423116317"},{"product_id":"palisades-mega-ultimate-overdrive-classic","title":"Earthquaker Devices Palisades Mega Ultimate Overdrive Classic","description":"\u003cp\u003eThe Palisades is something we said we would never do… an overdrive based on the legendary TS808! Gasp! The horror! Another tubes creamer?? In 2014?? Really?? After loads of requests we finally buckled. We ran tests with every popular clone on the market as well as several vintage originals, compared, contrasted and took loads of notes. It was exhausting but informative. In the end, we threw it all away, used our ears and came up with what we feel is the most versatile relative of the 808 available today.\u003c\/p\u003e\n\u003cp\u003eWith 6 different clipping voices, 5 bandwidth settings and 2 gain channels you will be hard-pressed to not find a setting that will wipe every mid-boosting overdrive off your board. The clipping voices determine how transparent and open or tight and crunchy the distortion is. They will vary drastically depending on where the gain is set, what channel is active and how much bandwidth is being used. The bandwidth sets the frequency response of the distortion and goes from thin, light and clean through fat heavy and crunchy. It may very well be the single most important control the palisades has and what really sets it apart.\u003c\/p\u003e\n\u003cp\u003eGain A is a lower gain channel with a wider range of grit that is great for strumming open chords. Gain B is a higher gain channel with a tighter range that is great for palm muting and\/or shredding solos. The Palisades also has a foot switchable volume boost with adjustable level to take it over the top when you want to throw your foot up on the monitor and rip your sweet leads… or maybe just push the front end of you amp a little harder. Not enough? How about a normal\/bright switch to mix and match the overall tone to different amps and guitars. Still not enough? OK then, how about a buffer on\/off switch to tighten up the tone and make it sparkle when set to “ON” or warm it up and make it sag when set to “OFF”.\u003c\/p\u003e\n\u003cp\u003eThe Palisades is a versatile dude that will give you years of loving companionship. Each Palisades is hand made one at a time in the tiny tree house community of Akron, Ohio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBoost:\u003c\/strong\u003e\u003cspan\u003e Sets the level of the output boost.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eVolume: \u003c\/strong\u003e\u003cspan\u003eSets the output level.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTone:\u003c\/strong\u003e\u003cspan\u003e Brighter clockwise, warmer counter clockwise.\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGain A:\u003c\/strong\u003e\u003cspan\u003e Sets the gain for the Channel A (lower gain)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGain B:\u003c\/strong\u003e\u003cspan\u003e Sets the gain for Channel B (higher gain)\u003c\/span\u003e\u003c\/p\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":1092564497,"sku":"EQD0025","price":469.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/big_Palisades.jpg?v=1625126891"},{"product_id":"ocd-overdrive","title":"Fulltone OCD V2 Overdrive","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eThe New Fulltone OCD V2\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003eThe OCD has received many slight tweaks over the last 12 years, often incorrectly identified as “version 2, Version 3, V4, etc.” In reality there has always been only one version…Version 1, with very slight variations after that making them V1.1 through V1.7.\u003cstrong\u003eToday marks the release of a very new OCD, different enough that it warrants a V2 designation, an explanation and warrants a trip to your favorite dealer to give it another listen.\u003c\/strong\u003e Not a subtle change when turned on…\u003cem\u003enot\u003c\/em\u003e a subtle change when turned off (in E.B. mode).\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSonic changes to OCD V2\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eNEW FEATURE\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003eoutput buffer\u003c\/strong\u003e (when pedal is turned on in True-Bypass mode, or always when in Enhanced Bypass mode)) which eliminates it from being influenced be effects that came after it. Translation, your sound remains consistent regardless of placement in today’s more complex signal-chains, loopers, and pedalboards. This buffer also had a positive effect on the sound, it reduced loading on the pedal’s hard-clipping stage, allowing more sustain of both the sound and the overtones.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eNEW FEATURE\u003c\/strong\u003e\u003c\/span\u003e \u003cstrong\u003eClass A configured discrete 2N5457 JFET input section\u003c\/strong\u003e, raising the input impedance to 1 mega ohms (previously 330K) and increasing the dynamics…resulting in significantly better interaction with both single coil and humbuckers.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eNEW FEATURE\u003c\/strong\u003e\u003c\/span\u003e Internal switch to choose between ”\u003cstrong\u003eEnhanced Bypass\u003c\/strong\u003e TM” \u0026amp; True-Bypass, and with no popping sound in either mode. No other company offers EB…I invented it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAMPS\u003c\/strong\u003e... if you've ever owned a GREAT amp, like a Marshall 18 watt, a VOX AC15 or a Marshall JTM45, and if you have a place where you can crank them up loud, then you know what I'm talking about. Smack a power chord and you (not only) hear the fundamental notes, but you get (count 'em) 4, 5, even 6 additional overtones ringing into a feedback... notes that you can whistle if your ear is good enough! Think Zep's \u003cem\u003eOcean\u003c\/em\u003e or \u003cem\u003eCustard Pie\u003c\/em\u003e or classic tones, including James Gang, the Beatles, AC\/DC, Free., and so on.\u003c\/p\u003e\n\u003cp\u003eBack off the guitar's volume and there are a dozen great other sounds at your fingertips... Clean, spanky sounds, with all the highs and lows still intact. And a Tele still sounds like a Tele, a Les Paul like a Les Paul.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePEDALS\u003c\/strong\u003e... (until now) just can't hold a candle to what a good amp can do if you are really picky. You not only lose all the touch sensitivity, but forget about those complex Harmonics. (For me) It's always been somewhat of a compromise using Overdrive pedals... until now. Ladies and Gentleman, I am proud to introduce the Fulltone OCD. I made this pedal for me, but I think you might like it too.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Fulltone","offers":[{"title":"Default Title","offer_id":1092568361,"sku":"FULL0004","price":369.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/files\/OCDfront.webp?v=1716441534"},{"product_id":"box-of-rock","title":"ZVEX Box Of Rock (Vexter Series)","description":"\u003cp\u003e\u003cspan\u003eThe Box of Rock (TM) is Z.Vex Effect's first \"distortion\" pedal, highly specialized to simulate the \"everything on 10\" sound of a classic Marshall ® JTM45 non-master-volume amplifier. You may use the Box of Rock effectively with many different amplifiers, but to get the sound I heard when I designed it, try it through a Marshall at least once. You may use your guitar's volume control to adjust for the exact amount of distortion you need, all the way down to very clean and clear with most drive settings. You will notice the words \"distortron engine\" on the Vexter version of this pedal (no, that's not a misprint) on the pedal. This is what I named my distortion circuit... call me crazy. On the hand-painted version, the stomp switch on the right is labeled \"ROCK\" instead, because our paint brushes are too wide for so many small letters.\u003c\/span\u003e\u003c\/p\u003e","brand":"ZVEX","offers":[{"title":"Default Title","offer_id":1102806917,"sku":"AUD-ZV-VR-BOR","price":319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/zvexborzepplin.jpg?v=1649822394"},{"product_id":"instant-lo-fi-junky","title":"ZVEX Instant LO-FI Junky (Vexter Series)","description":"\u003cp\u003e\u003cspan\u003eThe ZVex Vexter Series Lo-Fi Junky Modulation and Chorus\/Vibrato guitar effects pedal emulates the ZVex Lo-Fi Loop Junky in real time though a combination of THAT chip compression, Belling bucket-brigades and ultra low-current National Semiconductor op-amp filters. It exquisitely copies the texture and feel of the original Lo-Fi in a new and extraordinary box. It also adds some new sounds that have never been heard before. \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe ZVex Lo-Fi Junky Modulation and Chorus\/Vibrato pedal lets you cook up a tone that's perfect for you. Get uber dark tones that are downright eerie, or get bright compression that lasts for days. Mix the sparkly clear compressed signal with the smashed, lo-fidelity warbled signal for a luscious emulsification that can be blended to the most perfect depth. The Lo-Fi Junky Modulation and Chorus\/Vibrato pedal lets you set exactly how much of the two signals are present in the mix.\u003c\/span\u003e\u003c\/p\u003e","brand":"ZVEX","offers":[{"title":"Default Title","offer_id":1102809353,"sku":"AUD-ZV-VR-ILJ","price":349.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Instant_Lo_Fi_V.jpg?v=1425276852"},{"product_id":"plexi-drive-deluxe","title":"Wampler Plexi Drive Deluxe","description":"\u003cp\u003e\u003cspan\u003eSince the early 60’s, Marshall Amplifiers® have lead the way in rock tones with its legendary tight overdrive and coveted bass response. Early rock legends such as: \u003c\/span\u003e\u003cstrong\u003eJimi Hendrix\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eLed Zeppelin\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003eCream\u003c\/strong\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cstrong\u003eAC\/DC\u003c\/strong\u003e\u003cspan\u003e helped lead the way in creating some of the most iconic rock tones ever produced and catapulted Marshall® into rock legendary status.