The Justin Chancellor Cry Baby Wah is a multi-tool of sonic craftsmanship, combining three separate effects into a single pedal: the fluid expressiveness of a custom midrange filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz. It's the perfect complement to bass player Justin Chancellor's multi-dimensional role in the band Tool. Whether opening up soundscapes with chords and harmonics or syncing up with guitarist Adam Jones to perform arresting single-note unison runs, Justin goes above and beyond the traditional boundaries of his instrument to help compose the band's multi-layered tunes. He is, without a doubt, one of the modern pioneer users of effects on bass, and he keeps a carefully configured pedalboard at his disposal for crafting tones and exploring sounds. This custom Cry Baby Wah combines some of his favorite ways to do just that—filter, wah, and fuzz.
TWO DIFFERENT VOICES: U.K. FILTER AND CRY BABY WAH.
The Justin Chancellor Cry Baby Wah features U.K. Filter and Wah modes, two tone-warpingly distinct variations on a theme.
U.K. FILTER: THICK & THROATY.
The U.K. Filter mode uses a custom solid-state circuit designed to emulate the unique envelope-like filtering of the tone control on Justin's own instrument—thick and throaty with very pronounced peaks. This mode absolutely nails his melodic, voice-like phrasing from the Tool track "The Patient."
When combined with the built-in fuzz mode, the U.K. Filter generates incredibly smooth, synth-like tones.
WAH: BRILLIANT. AGGRESSIVE. LUSH.
If you prefer a more traditional wah sound, the Wah mode employs the classic red Fasel® Inductor and the circuitry of a modified Cry Baby Wah for a more aggressive sound and brilliantly lush harmonics.
Combined with the built-in fuzz circuit, the Wah mode cuts through with electric fire.
SHAPE YOUR VOICE. HOLD DOWN THE LOW END.
Customize each mode with separate Volume and Q controls, and move between the two at any time by stomping on the Wah Select footswitch. In both modes, this pedal's custom circuitry maintains the thickness and heft of your low end by boosting your clean signal at 400Hz and blending it with the effect signal at the beginning of the rocker's sweep.
VINTAGE FUZZ.
This pedal features Justin's go-to fuzz, based on a ferocious device of vintage UK origin. It cuts through the mix with a tighter focus than most fuzzes of its type while retaining much of a bass signal's thunderous heft. Think Justin's monstrous tones on portions of the Tool track "Jambi."
By default, you'll only hear the fuzz when using the rocker pedal—it gives the U.K. Filter and Wah modes just the right amount of harmonic content to grab hold of for the crushing yet musical passages that Justin is known for.
Want to use the fuzz by itself? Just kick the switch on the side, and it'll run independently
COMBINE U.K. FILTER OR WAH MODES WITH THE FUZZ, OR USE THEM SEPARATELY. THE CHOICE IS YOURS.
Justin uses the U.K. Filter mode by itself, and he likes to combine the Wah mode with the fuzz—which he can engage with a single motion thanks to the optional Dunlop Pedal Topper, which provides a larger surface area for your foot to make contact with.
Emulate Justin's tried and true formula for killer sounds, or experiment with all the different configurations available to unlock the hard-rocking and soundscaping potential of your own rig. In all scenarios, the Justin Chancellor Cry Baby Wah is a must for the tonecrafting bass player.
Warranty & Returns
All New products are covered by the manufacturers new warranty. Please check their website for the length of warranty and warranty conditions. If an item you receive is faulty get in touch with us ASAP. Second Hand products come with a 4 week warranty from us. If there is an issue let us know ASAP! This covers normal use and does not cover accidental damage, misuse, wrong power plugged into it, modding, water damage or any other damage caused by mistreatment. Just treat it nice and all will be good!
Shipping
We send A LOT of packages every week so don't worry about the shipping side of things!
We've never lost a thing and your awesome new gear will be packed up really well to avoid any damage in transit.
If your order comes in before 2pm we will ship it same day. Most of the time we pack things up all the way to 4pm so just call if you need it to leave same day after 2pm.
We ship mainly with Australia Post but may use a courier depending on location and size of the package.
Free Post ships with Australia Post standard and expected shipping times are between 4-6 business days depending on location. It will be longer to outside of metro and rural areas.
Express Post will usually be with you next business day in metro areas of QLD, NSW, SA, VIC and TAS. WA will take 2 days to metro and extra days after that to out side metro and rural areas.
Everything we ship has a tracking number with the exception of some power cables and smaller envelope packages. You will be emailed tracking once your order has been shipped!