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe \u003c\/span\u003e\u003cstrong\u003ePlexi-Drive Deluxe\u003c\/strong\u003e\u003cspan\u003e, is a direct descendent of the \u003c\/span\u003e\u003cstrong\u003ePlexi-Drive Standard\u003c\/strong\u003e\u003cspan\u003e but with a few upgraded features. Like the original, the \u003c\/span\u003e\u003cstrong\u003ePlexi-Drive Deluxe's\u003c\/strong\u003e\u003cspan\u003e unique gain structure can cover everything from Vintage '68 style Plexi tones to the all out massive rock tones of a JTM-45® cranked to ten, or even eleven...\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith the addition of an all-new active 3 band Bass\/Mids\/Treble EQ stack – you can now have even more tonal control. With the bass boost option, you can emulate the feeling of the low-end thump of a 4x12” cabinet (or two) at the flick of a switch. The bass boost will allow you to dial in your low end at lower volume gigs or at bedroom volume levels. Along with the bass switch, We added a bright switch to add highs – which makes changing from bright to dark guitars a breeze. The \u003c\/span\u003e\u003cstrong\u003ePlexi-Drive Deluxe\u003c\/strong\u003e\u003cspan\u003e also features a one knob, pre-gain boost soft click switch that is voiced like that \"famous overdrive with pronounced mids” – to help push your leads in to overdrive.\u003c\/span\u003e\u003c\/p\u003e","brand":"Wampler Pedals","offers":[{"title":"Default Title","offer_id":1193635677,"sku":"WAMPLERPLEXIDRIVEDLX","price":399.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/plexi_drive_deluxe_2016_face.jpg?v=1498563259"},{"product_id":"pinacle-deluxe","title":"Wampler Pinnacle Deluxe V2","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"product-sdesc\"\u003e\n\u003cp\u003eBuilding on the foundations of the Pinnacle Standard and the original Deluxe, we are proud to bring to you the v2 of our biggest selling distortion pedal, the Pinnacle Deluxe.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-ldesc\"\u003e\n\u003cp\u003eWe took everything we loved about the original and added many options to make the pedal more versatile. Before now, the Deluxe was the same as the standard but with the boost on the stomp instead of a switch. The v2 comes with a new EQ, more control and much more versatility.\u003c\/p\u003e\n\u003cp\u003eThe first thing you’ll notice is the 3 band EQ. With this, you will be able to sculpt your tone like never before. We’ve also added bright and bass boosts, so you can get that fresh tone or the thump of a 4x12”. Then, we added the “Valve Screamer” based pre gain boost (that you can use when the pedal is bypassed) – we all know how good this style of  circuit pushes gain stages… Then, the secret weapon. One the side is the SAG switch. This can allow you to remove that saggy crunch and tighten the response up dramatically, so – this v2 offers not only an updated take on a Wampler classic, but also a plethora of new features that will be irresistible to tone chasers everywhere!\u003c\/p\u003e\n\u003cp\u003eThe Pinnacle Deluxe v2. From the Brown Sound to classic rock. 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It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but there is a magical blend in between that you will find. Please experiment!!\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eDimensions: 4.00″ x 2.30″\u003c\/p\u003e\n\u003cp\u003e9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.\u003c\/p\u003e\n\u003cp\u003e9 volt Battery\u003c\/p\u003e\n\u003cp\u003eBuffered Switching\u003c\/p\u003e","brand":"J Rockett","offers":[{"title":"Default Title","offer_id":5552598337,"sku":"JROC0006","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/rockett-archer.jpg?v=1439361200"},{"product_id":"sansamp-programmable-bass-driver-di","title":"Tech21 SansAmp Programmable Bass Driver DI","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eAlways thinking of our fat-stringed brethren, we had to make a 3-channel, programmable, rig-in-a-box for bassists who can’t get enough of a great thing. Like the TRI-A.C. for guitar, you get three hot tones right at your toetips. The all-analog circuitry features the same controls as its single channel predecessor: Drive, Bass, Treble, Presence, Blend and Level. Digital only in its programmability, you just tweak the knobs until you find a tone, double-tap on a footswitch, and it’s saved in that channel. It’s that simple. Three of your faves -- to go!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ctable width=\"675\" align=\"center\" border=\"0\" cellpadding=\"3\" cellspacing=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"669\" bgcolor=\"#990000\"\u003e\n\u003cdiv align=\"center\"\u003e\u003cspan color=\"#FFFFFF\" size=\"-2\" face=\"Verdana, Arial, Helvetica, sans-serif\" style=\"color: #ffffff; font-family: Verdana, Arial, Helvetica, sans-serif;\"\u003e\u003cstrong\u003eADDITIONAL FEATURES\u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd bgcolor=\"#CCCCCC\"\u003e\u003cspan size=\"-2\" face=\"Verdana, Arial, Helvetica, sans-serif\" style=\"font-family: Verdana, Arial, Helvetica, sans-serif;\"\u003eBuild your Bass Driver DI into a live rig with a Bass Power Engine 60, and run through the PA for extra power.\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cspan size=\"-2\" face=\"Verdana, Arial, Helvetica, sans-serif\" style=\"font-family: Verdana, Arial, Helvetica, sans-serif;\"\u003eBoldly go live with just your Bass Driver DI straight into the PA.\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd bgcolor=\"#CCCCCC\"\u003e\u003cspan size=\"-2\" face=\"Verdana, Arial, Helvetica, sans-serif\" style=\"font-family: Verdana, Arial, Helvetica, sans-serif;\"\u003eBounce into any studio with a Programmable Bass Driver DI and plug directly into the board.\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cspan size=\"-2\" face=\"Verdana, Arial, Helvetica, sans-serif\" style=\"font-family: Verdana, Arial, Helvetica, sans-serif;\"\u003eWhile larger than our other SansAmp pedals, the Programmable Bass Driver DI still fits into a gig bag. Actual size: 7.25”L x 5.25”W x 2.25”H.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd bgcolor=\"#CCCCCC\"\u003e\u003cspan size=\"-2\" face=\"Verdana, Arial, Helvetica, sans-serif\" style=\"font-family: Verdana, Arial, Helvetica, sans-serif;\"\u003eEven with its roadworthy all-metal construction, each unit weighs in at a mere 25oz.\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eOperable with a 9V alkaline battery or optional Tech 21 DC2 power supply, and it is also phantom powerable.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","brand":"Tech 21","offers":[{"title":"Default Title","offer_id":6458427265,"sku":"BASSDRV-P","price":529.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/151780000000000-00-500x500.jpg?v=1441769644"},{"product_id":"sansamp-bass-driver-di-tech-21","title":"Tech21 SansAmp Bass Driver DI Tech 21 (Version 2)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eTECH 21 - Bass Driver DI (VERSION 2)\u003c\/h2\u003e\n\u003cp\u003eMuch more than just a direct box, the SansAmp Bass Driver DI is capable of dialing up big vintage tube tones, bright modern slap sounds, gnarly distortions, and all in between. Three different outputs to drive power amps, recording desks, PA mixers, or simply enhance your current rig. Controls include Presence for definition and upper harmonic content; Blend to combine the proportion of direct signal and SansAmp circuitry, and active EQ specifically tuned for bass with 12dB of cut or boost.\u003c\/p\u003e\n\u003cp\u003eVERSION 2\u003cbr\u003eWith the popularity of 5- and 6-string basses going beyond fad status and becoming mainstream, we added a switch to adjust the bass frequency to extend into those lower registers. We also added a mid-range control and a switch to adjust its frequency. 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BASS SHIFT switch changes the frequency from 40 Hz to 80 Hz.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Tech 21","offers":[{"title":"Default Title","offer_id":6458556225,"sku":"BSDRV2","price":529.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/16_bassdriver_di_v2.jpg?v=1510036206"},{"product_id":"archer-ikon-overdrive","title":"J.Rockett Archer IKON Overdrive","description":"\u003ch1\u003e\u003cstrong\u003eArcher IKON \u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eLegendary tone in a compact package.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Archer Ikon is sort of a 2 in one guitar pedal. It can be used as just a clean boost by turning the gain all the way down. As you introduce gain it will attenuate the clean signal but there is a magical blend in between that you will find. Please experiment!!\u003c\/span\u003e \u003c\/p\u003e","brand":"J Rockett","offers":[{"title":"Default Title","offer_id":6949632065,"sku":"JROC0005","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/archer-ikon.jpg?v=1443675305"},{"product_id":"the-dude-dumble-overdrive","title":"J.Rockett The Dude V2 'Dumble Inspired' Overdrive","description":"\u003ch1\u003eThe Dude V2\u003c\/h1\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe DUDE is designed to achieve the classic D style ODS sounds and feel. From Robben Ford to Larry Carlton to scorching gain, it is all there. The Dude v2 has a less aggressive volume control, new knobs that are easier to read and a noiseless foot switching system.\u003c\/p\u003e\n\u003cp\u003e9 volt Negative tip adapter and a 5.5mm x 2.1mm jack.\u003c\/p\u003e\n\u003cp\u003eTrue Bypass Switching\u003c\/p\u003e","brand":"J Rockett","offers":[{"title":"Default Title","offer_id":6949682753,"sku":"JROC0011","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/The-Dude-V2-800x850.jpg?v=1563430115"},{"product_id":"fly-rig-5","title":"Tech21 Fly Rig 5","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1 class=\"t21_text\"\u003eTECH 21 FLY RIG 5\u003c\/h1\u003e\n\u003cp class=\"t21_text\"\u003eFree yourself from the signal chains of bondage. Emancipate yourself from the oppression of evil backline loaners. Liberate yourself from the tyrannies of over-loaded flight cases and stress of airport security. It is time. For you. To rock. In a free World.\u003c\/p\u003e\n\u003cp class=\"t21_text\"\u003eSleek, compact, and simply awesome, the gunmetal-finish Fly Rig 5 is a tiny tonal titan, a thoroughbred professional unit armed with sweet analog tones. Weighing in at just over 18 oz. and under 12 inches in length, you can rule the road, rehearsal or recording gig. No stinkin’ van, no heavy flight cases, no cable spaghetti, no dead weight.\u003c\/p\u003e\n\u003cp class=\"t21_text\"\u003eWith the Fly Rig 5, no arena is too large and no stage is too small. Just grab your guitar and tap into five must-have pedals in Tech 21's award-winning arsenal: a genuine SansAmp, a reverb, a delay, a powerful boost and the incredible Plexi distortion. All of this in a streamlined, rugged metal housing that will easily fit in your guitar case. There are illuminated mini-controls to show active status, an included power supply and studio-grade, metal footswitches and jacks. It's everything you need and nothing you don't.\u003c\/p\u003e\n\u003cp class=\"t21_text\"\u003eWith the functionality of a full pedalboard, minus the crackling patch cables, dying batteries and ground loops, the Fly Rig 5 is a simple step to the rich, expressive combinations you can use for any session. Even when you want to use the latest digital supercomputer or a vintage tube amp, the Fly Rig 5 covers your ass like yoga pants. It's the perfect instant back-up rig when your boutique gear goes down exactly when you need it most.\u003c\/p\u003e","brand":"Tech 21","offers":[{"title":"Default Title","offer_id":7093311937,"sku":"TECH2100","price":499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/tech_21_fly_rig.jpeg?v=1444184382"},{"product_id":"full-drive-3","title":"Fulltone Fulldrive 3","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eFulldrive3\u003c\/h2\u003e\n\u003cp\u003eThe Full-Drive 2 has been a huge success over the years…with 150,000 sold over the last 20 years. It's still on many Pro's pedalboards... it’s not going anywhere! But over the years many people have asked: \"Please offer a footswitchable independent Clean-Boost channel\" as opposed to the FD2’s footswitchable “Distortion Boost” function. So the Custom Shop \"20th anniversary Full-Drive 3\" was born..5000 units built and SOLD OUT in 8 months. So the next logical step is the Full-Drive3 .\u003c\/p\u003e\n\u003cp\u003eFulltone-exclusive \u003cstrong\u003eOrder switch\u003c\/strong\u003e which places the Boost channel either before or after the Overdrive section of the circuit: \u003cem\u003eAfter\u003c\/em\u003e takes whatever sound you have set and increases the Volume so you pop out of the mix. \u003cem\u003eBefore\u003c\/em\u003e pounds the input of the Overdrive channel and increases the distortion, there's not a substantial increase in volume...which is more like the FD2.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThree switchable Clipping Modes\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\"90's\"\u003c\/strong\u003e original 90's warm FD2-like voicing. Transparent? NOT! Think Mids, rich Mids, Color, beautiful color. You want transparent? You got the wrong mode.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\"Wide Asym\"...\u003c\/strong\u003ethat's Wide Asymmetrical, for a beautiful, chimey, more open sound.\u003cbr\u003eeven more asymmetrical than the FD2,\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e“Comp-Cut”\u003c\/strong\u003e mode: This mode removes all diode clipping from the opamp, giving it a somewhat clean-boost feature or an aggressive opamp clipping sound on higher “Overdrive” settings. Identical to the FD2.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompletely independent, discrete JFET Clean Boost\u003c\/strong\u003e channel that can be used by itself! This channel has its own Volume control and a unique mini-knob controlling Germanium Diode \"Limiter\" function that has to be felt to be really appreciated! Clockwise on this knob takes out the strident, irritating spikes that occur with other clean boosts when you hit the strings hard....absolutely gorgeous feature destined to be a classic. This Boost circuit does not invert the signal like most clean-boosts and can be used with or without the overdrive section of the pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Icing on the cake?\u003c\/strong\u003e The housing is about 20% smaller than the traditional FD2\u003c\/p\u003e","brand":"Fulltone","offers":[{"title":"Default Title","offer_id":7251328321,"sku":"FULL0002","price":419.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/files\/fulltone-fulldrive3_400x_12642257-ce2c-4eeb-9fc1-d74dc47d2213.jpg?v=1716443332"},{"product_id":"the-crayon","title":"JHS The Crayon","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003eIn 1968 a piercing guitar tone came through the speakers on the Beatles “Revolution 1”. This is one of the most famous uses of plugging a guitar straight into a mixing console and creating the now referred to as “Direct-In Distortion\". That tone is one of the most recognizable and unique guitar tones of the last 60 years and was one of the inspirations for the JHS Colour Box that we released in May of 2014. We sought to recreate that same compressed bite and fuzz that you get when plugging directly into a British style preamp but in a compact pedal. What we came up with was something even more than we imagined, and the Colour Box has become a staple among many producers, guitar players, and multi-instrumentalists world wide. Many players over the last few years have expressed their interest in a unit that is like the Colourbox but more streamlined for the one basic application of a dirt box. No XLR function, no 3 band EQ… Just the dirt in an easy to use format for guitarists… So we decided to pull the Crayon out of the Colour Box.\u003c\/p\u003e\n\u003cp\u003eThe controls are Master, Pre, Tilt, and Hi Pass. “Master\" is your classic volume control that controls the overall output. “Pre\" works as a drive or fuzz control like turning up the pre-volume on a preamp to send it in to overdrive. As you reach 75% and above, the fuzz will begin to gate out as you pick the strings harder when playing, it is very responsive to your input signal and touch. The “Tilt\" acts as an active tone control that is flat when the knob is at 50%. When turned to the left, the Tilt control boosts bass and simultaneously cuts treble. When turned to the right, it boosts treble and cuts bass. This allows for some very unique and usable adjustments to the overall feel of the Crayon. The “Hi-Pass” toggle switch lets you activate from two different frequencies located on the side of the pedal, 200Hz and 750Hz. These settings let only the high band frequencies above them pass, and this allows for some amazing tone shaping possibilities.\u003c\/p\u003e\n\u003cp\u003eThe Crayon excels at Direct-In fuzz tones, but it truly covers more ground than you would first imagine. From subtle tube-like overdrive to classic rock distortion and all the way to spitting fuzz, the Crayon is much more than a one-trick pony. The Crayon also cleans up with your guitar's volume better than any other drive we make. It is exceptional for the player who want to access multiple dirt tones with the controls of their guitar.\u003c\/p\u003e\n\u003cp\u003eThe Crayon may be the tone you’ve heard and always wanted, the tone that you never knew where to find. Add this Crayon to your palette of tones and color your own unique voice.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":10318236807,"sku":"JHSPTHECRAYON","price":319.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/JHS-Crayon-top.jpg?v=1447816664"},{"product_id":"the-at-andy-timmons-signature-channel-drive","title":"JHS The AT+ (Andy Timmons) Drive Pedal","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIn 2016 we brought you the AT, Andy Timmons artist signature pedal and we're really proud to bring you the next iteration of this phenomenal stomp box, The AT+.\u003c\/p\u003e\n\u003cp\u003eThe JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. Through going back and forth and tailoring it to Andy’s tastes, the “@“ was born and eventually released into production in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig.  So pay ATtention and we’ll see what makes the AT rock.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDoes the AT+ sound the same as the original AT?\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYes!  The drive channel of the AT+ is identical to our original AT pedal.  No changes were made whatsoever and the controls remain the same.   They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright\/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different wattage amplifiers. The up position is the 25-watt setting with the most compression and saturation with the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eTwo channels are better than one!  \u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eNew to the AT+ is an independent foot-switchable Boost...essentially creating a second channel and gain stage for the pedal.  The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more.  Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis pedal requires standard 9V DC Negative power, consumes less than 100mA, and measures 2.2\"x4.8\"x1.6\".\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYou can safely run “The AT“ at 18 or 9 volts.\u003c\/strong\u003e\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":10318259719,"sku":"650415211999","price":339.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/JHS-AT-top-Web.jpg?v=1521018678"},{"product_id":"billy-sheehan-signature-drive","title":"EBS Billy Sheehan Signature Drive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"ingress\"\u003e\u003cstrong\u003e\u003cem\u003eTHE BILLY SHEEHAN SIGNATURE DRIVE \u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003ePEDAL IS DEVELOPED BY EBS IN CLOSE CO-OPERATION WITH BILLY HIMSELF. IT IS BASED ON THE CONCEPT OF MIXING TOGETHER A CLEAN SIGNAL WITH A DISTORTED TO BE ABLE TO PRESERVE LOW FREQUENCIES AND FIND BALANCE BETWEEN DISTORTION AND DEFINITION.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Compressor. \u003c\/strong\u003eThe option to add compression make possible to keep the note differentiation clearly audible even at heavily distorted sounds. There are three modes for the built-in compressor, High, Mid and Off. For the Mid setting, there's an additional trim pot inside to set the ratio. There's also a trim pot to set the Threshold for the compressor (affect both settings).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClean Loop, Drive Loop - Endless possibilities!