Videos
The Justin Chancellor Cry Baby Wah is a multi-tool of sonic craftsmanship, combining three separate effects into a single pedal: the fluid expressiveness of a custom midrange filter, the bright aggression of a custom wah circuit, and the chainsaw grind of a vintage fuzz. It's the perfect complement to bass player Justin Chancellor's multi-dimensional role in the band Tool. Whether opening up soundscapes with chords and harmonics or syncing up with guitarist Adam Jones to perform arresting single-note unison runs, Justin goes above and beyond the traditional boundaries of his instrument to help compose the band's multi-layered tunes. He is, without a doubt, one of the modern pioneer users of effects on bass, and he keeps a carefully configured pedalboard at his disposal for crafting tones and exploring sounds. This custom Cry Baby Wah combines some of his favorite ways to do just that—filter, wah, and fuzz.
TWO DIFFERENT VOICES: U.K. FILTER AND CRY BABY WAH.
The Justin Chancellor Cry Baby Wah features U.K. Filter and Wah modes, two tone-warpingly distinct variations on a theme.
U.K. FILTER: THICK & THROATY.
The U.K. Filter mode uses a custom solid-state circuit designed to emulate the unique envelope-like filtering of the tone control on Justin's own instrument—thick and throaty with very pronounced peaks. This mode absolutely nails his melodic, voice-like phrasing from the Tool track "The Patient."
When combined with the built-in fuzz mode, the U.K. Filter generates incredibly smooth, synth-like tones.
WAH: BRILLIANT. AGGRESSIVE. LUSH.
If you prefer a more traditional wah sound, the Wah mode employs the classic red Fasel® Inductor and the circuitry of a modified Cry Baby Wah for a more aggressive sound and brilliantly lush harmonics.
Combined with the built-in fuzz circuit, the Wah mode cuts through with electric fire.
SHAPE YOUR VOICE. HOLD DOWN THE LOW END.
Customize each mode with separate Volume and Q controls, and move between the two at any time by stomping on the Wah Select footswitch. In both modes, this pedal's custom circuitry maintains the thickness and heft of your low end by boosting your clean signal at 400Hz and blending it with the effect signal at the beginning of the rocker's sweep.
VINTAGE FUZZ.
This pedal features Justin's go-to fuzz, based on a ferocious device of vintage UK origin. It cuts through the mix with a tighter focus than most fuzzes of its type while retaining much of a bass signal's thunderous heft. Think Justin's monstrous tones on portions of the Tool track "Jambi."
By default, you'll only hear the fuzz when using the rocker pedal—it gives the U.K. Filter and Wah modes just the right amount of harmonic content to grab hold of for the crushing yet musical passages that Justin is known for.
Want to use the fuzz by itself? Just kick the switch on the side, and it'll run independently
COMBINE U.K. FILTER OR WAH MODES WITH THE FUZZ, OR USE THEM SEPARATELY. THE CHOICE IS YOURS.
Justin uses the U.K. Filter mode by itself, and he likes to combine the Wah mode with the fuzz—which he can engage with a single motion thanks to the optional Dunlop Pedal Topper, which provides a larger surface area for your foot to make contact with.
Emulate Justin's tried and true formula for killer sounds, or experiment with all the different configurations available to unlock the hard-rocking and soundscaping potential of your own rig. In all scenarios, the Justin Chancellor Cry Baby Wah is a must for the tonecrafting bass player.
Warranty & Returns
All New products are covered by the manufacturers new warranty. Please check their website for the length of warranty and warranty conditions. If an item you receive is faulty get in touch with us ASAP. Second Hand products come with a 4 week warranty from us. If there is an issue let us know ASAP! This covers normal use and does not cover accidental damage, misuse, wrong power plugged into it, modding, water damage or any other damage caused by mistreatment. Just treat it nice and all will be good!
Shipping
We send A LOT of packages every week so don't worry about the shipping side of things!
We've never lost a thing and your awesome new gear will be packed up really well to avoid any damage in transit.
If your order comes in before 2pm we will ship it same day. Most of the time we pack things up all the way to 4pm so just call if you need it to leave same day after 2pm.
We ship mainly with Australia Post but may use a courier depending on location and size of the package.
Free Post ships with Australia Post standard and expected shipping times are between 4-6 business days depending on location. It will be longer to outside of metro and rural areas.
Express Post will usually be with you next business day in metro areas of QLD, NSW, SA, VIC and TAS. WA will take 2 days to metro and extra days after that to out side metro and rural areas.
Everything we ship has a tracking number with the exception of some power cables and smaller envelope packages. You will be emailed tracking once your order has been shipped!