\u003c\/strong\u003e The Billy Sheehan Signature Drive offers unlimited pre-post mix tone shaping, made possible by including a \u003cem\u003eclean loop\u003c\/em\u003e and a \u003cem\u003edrive loop\u003c\/em\u003e. It lets the user insert any other effect they wish within each loop to ’pimp’ the effect into your own signature effect! For example, connect an external EQ to the Drive Loop and shape the character of the distortion any way you want. Or, turn off the built-in compressor if you prefer to use a different type of compressor and put in the Clean Loop. To use the loop function, you need an additional insert cable (a stereo 1\/4\" plug that split in a tip and ring female or male 1\/4\" mono plug).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls.\u003c\/strong\u003e With the new extended size box from EBS, there are controls for \u003cem\u003eDrive \u003c\/em\u003e(gain for the overdrive engine),\u003cem\u003e Tone\u003c\/em\u003e (sets the frequency scoop for the drive),\u003cem\u003e Level \u003c\/em\u003e(sets level for drive channel post Drive Loop and pre final compressor) and \u003cem\u003eClean\u003c\/em\u003e (sets level for the clean channel, post Clean Loop and pre final compressor). The concept works similar to when you blend the two channels on the preamp of a Fafner II amp.\u003c\/p\u003e","brand":"EBS","offers":[{"title":"Default Title","offer_id":10428968903,"sku":"EBS0002","price":239.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/bss_front.png?v=1625126902"},{"product_id":"maxon-od-01-the-driver-1","title":"Vintage MAXON OD.01 The Driver","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eVintage Maxon OD.01 The Driver, serial #115447, good worn condition, perfect working order.\u003c\/span\u003e\u003c\/p\u003e","brand":"vintage effects","offers":[{"title":"Default Title","offer_id":11866673927,"sku":"VINT0070","price":220.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/vintage_pedals_-_3.jpg?v=1450325429"},{"product_id":"jubilee-silver-overdrive","title":"Alexander Pedals Jubilee Silver Overdrive","description":"\u003cp\u003eRoaring like a British Lion from Wembley to the Sunset Strip, the Jubilee is ready to melt faces. Sure, it can do subtle but that's no fun. Crank it up and rock out.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eControls:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLoudness: \u003c\/span\u003eControls the output level of the pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDrive:\u003c\/span\u003e Adjusts the gain and distortion of the pedal.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTreble \/ Middle \/ Bass:\u003c\/span\u003e Passive three-band tone stack, voiced like a British amplifier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePower Supply:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Jubilee requires a DC power supply with a 2.1mm pin, centre negative. The Jubilee will operate on power supply voltages up to 18V and does not use a battery. The Jubilee should work fine on a multi-pedal \"daisy chain\" connector, but if you encounter excessive noise or hum try a separate power supply.\u003c\/p\u003e","brand":"Alexander Pedals","offers":[{"title":"Default Title","offer_id":14466777863,"sku":"AUD-AL-JU","price":289.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Jubilee-Front.jpg?v=1625126485"},{"product_id":"tumnus-mythical-overdrive","title":"Wampler Tumnus Overdrive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThere is one overdrive circuit to this day has been the most talked about, the most sought after, and the most mythical of them all. It’s big, it’s expensive, and it has certainly earned its place at the table. Wampler has painstakingly and faithfully reproduced that magical tone in all its glory in an unbelievably small package, and its name is Tumnus.\u003c\/p\u003e\n\u003cp\u003eTumnus is a versatile addition to any setup, any style. Stack it with another pedal to help push or shape the total amount of gain, use it as a stand alone overdrive, or use it as a slightly dirty boost to push the front end of your amp over the edge. You can even use it as a buffer, because just like the original this pedal is not true bypass. Instead, faithful to the original, this pedal contains a buffered bypass tone legendary in its own right.\u003c\/p\u003e\n\u003cp\u003eThree knobs and the truth: The Tumnus’ streamlined 3 control knobs (Volume, Gain, and Tone) allow you to quickly dial in your tones no matter what the gig calls for. We aren’t going to sit here and claim it has magical parts, or we sourced out 60 year old diodes that make it perfect, but we are going to say that during our research we looked at everything available and then only used the parts that Brian chose to replicate that amazing tone.\u003c\/p\u003e\n\u003cp\u003eLet’s face it, not everyone has room for a four-legged beast on their board. This slender biped slips in and out of a myriad of tight situations. Now you can have the tone. Now you can have history. Now you can have it all without having to send some pedals back to the bullpen.  The Wampler Tumnus, standing up for that amazing tone, but without the outrageous claims often associated with it.\u003c\/p\u003e","brand":"Wampler Pedals","offers":[{"title":"Default Title","offer_id":16767441607,"sku":"WP-TUMNUS","price":249.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/tumnus_face_2019.jpg?v=1572838966"},{"product_id":"45-caliber","title":"J.Rockett .45 Caliber - Tour Series","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe new .45 Caliber is a pedal we have been asked to create for some time now. It is a recreation of the original 1962 JTM 45 sound, overdriven. The sonic influence came directly from the old Malcolm Young, brilliantly crunchy rhythm tones and the old Pete Townsend Live at Leeds, “face-melting” goodness! To achieve that sound seems like an easy task but this design proved to be quite a challenge. After a year or so we feel we have nailed it, not only in sound, but also in feel.\u003c\/span\u003e\u003c\/p\u003e","brand":"J Rockett","offers":[{"title":"Default Title","offer_id":17674744903,"sku":"JROC0003","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/45_Cal_Cropped.jpeg?v=1457933920"},{"product_id":"blue-note-tour-series-overdrive","title":"J.Rockett Blue Note Overdrive - Tour Series","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv itemprop=\"description\" class=\"short-description\"\u003e\n\u003cp\u003eThe new Blue Note Tour Series is exactly what you think…a small, compact version of the current production Blue Note. The Blue Note Tour Series is identical in sound to the original Blue Note, but does not offer the “Hot Switch” option.\u003c\/p\u003e\n\u003cp\u003eThe Blue Note Tour Series is designed for the touring musician with a rugged, steel enclosure and the new “Speed Switch” system. You can live in the jazz\/blues world all day long with the Blue Note Tour Series always engaged.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"J Rockett","offers":[{"title":"Default Title","offer_id":17676114951,"sku":"JROC0007","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Blue_Note_Cropped.jpeg?v=1457935132"},{"product_id":"oxblood","title":"Keeley Oxblood","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eWhen inspiration hits, you need the voice to proclaim it.  When you need that voice, count on the Keeley Oxblood Overdrive to be your beast of burden.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Keeley Oxblood Overdrive is our response to everyone cloning the “Mythical Beast” pedal. We decided to build an original design. We wanted to build a new circuit that let players blend from perfectly clean to amp-crushing roar.  We wanted that impossibly huge and focused midrange that makes any guitar… Strat, Paul, Tele, sound incredible.  We knew we could do it our way and offer you more tone.  So we designed this pedal over the course of a few days to outdo the old pedal.  I am confident we not only drew blood, we crafted a #killer\u003c\/p\u003e\n\u003ch3\u003eClean, Distortion, Fuzz – It’s All There\u003c\/h3\u003e\n\u003cp\u003eWith the Keeley Oxblood Overdrive you roll off the Drive Control down and get a perfectly clean sound, you can dial in any amount of distortion and volume to stomp an amp into pure tonal nirvana.  The Keeley Oxblood Overdrive offers you two ways to clip and saturate your signal with overtones by selecting carefully chosen diodes.  Magical and Mythical, Monstrous and Most Satisfying they are indeed.\u003c\/p\u003e\n\u003cp\u003eThe key to the ultimate overdrive in our opinion is the ability to control five different parameters.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBass response.  Phat Switch, cuts bass response to give you that classic Screamer or K-like midrange shelving.  The bass response when cut is saturated with a hint of 2nd order harmonics.  Punchy and full yet not overbearing.  It cuts like a buffalo, what can I say?\u003c\/li\u003e\n\u003cli\u003eClipping.  Sometimes there just ain’t enough gain in the world.  Well not with this beast. The Clipping Switch gives you the ability to sing with near infinite sustain or just stand on your amp like a chief.  From Texas Rock to Bold Pretty Boy Strat Sounds that make ya wanna die.\u003c\/li\u003e\n\u003cli\u003eTone Control.  You need to be able to dial in the highs perfectly or nothing else matters right?  The highs are what makes it ear candy or ice picks.  Heck we give you the range to do whatever the heck you want to do.\u003c\/li\u003e\n\u003cli\u003eVolume.  You have to be able to put the pedal to the metal whenever you darn well chose.  Voltage doubling in our circuit gives you just that.  Headroom for days.  Slay an amp, leave it a bloody mess.  No you won’t blow tubes, but you will have them at the right temperature to make them glow with delight.\u003c\/li\u003e\n\u003cli\u003eDrive.  What? You want me to describe Drive?  Shoot, from “Is it on?” cleans to searing sustain and saturation.  It pushes you.  Compels you to play.  Non-stop playing…\u003c\/li\u003e\n\u003cli\u003eMidrange.  Wait.  Didn’t I say 5?  Well, the 6th sign of a wonderful overdrive pedal is what’s under the hood.  It’s masterful creation of sultry mids.  The kind of mids singers or cellos are known for.  Throaty and powerful.  Not just a woman tone, but a manly roar.  Not congested and stuffed up.  Focused and brilliant.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTrifecta\u003c\/h3\u003e\n\u003cp\u003eThe Keeley Oxblood Overdrive was designed by Robert Keeley and Craighton Hale with a lot of help and insight from Jack Orman.  Jack Orman has been a pioneer in the modern world of effects for 20 years.  His thoughts and ideas are incorporated by nearly every boutique builder out there.  Here is your chance to hear a brand new creation designed to outperform any of the clones.\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":17797318983,"sku":"KOX","price":329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Oxblood.jpg?v=1458097985"},{"product_id":"earthquaker-devices-acapulco-gold","title":"Earthquaker Devices Acapulco Gold V2","description":"\u003cp\u003eThe Acapulco Gold is a dirt-simple distortion Device modelled after the sound of a cranked vintage Model T amplifier, bringing the openness, clarity, and crunch that only a dimed tube amp can provide, at a fraction of the size, and without expensive maintenance costs!\u003c\/p\u003e\n\u003cp\u003eSince tone is in the hands, EarthQuaker decided to keep the controls of the Acapulco Gold as simple as possible. The footswitch turns the pedal on and off, and the giant knob controls the output volume. That’s it. The rest is at your fingertips. Want less gain? Turn down your guitar’s volume knob. Need a darker rhythm tone? Roll back your guitar’s tone control. Easy, right?\u003c\/p\u003e\n\u003cp\u003eWith your guitar’s volume all the way up, the Acapulco Gold roars like a wide-open Model T on the verge of explosion. At just-barely-backed-off, the Gold becomes a raunchy overdrive. At minimum guitar volume settings, the Acapulco Gold delivers a hazy, Nashville-sounding spank to your tone.\u003c\/p\u003e\n\u003cp\u003eHow about this? If your guitar has separate volume and tone controls for each pickup and a three-way selector switch, this little one-knob banger becomes a three-channel tone monster at the flick of your wrist!\u003c\/p\u003e\n\u003cp\u003eEach Acapulco Gold is made part-by-part, wire-by-wire, giant knob-by-giant knob with real, live humanimal hands in EarthQuaker's gilded manufactory located in gray olde Akron, Ohio USA.\u003c\/p\u003e\n\u003ch5\u003eFeatures\u003c\/h5\u003e\n\u003cul\u003e\n\u003cli\u003eBased on vintage Model T amplifier\u003c\/li\u003e\n\u003cli\u003eSingle knob design allows control of a wide range or distortion tones\u003c\/li\u003e\n\u003cli\u003eUnique driven tube sound\u003c\/li\u003e\n\u003cli\u003eTrue bypass with electronic relay-based switching - Audio will not pass without power\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Earthquaker Devices","offers":[{"title":"Default Title","offer_id":21084974855,"sku":"EQD0001","price":249.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/files\/46457c051ea258eb8b598bddcc0caf72fe85e616-1000x1000.avif?v=1753775551"},{"product_id":"keeley-mod-workstation","title":"Keeley MOD Workstation","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eIntroducing the Keeley Mod Workstation!\u003c\/p\u003e\n\u003cp\u003eThe Mod Workstation gives you eight of Keeley’s incredible modulation effects.  Swirling, twisting, watery, and spacey effects are often the perfect compliment to bold guitar sounds.  Many of the sounds in the Mod Workstation have an increased range in order to work well with tap tempo.  Several of the sounds are new ones that we have perfected over the past year.  Add the new Delay Workstation to the Mod Workstation and you have a very lean and powerful pedal board!\u003c\/p\u003e\n\u003cp\u003eThe Mod Workstation combines Keeley’s two most popular overdrives, the 1962\/Katana and the Oxblood along with a set of eight modulation effects, including Harmonic Tremolo, Phase, Chorus, Flanger, Rotary Speaker, and more.  Do you need just a touch of sheen or shimmer?  Set for ADT, Chorus, and Phaser.  If you need something vintage and full of vibe, try the Standard or Harmonic Tremolo, the Oscillating Filter or Rotary Speaker settings.  Want something wild?  Try the Flanger or the Random Sample \u0026amp; Hold Filter settings.  Typically these effects are best used after overdrives and distortions, so they match perfectly in the Mod Workstation.\u003c\/p\u003e\n\u003cp\u003eMod Workstation Modulation Effects:\u003c\/p\u003e\n\u003cp\u003e1 Tremolo – Standard volume or amplitude modulation tremolo in which the Tone Control is the shape of the waveform.  The oscillator goes from triangle to square wave.\u003c\/p\u003e\n\u003cp\u003e2 Harmonic Tremolo – Legendary tone from Brown Face amplifiers in the 1960s.  Your guitar’s tone is cut into two bands–bass and treble–and then modulated with a pair low frequency oscillators (LFOs) that are out of phase with each other.  When these bass and treble bands are modulated by oscillators that are out of step with each other, the result is very intoxicating.  The Tone Control simultaneously moves the the Low and High Pass filters, giving you the perfect vibe for your rig.\u003c\/p\u003e\n\u003cp\u003e3 Oscillating and Random Filter – Tone Control adjusts LFO in oscillating envelope filter.  It’s like blending a vibe and autowah!  If you turn the Tone Control above noon it becomes a random sample \u0026amp; hold filter like the old Maestro units.  Perfect for the Frank Zappa \u003cem\u003eShip Ahoy\u003c\/em\u003e sound.\u003c\/p\u003e\n\u003cp\u003e4 Phaser – Tone Control adjust the feedback and richness of the 4 stage phaser.\u003c\/p\u003e\n\u003cp\u003e5 ADT – the Keeley true-chorus Automatic Double Tracker.  Depth Control adjust the delay time from 0-60 milliseconds.  The Rate Control adjusts the tuning 0-60 cents.  The Tone Control is a blend control to add more of the doubled voice as needed.\u003c\/p\u003e\n\u003cp\u003e6 Analog Chorus\/Vibrato – The Tone Control is a blend control. Turn it CCW to give you Pitch Vibrato and CW to give you an analog BBD sounding chorus.\u003c\/p\u003e\n\u003cp\u003e7 Flanger – The Tone Control adjusts the Feedback of the Flanger.\u003c\/p\u003e\n\u003cp\u003e8 Leslie Rotary Speaker – Tone Control adjusts blend from Drum to Horn, perfect for fine tuning the timbre.\u003c\/p\u003e\n\u003cp\u003eDual Overdrive, 8 Modulation Effects, Tap Tempo, Effect Insert. Includes Chorus, Flange, Rotary, Harmonic Trem, Phaser, Random Filter and Hold.\u003c\/p\u003e\n\u003cp\u003eDimensions are 4.7 Inches wide x 3.72 Inches tall. Standard 9V Neg-Tip Power Supply and under 100mA.\u003c\/p\u003e\n\u003cp\u003eTap Insert needs to be connected to a normally open, momentary, tap temp box.\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":21620327687,"sku":"KEELMODWORK","price":410.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Workstation_Series_Mod_Workstation_Face-1000x1000.jpg?v=1464230512"},{"product_id":"keeley-tone-workstation","title":"Keeley Tone Workstation","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eTen years ago we invented and built a small batch of the Tone Workstation, which then moved into the hands of famous players and collectors.  John Mayer recently took two of the originals out on the Dead \u0026amp; Company tour.  For 2016 it’s more than a re-release; it’s a completely new, re-engineered workstation. The Keeley team of engineers and designers have upgraded the tone, enhanced the features, and reduced the size to now fit on anyone’s board.\u003c\/p\u003e\n\u003ch3\u003eIntroducing the Tone Workstation\u003c\/h3\u003e\n\u003cp\u003eThe front end of your signal chain–this is where your tone develops.   The first stage of amplification is critical for a sound that has clarity and delivers expressive tone.  Compression, Drive, Overdrive, Boost: you get it all here.  The Tone Workstation is designed to be the first stage in your pedal board.  It may even be the only pedal you bring to a gig. And we designed it that way.\u003c\/p\u003e\n\u003cp\u003eStarting with the classic Keeley Compressor, you can build a nice, thick tone full of sustain.  Adjust the Sustain control for increased compression or squeeze.  As you add sustain, your notes will ring out longer. The Blend control allows for a Manhattan-style compression, keeping the sound lively and crisp as you blend in your natural guitar tone.  The Blend control is perfect for adding a little bit of  bite back in with high output pickups or humbuckers.  In addition, the Treble Boost switch can be engaged to further increase the treble and sparkle into the signal when using lots of compression.  When the Blend is set completely CCW, you get only compressed signal out.  Then, as you turn up the Blend, you blend in more and more of your original signal, all the way to a 50\/50 ratio.  The attack and release times are pre-set in this compressor and are set for use with humbuckers or single coils.\u003c\/p\u003e\n\u003cp\u003eNext up is the 1962\/Katana Boost section, because the Keeley Workstation gives you plenty of options for your core tone.  With the 62\/Katana channel, you can select a sound with just the right amount of break up. Or use it in Boost mode, for that clean, pushed amp-style overdrive.  First, the 1962 is our British amp-style overdrive, which is full and even sounding with a moderate amount of crunch. Based on the famous Blues Breaker, the 1962 stage has been amplified by our Katana Boost on either side, adding tube-like saturation with our JFET valve simulation.  But, decide you just want the famous Katana Clean push? No worries. Just a flick of the switch and you have it: pure clean, tube tone.  In the Katana Mode, only the volume works; the Tone and Drive are disabled.  It’s a clean sound people say you just can’t turn off.\u003c\/p\u003e\n\u003cp\u003eLast in the chain is our renowned Red Dirt overdrive.  You get 15 years of modding tube screamers distilled into one toneful circuit.  Also featuring our JFET front end, the Red Dirt has the perfect amount of crucial midrange coupled with the option to go all the way from clean and clear to super-saturated gain, times two!  The Red Dirt circuit captures every nuance of your guitar’s tone and delivers a classic, smoking hot, silky smooth lead tone.\u003c\/p\u003e\n\u003cp\u003eDimensions are 4.7 Inches wide x 3.72 Inches tall. Standard 9V Neg-Tip Power Supply and under 50mA.\u003c\/p\u003e\n\u003cp\u003eThe Tone Workstation–reinvented, re-engineered, re-released for 2016–is the final word on your front end. In 2026, you’ll wished you’d grabbed two.\u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":21620508103,"sku":"KEELTONEWORK","price":410.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/Keeley-Tone-Workstation-2016-1000x1000.jpg?v=1464230871"},{"product_id":"j-rockett-lenny-tour-series","title":"J Rockett Lenny - Tour Series","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eLenny was a happy accident. We set out to design a recreation of the legendary Dumble Steel String Singer but thought…who needs a loud, clean amp sound in a pedal? The guy that made the Steel String Singer come alive was none other than SRV. With that said, Lenny was born! It was our intention to create a Steel String Singer being pushed to create color, texture and feel versus just loud and clean. Simply put, this is a very musical boost that colors your tone considerably, in an inspiring way…kind of like a Neve console. There is a definite mid character, but boy does it cut through a mix!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBoost\u003c\/strong\u003e – Tons of push, which creates an inter-play with the front end of any amp\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTone\u003c\/strong\u003e – Dials in your highs, simply put\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe two controls are interactive and really need each other when slamming an amp. Lenny also takes advantage of the new “Speed Switch” system\u003c\/em\u003e\u003c\/p\u003e","brand":"J Rockett","offers":[{"title":"Default Title","offer_id":21676926023,"sku":"JROC0002","price":299.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/lenny.jpg?v=1464311527"},{"product_id":"keeley-1962x-british-overdrive","title":"Keeley 1962x British Overdrive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3\u003eThe Keeley 1962 – Super Modified\u003c\/h3\u003e\n\u003cp\u003eOur Keeley 1962X 2-Mode Limited British Overdrive has a wealth of great classic Bluesbreaker tones ready at a moments notice, so what could make it better? Here at Keeley we are not one to sit on a circuit, we constantly dream and imagine what else it could be. So we have come up with something more for the Keeley 1962, Introducing the 1962x. The 1962x is a limited version of our 1962, built in batches when we have the supply, with an additional “KT88” high headroom mode utilizing MOSFET clipping. In the “KT66” mode you will get the same performance and gain range you get in the standard 1962, from mild light breakup all the way to full saturation. In the “KT88” mode, a MOSFET transistor is inserted in the clipping stage to produce a higher output, and a more forceful, focused and meatier sound. The KT88 Mode definitely steps the presence up a notch and acts terrifically to light up the front end of a classic tube amp (maybe even a Bluesbreaker?). Take all of this and place it in a brand new graphic design featuring many classic Bluesbreaker design elements and a special printed “open back” back plate, and you end up with a terrific sounding pedal, that is really great to look at too!\u003c\/p\u003e\n\u003ch3\u003eThe Keeley 1962 Amp in a Box\u003c\/h3\u003e\n\u003cp\u003eWe all know the power of British made black and gold amplifiers.  Powerful, crunchy, classic.  Now take the incredible tone of a blues breaker and wrap a Keeley Katana circuit around both sides of it and you have the Keeley 1962!  Yeah, it’s heavy, cutting, the very definition of classic distortion tones.\u003c\/p\u003e\n\u003ch3\u003eLayers of Gain\u003c\/h3\u003e\n\u003cp\u003eLayering gain sounds is one of the most tried and true ways of getting a deep rich tone.  A tone that has a smoothness to it, has sustain to it.  It let’s you sing!  That’s exactly what we’ve done here in this hybrid of circuits.  We’ve taken one of the most popular boosters out there, the Katana, and split it in half.  Using both JFETs like valves in a British amp, we create pre-amp and output tube distortions characteristics.\u003c\/p\u003e\n\u003ch4\u003eGot a Klon or Klone?\u003c\/h4\u003e\n\u003cp\u003eThis 1962x pairs up and creates an incredible tone.  I dare say near perfect for leads.  Check out John Mayer’s use of the Klon and a Bluesbreaker pedal.  Now imagine that only better. 😉\u003c\/p\u003e\n\u003ch3\u003eHand Built and Crafted\u003c\/h3\u003e\n\u003cp\u003eThis unit is crafted from precision components and workmanship.  Even the surface mount JFET transistors are placed and soldered by hand.  A very low noise op-amp was selected for this tone-tool.  You’ve come to expect brilliance from Keeley pedals, this one delivers.  It sparkles with life and energy, but doesn’t have the noise that takes away from that clarity.  This ain’t a tube screamer!  But it sure as heck goes well with one!  Want a dual overdrive system?  Take our Red Dirt and couple it with this monster.  Flat out heavy guitar tones and then click on the Red Dirt for that mid-focused saturation…infinite sustain territory.  That kind of love comes from the guys and girls at Keeley that make it their life to create fine musical instruments.  Keeley engineered effects are tools that you can depend on and make music with.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Keeley Electronics","offers":[{"title":"Default Title","offer_id":29871292679,"sku":"KEEL1962XOD","price":280.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/1962X_Dual_Mode_Overdrive_Boost_Face_White-1000x1000.jpg?v=1473413720"},{"product_id":"greer-amps-lightspeed","title":"Greer Amps Lightspeed - Blue","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNick Greer has undoubtably some of the best ears for overdrive in the business, from the sweet and singing midrange of the Southland, to the intense raunch of the Supa Cobra, to the smooth and subtle colouration of the Lightspeed. Using words like \"transparent\" to describe this Harmonic Masterpiece insinuates a lack of depth and character, both of which this pedal has in spades. It adds a spongyness with out too much compression and clarity without being shrill - it can be a clean boost to smack your amp into shape, or it can be boosted to accentuate the beautifully positioned upper midrange that sits you so snuggly in a dense mix. Yet it retains the original feel of the relationship between guitar and amp that is so crucial and unique to every guitarist. The Lightpseed transcends what you thought you knew about overdrives and if you want to change your life for the better - play one. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHere's what Greer Say:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Lightspeed Organic Overdrive is a very natural sounding overdrive. Why \"organic\"?  Well, simply put, it's the clearest, most natural feeling, and best overdrive we've heard for the player looking for a natural drive tone.  Blending with the tone of the guitar and amplifier, this pedal has rich harmonics and complex but smooth clipping. The Lightspeed Overdrive is sensitive to pick attack and has a different \"feel\" than other overdrives. The Lightspeed can be set to be \"transparent,\" but can also drive your signal to the edge.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Greer Amps","offers":[{"title":"Default Title","offer_id":30840853002,"sku":"AU-GA-LS","price":409.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/lightspeed.png?v=1685591603"},{"product_id":"greer-amps-southland-harmonic-overdrive","title":"Greer Amps Southland Harmonic Overdrive","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Southland Harmonic Overdrive is built on the Lightspeed Organic Overdrive platform, we have developed what we believe to be the best overdrive on the market.  The Lightspeed was built with the specific purpose of being a light to mild overdrive.  The Southland is the next logical step for the Lightspeed platform—more gain, with two stages of clipping (utilizing different diode types for each stage of clipping), a focused midrange (not that annoying “hump”), and a bit of presence on top of the signal, to help cut through the mix.  The Southland Harmonic Overdrive, like the Lightspeed, is touch sensitive, responds to pick attack, and has dynamics that just won’t stop.  On top of that, we’ve selected a chip to drive the Southland that takes it to the next level. \u003c\/p\u003e\n\u003cp\u003eThe Southland Harmonic Overdrive will fit with any musical style, and pairs amazingly well with the \u003cstrong\u003eLightspeed Organic Overdrive\u003c\/strong\u003e.  If you're looking for two pedals that stack amazingly well together, and can give you a rich, harmonics-filled overdrive tone, then it's time to get a Southland Harmonic Overdrive, AND a Lightspeed Organic Overdrive, today!!!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003e***NOTE***\u003c\/span\u003e\u003c\/strong\u003eWe've been getting quite a few questions, about whether or not the Southland and Lightspeed cover the same territory.  The truth is that they don't.  The revoicing of the circuit to have more of a focus on the mids, and more presence in the top end, as well as the increase in gain of the circuit, push the Southland to a place that the Lightspeed doesn't get to...one of the primary goals with the development of the Southland was to create a pedal that was different, AND would work well together with the Lightspeed.  The combination of the Southland and the Lightspeed make for one of the most heavenly overdriven tones we've ever heard...and we're okay with that!\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAmazing mild to medium overdrive and crunch!\u003c\/li\u003e\n\u003cli\u003eThick harmonics, amazing sustain!\u003c\/li\u003e\n\u003cli\u003eFocused midrange (without the annoying hump), and extended presence range, to help cut through the mix!\u003c\/li\u003e\n\u003cli\u003eTrue Bypass!\u003c\/li\u003e\n\u003cli\u003eUses 9-Volt battery or standard neg. center, 2.1mm power supply.\u003c\/li\u003e\n\u003cli\u003eBuilt with top quality components\u003c\/li\u003e\n\u003cli\u003eLifetime Warranty to the original owner!\u003c\/li\u003e\n\u003cli\u003ePedals are currently built to order, and will ship within 1-2 weeks of your order and payment\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Greer Amps","offers":[{"title":"Default Title","offer_id":40358823362619,"sku":"AU-GA-SO","price":409.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/SOUTHLAND-HARMONIC-OVERDRIV.png?v=1532153007"},{"product_id":"caroline-wave-cannon-mkii-superdistorter","title":"Caroline Wave Cannon MKII Superdistorter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eSo, what IS the story on Wave Cannon® version 2.0, or as we’ve decided to call it, the Wave Cannon MKII Superdistorter? The long story short is that this thing is an unrepentant, unapologetic distortion pedal that is totally nasty and fun. This Cannon comes pre-loaded with balls (pun alert!) and is capable of going from cranked, lightly dirty amp tones to the sound of a furry Godzilla devouring a junkyard full of broken a\/c window units.\u003c\/p\u003e\n\u003cp\u003eIt’s different than the original, which was based on the classic ’70s fuzzstortions we grew up playing. It’s different from our Haymaker™, which is a wide range drive pedal based around the rotation of a clipping network into different locations in the circuit, and which is intended to respond and feel like an extension of your amp. This pedal is really about rocking your socks off. While it can do some extremely cool mild-to-medium crunch tones, Wave Cannon II is really capable of overwhelming your amp. The focus (mids) and tone controls are different from what we’ve done before and can give you a really broad range of textures and voicings. There is a LOT of gain and volume on tap, as we’d been infuriated in the past by great sounding classic distortion pedals we’ve owned that didn’t go far enough with clean amps, or were quieter than unity gain or the bypass signal. The rumble switch allows more low end if you want it, or lets you tighten things up if you don’t need it.\u003c\/p\u003e","brand":"Caroline Guitar Company","offers":[{"title":"Default Title","offer_id":32237659018,"sku":"AUD-CA-WCZ-MKII","price":339.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/caroline-wc2-red_2000x_04c9481d-d520-442e-bd3b-a16bd67b7695.jpg?v=1634129743"},{"product_id":"caroline-haymaker-dynamic-drive","title":"Caroline Haymaker Dynamic Drive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAfter implementing an overdrive preamp in our Kilobyte® Lo-Fi delay, we decided to finally make our ultimate overdrive engine, the Haymaker™. Prepare to be shocked at its character, range, versatility, and power. Easily capable of going from open, glassy flavors of boost to classic crunch sounds that sound like an extension of your amplifier’s character, Haymaker can go even further into high gain territory.  A three-way mode switch lets you choose soft-clipped overdrive, open uncompressed drive, or harder clipped distortion textures, allowing you to decide how the pedal will respond to the wide range of control settings and changes with your pick attack and volume control. These responsive changes in dynamic range are why we call this a “dynamic drive”.\u003c\/p\u003e\n\u003cp\u003eFrom the first day we began making pedals in fall of 2010, we received requests to build clones of well known overdrives such as the Klon Centaur™, Timmy™, and Tube Screamer®. We were never interested in pursuing that kind of work. While those are great pedals that are already out there for people to find, for us to make something worthy of replacing one of them on our personal boards, it would take more than just putting our name on another maker’s design. We weren’t going to make and release an overdrive until we came up with our own thing that was interesting to us and something that we liked even more.\u003c\/p\u003e","brand":"Caroline Guitar Company","offers":[{"title":"Default Title","offer_id":32237770506,"sku":"AUD-CA-HM","price":299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/haymaker.jpg?v=1625126635"},{"product_id":"ernie-ball-expression-overdrive","title":"Ernie Ball Expression Overdrive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"para\"\u003eThe Ernie Ball Expression Overdrive delivers natural tube-like overdrive with more range than ever before. It features settings for drive, boost and tone, with a foot-sweepable overdrive control, making it effortless to go from clean to searing lead tones and everything in between, all without taking your hands off the guitar.\u003c\/p\u003e\n\u003cdiv class=\"row tone-and-videos\"\u003e\n\u003cdiv class=\"col-md-6 hidden-sm\"\u003e\n\u003cdiv class=\"swiper-container video-swiper swiper-container-horizontal\"\u003e\n\u003cdiv class=\"swiper-wrapper\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"swiper-pagination swiper-pagination-clickable swiper-pagination-bullets\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ernie Ball","offers":[{"title":"Default Title","offer_id":32918704394,"sku":"ERNIEBALLOD","price":395.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/expression_overdrive.png?v=1625126940"},{"product_id":"strymon-riverside-multistage-drive","title":"Strymon Riverside Multistage Drive","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRiverside is the culmination of a thorough analysis of numerous analog and vacuum tube circuits. Our goal? To deliver a new world of harmonically rich, incredibly versatile, tube-inspired drive sounds. We didn’t want to build just another distortion or overdrive. We knew we must examine what has been done, and bring a new approach to the world of drive sounds.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRiverside’s cascading gain stages create harmonically rich tones that are immensely musical and natural—from silky clean overdrive to colossal distortion, and all points between. Our analog JFET front-end ensures that Riverside responds to your guitar with uncompromised dynamics and feel. The precision crafted DSP generates dynamic complexity and pleasing harmonics at every stage, letting your amp shine at any gain level. Riverside takes your amp to places you never knew it could go.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRiverside’s continuously variable circuit tuning dynamically tweaks multiple parameters under the hood so that the sweet spot follows you at any gain setting. As you turn the Drive knob, Riverside makes continuous adjustments, tuning the circuit for optimum tone. This results in an incredibly versatile drive pedal that is equally capable of providing sparking cleans, mild overdrives, high-gain leads, and heavy saturated distortions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eYour amp choice has a large influence on the sound of any drive pedal connected to it. Riverside’s musical 3-band EQ, with independent Bass, Middle and Treble knobs, is designed to complement your amp’s tone with the flexibility needed to dial in your sound effectively and efficiently.  The three-position Presence switch tailors the highest frequencies, allowing Riverside to integrate perfectly with any amp or setup, no matter how dark or bright.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe first stage of Riverside’s custom multistage drive topology is an all-analog, ultra low noise, discrete, class-A JFET circuit. This gain stage is digitally controlled to maximize headroom while adding as much as 20dB of pure analog gain, with tight integration to the subsequent DSP gain stages.\u003c\/p\u003e\n\u003cp\u003eWith our hybrid approach you get the best of both analog and digital worlds: The JFET stage provides exceptional touch sensitivity and dynamic interaction with your guitar, while the incredibly powerful SHARC DSP facilitates the great level of detailed complexity and responsiveness you’ll want to hear.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRiverside allows you to save and recall your favorite settings. Simply dial up your favorite sound, and press and hold the Favorite switch to save these settings. Instantly recall these settings with the press of the Favorite switch, or press again to return back to the current knob settings. It’s like having two drive pedals in one.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRiverside gives you a three-position presence switch to tailor the highest frequencies of your output signal. Minus (-) provides clarity with a controlled top end that works well with brighter amps. Enhanced (center) extends the top end to allow for more sizzle on high gain tones. Plus (+) delivers extended high end detail to the darkest amps, and is also useful when plugging directly into a power amp.\u003c\/span\u003e.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eRiverside has an optional, variable-threshold noise reduction feature to tame hum, buzz, and system noise when you’re not playing. A downward expander with advanced signal detection techniques creates a seamless transition to noise reduced silence with all types of input signal dynamics, including staccato bursts and slowly decaying sustained notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eChances are, you won’t want to wait for your solo to turn on Riverside. The boost pedal input allows you to leave Riverside on all the time with just the amount of dirt, distortion, and drive you desire, and then boost your overall output signal by up to +6dB when you need to jump up in the mix. Connect an external switch to engage and disengage Riverside’s Boost.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eConnect an expression pedal, and enjoy a whole new level of instantaneous, continuous control. Set as many knobs as you like for the heel position and toe position of your expression pedal, and all settings will simultaneously morph throughout the full range of the expression pedal. Riverside becomes part of your musical instrument, an extension of your musical voice, an active part of your performance.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eThe Expression pedal jack can be set up in Volume Mode, which provides a logarithmic taper for smooth volume control. If you have an expression pedal, this provides an excellent alternative to a standalone Volume pedal. \u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":35141027338,"sku":"SN-RIVERSIDE","price":499.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/riverside.jpg?v=1479263384"},{"product_id":"jhs-the-milkman","title":"JHS The Milkman","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple; a single pedal that offers up an echo\/slap delay and a boost that can be used as an always-on enhancer or as an overdrive for small wattage amplifiers. Josh designed the circuit in late 2016 and here we are, a small footprint, easy to use boost\/echo 2-in-1 that fits into any style players rig with ease. Let's look at the controls.\u003c\/p\u003e\n\u003cp\u003eThe right side of the pedal is the boost side. This boost is a discreet amplifier based circuit with tons of power and character. Simply set it low at unity gain for an always-on enhancer that fattens up and clarifies your tone, or turn more clockwise to push your tube amplifier into sweet natural overdrive. The left side of the pedal is the echo\/slap delay circuit. This circuit is designed to be a hybrid of tape echo and analog BBD delay.  The controls are simple and it sounds good in every setting. The \"Slap\" knob is the amount of delay time.  As you turn the knob up, you will get longer delay times.  Keep in mind, this pedal is designed for shorter vintage slap-back delay times. The \"Mix\" knob is the effect level.  Full counter clockwise is all dry and full clockwise is full wet\/effect. The \"Repeat\" knob controls how many echoes or repeats you get. The minimum is one and maximum is around 4.5 repeats. \"Repeat\" knob lets you fine tune how many delays you will get.  Lastly is the \"EQ\" knob. This control only affects the repeat delay signal so that you can perfectly adjust the brightness or darkness of your echo. When fully counter clockwise the repeats are at their darkest much like an old BBD analog delay. When fully clockwise the repeats are the brightest they will be with more grit, this is much like a classic tape delay machine.\u003c\/p\u003e\n\u003cp\u003eThe longest echo\/delay time on the Milkman is about 240ms.\u003c\/p\u003e\n\u003cp\u003eThe footswitching is our typical 2 in 1 arrangement where either effect can be used separately or together.  The foot switch on the left, the switch will turn the delay on\/off and the footswitch on the right will turn the boost on\/off.\u003c\/p\u003e\n\u003cp\u003eThe Milkman uses standard 9v DC Negative power only.\u003c\/p\u003e","brand":"JHS Pedals","offers":[{"title":"Default Title","offer_id":37441732234,"sku":"650415211739","price":289.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/JHS-Pedals-Milkman-Top-web.jpg?v=1486520877"},{"product_id":"j-rockett-rockaway-archer-pre-order","title":"J ROCKETT Rockaway Archer","description":"\u003cp\u003e\u003cstrong\u003eJ Rockett Rockaway Archer \u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Rockaway Archer is an overdrive EQ all in one. The Rockaway Archer was developed for legendary guitarist Steve Stevens as an all in one solution to Steve’s overdrive and EQ needs.\u003c\/p\u003e\n\u003cp\u003eRockaway Archer features:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSix band graphic EQ\u003c\/li\u003e\n\u003cli\u003eVolume and gain knobs\u003c\/li\u003e\n\u003cli\u003eI\/O jacks at the head of the pedal\u003c\/li\u003e\n\u003cli\u003e9V DC operation with standard – tip and + sleeve\u003c\/li\u003e\n\u003cli\u003eApproximately 4” x 2.50” in size\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe settings include Up to 18dB of cut or boost at 6 different frequencies. Each frequency is increased by pushing its corresponding slider up on the pedal or decreased by pushing them down. This also adds or decreases volume. It is a great way to hit the front end of an amp harder than a stock Archer. The Rockaway Archer has an incredible variety of sounds due to the multitude of ways the EQ section can be used!\u003c\/p\u003e","brand":"J Rockett","offers":[{"title":"Default Title","offer_id":38572569098,"sku":"JROC0020","price":355.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/rockway-archer.jpg?v=1488340133"},{"product_id":"strymon-sunset-dual-overdrive","title":"Strymon Sunset Dual Overdrive","description":"\u003ch1\u003eStrymon Sunset Dual Overdrive\u003c\/h1\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eSunset gives you the best of the best classic overdrive circuits, custom voiced for instantly gratifying control over a huge range of sought-after tones. We studied six circuit types found in many truly timeless and iconic overdrive and boost pedals, and put our takes on all six of them into a single two-channel unit.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003eTwo pedals at once.\u003c\/h1\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSunset is really two customizable overdrive pedals, independently selectable and flexibly routable, designed and voiced for complementary tones when stacked. Six distinct circuits each feel and react differently in your hands, two at once, all in one convenient package. Push your amp any way you want, from transparent “more amp” to heavy saturated fuzz, and all the best places in between.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003eHoly Grail tone, minus the quest.\u003c\/h1\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWe are all familiar with the endless search for the ultimate overdrive pedal and the perfect tone. We did the critical listening and custom voicing to design each side of Sunset with just one tone knob, so you can quickly dial in the sound you want. The knob ranges for each circuit type are custom calibrated to provide maximal usable control. We applied the same design philosophy and care to the stacking options, ensuring each combination interacts optimally and sounds great, so a huge range of classic overdrive tones are instantly achievable.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"segments\" id=\"section-5\"\u003e\n\u003csection class=\"whitebg nopadding\"\u003e\n\u003cdiv class=\"darktext bg-img centeranchor\"\u003e\n\u003cdiv class=\"inside-wrap cf\"\u003e\n\u003cdiv class=\"material textual half nomargin\"\u003e\n\u003ch1\u003eSix classic circuits.\u003c\/h1\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSunset utilizes an all-analog JFET gain stage coupled with custom-voiced, precision-crafted DSP algorithms to capture the nuances and character of each circuit type.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"segments\" id=\"section-6\"\u003e\n\u003csection class=\"whitebg nopadding\"\u003e\n\u003cdiv class=\"darktext bg-img \"\u003e\n\u003cdiv class=\"inside-wrap cf\"\u003e\n\u003cdiv class=\"side-side-wrap\"\u003e\n\u003cdiv class=\"textual side-side cf\"\u003e\n\u003cdiv class=\"side-piece\"\u003e\n\u003cdiv class=\"material\"\u003e\n\u003ch2\u003eChannel A overdrive circuits\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe \u003cstrong\u003eGe\u003c\/strong\u003e overdrive combines the softer response of germanium diodes with a parallel path that blends in the dry signal as the Drive is lowered. At higher gains the lower-midrange frequencies are emphasized to create a tight, thick response. This overdrive really fattens up single coil pickups, and responds with a bold push when paired with humbuckers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe \u003cstrong\u003eTexas\u003c\/strong\u003e overdrive employs a single stage soft-clipper configuration that is filtered before and after the gain stage to create a smooth and dynamic overdrive. The original signal dynamics are retained as the gain is increased – perfect for playing the blues or just fattening up your sound with a signature midrange bump.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eChannel A boost circuit\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe \u003cstrong\u003eTreble\u003c\/strong\u003e type is a treble booster that removes the low frequencies as the Tone knob is turned up – great for tightening up an overdriven amp, or driving another gain pedal that’s a bit looser on the low end. Turning the Tone knob down brings in the low end, making for a versatile all-around boost.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch2\u003eChannel B overdrive circuits\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe \u003cstrong\u003e2stage\u003c\/strong\u003e overdrive combines a soft-clipping stage followed by a hard-clipping stage, creating a complex overdrive with a wide range of gain. Its EQ structure preserves the low end while adding some muscle to push your amp. This overdrive can easily take you from lightly clipped to beefy saturation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe \u003cstrong\u003eHard\u003c\/strong\u003e overdrive uses a single-stage hard-clipping circuit that has a ton of available gain, approaching fuzz territory with the Drive knob maxed. At lower gains, mildly clipped transparent tones are achieved with this versatile drive. The wide-ranging Tone knob lets you shape the top end from smooth to buzzy.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003eChannel B boost circuit\u003c\/h2\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe \u003cstrong\u003eJFET\u003c\/strong\u003e type is a clean boost that subtly beefs up your signal with the dynamics and responsiveness created from the JFET front end. As you turn up the drive, the signal gets rounded and warmer. The is a great option when your amp just “needs a little extra.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch1\u003eOptimized Stacking.\u003c\/h1\u003e\n\u003cp\u003eSince the time when overdrives were created to simply push an amp in order to achieve an overdriven sound even at sane volume levels, players have evolved to want more layered, multistage tonalities. Stacking gives you more flexibility and tone range on the floor. You can find an overdrive that sounds good on its own, then run it through a second drive to add new dimensions to your tone. Sunset allows you to use any of its six overdrive circuits on their own, or route the Channel A drive circuit through Channel B, or Channel B through Channel A, or use two circuits in parallel. Routing options have been chosen deliberately to present the best-sounding combinations of drive circuits. Sunset eliminates the guesswork.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/section\u003e\n\u003c\/div\u003e","brand":"Strymon","offers":[{"title":"Default Title","offer_id":39107037706,"sku":"SN-SUNSET","price":499.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0045\/7952\/products\/sunset.jpg?v=1493007083"}],"url":"https:\/\/www.pedalempire.com.au\/collections\/overdrive.oembed?page=23","provider":"Pedal Empire","version":"1.0","type":"link"}